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BOOK TWO: Sydney Wilde took on the Alpha role in the Green Forest pack at the age of twenty-one. Being half werewolf and half-human, no one took her seriously. Now at the age of twenty-five, still with no wolf and no mate, she finds herself running one of the biggest packs in the world with power and respect — earning every bit of it on a daily basis. And then someone comes to ruin that. What happens when a cocky yet prestigious Alpha from another continent claims to be Sydney's mate? How will she deal with everything that will now unfold and still take care of her very unique pack? _______________________________________ PLEASE READ BOOK ONE: P.S. YOU'RE MY MATE BEFORE READING THIS ONE SO THIS STORY MAKES SENSE!

9.7

42 Chapters

That Prince Is A Girl: The Vicious King's Captive Slave Mate

They don’t know I’m a girl. They all look at me and see a boy. A prince. Their kind purchase humans like me—male or female—for their lustful desires. And, when they stormed into our kingdom to buy my sister, I intervened to protect her. I made them take me too. The plan was to escape with my sister whenever we found a chance. How was I to know our prison would be the most fortified place in their kingdom? I was supposed to be on the sidelines. The one they had no real use for. The one they never meant to buy. But then, the most important person in their savage land—their ruthless beast king—took an interest in the “pretty little prince.” How do we survive in this brutal kingdom, where everyone hates our kind and shows us no mercy? And how does someone, with a secret like mine, become a lust slave? . AUTHOR'S NOTE. This is a dark romance—dark, mature content. Highly rated 18+ Expect triggers, expect hardcore. If you're a seasoned reader of this genre, looking for something different, prepared to go in blindly not knowing what to expect at every turn, but eager to know more anyway, then dive in! . From the author of the international bestselling book: The Alpha King's Hated Slave.

9.9

393 Chapters

A Billionaire In Disguise

“Honey, our daughter can’t marry a loser. She is our only child, we can not hand her over to a nobody, especially at such a cruiser time.” Catherine’s mother cried out to her husband. “So, an underdog for a husband. How ironic! As the saying goes, 'like mother, like daughter.”Chloe teased in a low voice, making sure that only Catherine could hear those words. Although Rome said nothing, his blood was boiling with rage and thirst for revenge. “I'll be back,” Rome said.

9.6

222 Chapters

The Marvelous Elijah's Return

With a divorce paper through at him, Elijah watched the woman he love walked away with another man. His father was right, this world is filled with hypocrites and devils in sheep's clothing, and he can never let his heart rule over his head, for a woman or anyone, and this lesson was coming true now. Revenge was the only thing Elijah was looking forward to. But revenge has no place for the weak, and it cannot be satisfied with anything lesser than perfection, and he knew that. Yet, just as he was starting his journey to great power and vengeance, a girl surface in his life, and when he looked in eyes, he saw...

9.4

190 Chapters

Pregnant Too Young — Daddy Is A Billionaire Jock

Michelle Henriksson is afraid of men. Something tragic happened, and she hasn't been able to look anyone of the male gender straight in the eye since then. She keeps to herself, hoping college will be quiet.Maddox Daniels isn't interested in relationships—friends and a girlfriend would keep him away from his goal to be taken into the NFL. He is unfriendly and doesn't need anyone. So why can't he get Michelle Henriksson out of his head?They are opposites. They shouldn't get along. Yet chemistry sparks between them after their professor pairs them together, which pisses off the angry football player.How will he survive his project partner?

