Library

Worked Up

Every anniversary, Mark had some twisted surprise for me. Our tenth? He strutted into the ballroom holding hands with an escort wearing straight up lingerie. "Jenna, she's cold. Hand over your dress." Then, like that wasn't sick enough: "And the lingerie. She likes your vibe." I clutched my collar, trying to keep it together. He didn't care—just yanked it open. "Cut the act. Your dad sold you to me, remember? That slutty look you used to give me—I still see it." Everyone stared, waiting for me to break. So I did the one thing I could. "I want a divorce." Again. Mark just laughed and chucked a stack of photos on the table—me, covered in marks, curled in bed, a total mess. "You say that every year. And every year, you're back in my bed. Think your mom keeps that hospital spot if these get out?"

10 Chapters

Overworked Nurse in a Horror Game

I am a miserable nurse. During the Halloween season, there was a three day break but I was not given any days off. Upset, I decided to join a game featuring a haunted hospital. There was an old man wrapped in IV tubes chasing after a player. I sprinted forward and shoved him into the chair. After effortlessly jabbing the IV line back in him, I told him off, "It’s just an IV drip, not an action movie. Sit. Down. Move again