9.8

361 Chapters

Tormenting Her Innocence

Standing against the corner of the wall, her entire drenched body was shivering, both in fear and cold. Her arms were tightly wrapped around herself. Her head was downcast. "Didn't I warn you not to step out of this house without my permission?" A shiver ran down her spine, hearing that intensely rugged voice questioning her. She didn't answer, not only just because she was a mute but also because she didn't know what to answer that person before her. Her shivering turned vigorous when she heard those heavy footsteps coming closer to her. That tall sinewy figure towered her. "You know what will I do to you if I have to repeat my fucking self again," She slowly took her head upward, hearing his threat. Her teary golden brown eyes met with his icy blue ones. His words immediately reminded her what he had done to her last night. Anger and hatred brimmed up in her watery eyes, and she didn't even need to use her words to tell him that. Her tears told him the intensity of her hatred towards him after what he had done to her last night. His jaw clenched. His nefarious gaze hooded. Grabbing her fragile neck with his brawny palm, he pushed her against the wall more and hovered her. "You consider me as a monster, don't you?" Hearing him whispering those words in her ear, her heart froze in terror, realising the worst things he was capable of doing to her. He gripped her neck tightly, causing a tear to slip down from her eyes. He leaned closer to her face, causing their noses to rub against each other. "Then tonight I will really become one for you and will torment this innocence of yours, Kaya Haiden……."

9.5

122 Chapters

Which Filmmakers Publish On Upstream For Festival Releases?

7 Answers2025-10-22 16:01:26

Lately I’ve been paying attention to who actually puts films up on upstream-style platforms when a festival season rolls around, and it’s a surprisingly diverse bunch. Independent directors with tight budgets are the most obvious — they use secure upstream uploads to send screeners to programmers and press without spending on physical DCPs. Documentary teams do this a lot too, because timelines can be tight and festivals want quick access to rough-cut or final screeners. Short filmmakers and film-school grads lean heavily on these services as well; a single, password-protected link beats mailing DVDs across continents.

Beyond individuals, small boutique distributors and sales agents publish on upstream channels when they’re courting festival slots or assembling press kits. Even some mid-career auteurs and international filmmakers will use secure uploads for private festival showings or market screenings before a theatrical release, especially if the festival requires an online screener during selection. Film collectives and co-productions often coordinate upstream releases together so programmers can compare versions and subtitles seamlessly.

Technically, the people uploading tend to be producers, post supervisors, or festival liaisons — the ones who handle deliverables. They add watermarks, set expiration dates, enable geo-blocking and send EPKs alongside the file. For me, seeing a tiny festival favorite get a polished upstream screener and then blossom into a packed premiere is endlessly satisfying; it’s proof that good curation and the right tools still matter.

Can Authors Sell Audiobooks Through Upstream Platforms?

7 Answers2025-10-22 23:09:33

I get pretty excited talking about this because it's one of those 'you absolutely can, but mind the details' situations. From my experience, authors can definitely sell audiobooks through upstream distribution platforms — there are two common routes: going through a retailer-specific service that may ask for exclusivity, or using an aggregator that pushes your files out to many stores and libraries. I’ve personally used both kinds, and each has trade-offs. Exclusive deals often simplify marketing and sometimes bump your royalties or promotional support, while wide distribution via aggregators like Findaway or similar services usually gives you the broadest reach into retailers, library suppliers, and international storefronts.

Before you hand over any files, the non-glamorous legal stuff matters: you must own or control the audio rights for the book, and you need to know whether any prior contracts (publisher deals, agents) limit your options. Production choices also affect distribution — you can narrate it yourself, hire a narrator/pro engineer, or do a royalty-share with a talent. Platforms differ in payment cadence, fee structures, and royalty splits, and some require strict audio specs and cover art formatting. I learned to always read the distribution list carefully (which stores and library services they actually reach) and how they handle returns and refunds.

If I had to sum up practical steps: confirm audio rights, decide on narration and budget, compare distributors’ reach and terms, prepare files to spec, upload metadata and samples, then promote the launch. I’ve watched a title grow slowly through library channels after choosing a wide distributor, and it felt rewarding to hear people discover the story in spoken form — a whole new audience.

What Content Rights Does Upstream Require From Studios?

7 Answers2025-10-22 15:53:55

Negotiation tables tend to boil down to a handful of rights and a mountain of details, and upstream usually asks studios for more than just the right to stream episodes. I think of it in three big buckets: distribution/exclusivity, technical and promotional deliverables, and legal/clearance promises. Practically speaking, studios are asked to grant streaming rights (sometimes exclusive, sometimes non‑exclusive) for specified territories and windows, plus permission to offer the content across different models — SVOD, AVOD, TVOD — or to carve those rights out separately. The studio will also be expected to hand over master files, subtitle and dubbing masters, episode metadata, artwork, and closed captions so the platform can publish and localize the show.

Beyond the basic stream license, upstream often wants editing rights for formatting (short promos, 16:9/4:3 crops, preview clips), the ability to create trailers and social clips, and permission to sub‑license for partners or CDNs. They'll press for data access and analytics (at least aggregated metrics), and sometimes rights to insert dynamic ads. On the legal side there are warranties about chain of title, music and clearance guarantees, indemnities against third‑party claims, and representations that no one else owns the rights. Merchandising, sequel, and adaptation rights are hot buttons: studios should watch if a platform asks for downstream derivative or merchandising control.

Money and timing wrap it up — license fees, revenue share splits, minimum guarantees, reporting cadence, audit rights, and reversion clauses if the platform stops exploiting the asset. Delivery specs, quality control checks, and localization timelines are often non‑negotiable. Overall, upstream wants flexibility to present and monetize content, so studios should protect long‑term IP levers and insist on clear reversion and limitation terms. I always find the dance between exposure and control fascinating; it’s all about balancing reach with keeping your story’s future options open.

Where Do Viewers Find Exclusive Concerts On Upstream?

4 Answers2025-10-17 05:10:39

If you're hunting for exclusive concerts on Upstream, the fastest route is to use the app's Live or Events hub — that's where they tend to park time-limited streams. I usually open the mobile app and tap the 'Live' tab, then filter by 'Exclusive' or 'Premiere' tags; that alone weeds out the regular uploads. Artist pages are another goldmine: follow the performers you care about and enable push notifications so you don't miss surprise drops or ticketed streams.

On desktop I check the Events calendar and the official blog or news section; Upstream often posts announcements with direct links and sometimes pre-sale codes for subscribers. If a concert is behind a paywall, look for the membership or VIP access note — those often include early-access viewing windows, behind-the-scenes clips, and sometimes downloadable extras. Ticket integration can mean you buy a virtual seat through the platform or a partner service, so keep an eye on confirmation emails for the stream link.

I also keep tabs on social media accounts tied to Upstream and the artists themselves — Twitter/X threads, Instagram stories, and Discord channels often break exclusives first. When everything clicks and I snag a VIP stream, it feels like front-row energy from my couch, and that little rush never gets old.

Are There Any Anime Adaptations Of Upstream Books?

4 Answers2025-07-10 23:19:27

As someone who spends way too much time diving into both anime and novels, I love spotting those rare gems where an anime does justice to its source material. One standout is 'The Apothecary Diaries,' based on the light novel series by Natsu Hyuuga. The anime adaptation beautifully captures Maomao's sharp wit and the intricate court politics, staying true to the books while adding stunning visuals. Another great example is 'Spice and Wolf,' which perfectly brings Holo and Lawrence's journey to life with its charming animation and faithful storytelling.

For those who enjoy darker themes, 'Monogatari Series' adapts Nisio Isin's novels with a unique visual style that matches the books' quirky dialogue and complex characters. 'Mushoku Tensei: Jobless Reincarnation' is another fantastic adaptation, expanding on the world-building and emotional depth of the novels. Then there's 'The Eminence in Shadow,' which hilariously embraces its over-the-top premise while staying loyal to the source. These adaptations prove that when done right, anime can elevate the original novels to new heights.

What Are The Most Popular Upstream Books Right Now?

4 Answers2025-07-10 16:22:34

As someone who devours books like they're going out of style, I’ve noticed a few titles dominating the conversation lately. 'Fourth Wing' by Rebecca Yarros is everywhere, blending fantasy and romance in a way that’s got everyone hooked. 'Iron Flame', its sequel, is just as addictive. Then there’s 'Happy Place' by Emily Henry, a book that’s perfect for anyone craving a mix of nostalgia and romance.

Another big hitter is 'The Covenant of Water' by Abraham Verghese, a sweeping generational saga that’s as moving as it is beautifully written. For thriller fans, 'None of This Is True' by Lisa Jewell is the talk of the town, with its twisty, unsettling narrative. And let’s not forget 'Tom Lake' by Ann Patchett, a quiet yet profound story about love and memory that’s resonating with so many readers. These books aren’t just popular; they’re shaping the literary landscape right now.

What Are The Latest Releases In Upstream Books?

4 Answers2025-07-10 05:30:44

As someone who constantly keeps an eye on new releases, I've been absolutely thrilled by the latest wave of upstream books hitting the shelves. One standout is 'The Atlas Six' by Olivie Blake, a dark academia fantasy with a fresh take on magic and power dynamics. Another gem is 'Legends & Lattes' by Travis Baldree, a cozy fantasy about an orc opening a coffee shop—perfect for those who want low-stakes, high-charm storytelling.

For sci-fi lovers, 'Nettle & Bone' by T. Kingfisher blends dark fairy tale elements with a gripping adventure. If you're into contemporary fiction with a twist, 'Tomorrow, and Tomorrow, and Tomorrow' by Gabrielle Zevin explores friendship and creativity through the lens of game development. These books not only offer fresh narratives but also push boundaries in their respective genres, making them must-reads for any book enthusiast.

Who Are The Top Authors Writing Upstream Books?

4 Answers2025-07-10 22:12:08

As someone who devours books across genres, I've noticed a few authors consistently pushing boundaries in upstream literature. Haruki Murakami stands out with his surreal narratives in works like 'Kafka on the Shore' and '1Q84,' blending reality and fantasy seamlessly. Margaret Atwood's dystopian visions in 'The Handmaid’s Tale' and 'Oryx and Crake' challenge societal norms profoundly.

Then there’s David Mitchell, whose interconnected stories in 'Cloud Atlas' and 'The Bone Clocks' redefine storytelling. Cormac McCarthy’s stark, poetic prose in 'The Road' and 'Blood Meridian' leaves an indelible mark. These authors don’t just write; they craft worlds that linger long after the last page.

How Do Trailers Perform On Upstream Compared To Netflix?

7 Answers2025-10-22 01:24:44

Trailers behave like tiny lab experiments, and depending on whether they're shown on Upstream or Netflix the whole experiment has a different hypothesis. On Netflix, trailers are designed to win immediate watch decisions: autoplay previews, big hero placement on the homepage, and heavy emphasis on the first 10–30 seconds mean completion rates often matter less than the click-through to episode one or the percent of viewers who start a series that week. Because Netflix controls the recommendation surface, a successful trailer there typically correlates with a big front-page push and strong early-day view spikes — think about how 'Stranger Things' or 'Squid Game' trailers generated huge initial audiences through prime placement and autoplay momentum.

Upstream, by contrast, often feels more like targeted outreach. If it's a smaller or regional platform, trailers there are optimized for conversion: fewer passive plays, more deliberate clicks, and closer ties to marketing funnels or subscription pages. That means you might see lower raw view counts but higher conversion rates per impression. Upstream trailers also tend to be trimmed for local tastes, use stronger CTAs, and appear in promotional slots or social pushes that directly link to pre-orders, ticketing, or signup pages.

Practically speaking, the two platforms reward different creative choices. Netflix favors cinematic, curiosity-driven teasers that play well on autoplay and across devices; Upstream rewards concise, localized edits with explicit CTAs and variant testing. From a metrics point of view, Netflix gives you massive-scale visibility and retention signals, while Upstream often gives cleaner, direct-conversion signals — and I find that blend fascinating when planning what to watch next or what to recommend to friends.

Where Can I Read Upstream Books For Free Online?

4 Answers2025-07-10 16:14:28

As someone who spends hours diving into books online, I can tell you there are some fantastic places to read 'upstream' books for free. Project Gutenberg is my go-to for classic literature—it offers over 60,000 free eBooks, including many that are in the public domain. If you're into more contemporary works, Open Library lets you borrow books digitally, kind of like a virtual library.

For niche or indie titles, ManyBooks and Librivox are great options, especially if you enjoy audiobooks. I also recommend checking out your local library’s digital services; many offer free access to platforms like Hoopla or OverDrive. Just make sure to respect copyright laws and support authors whenever possible by purchasing their works if you enjoy them.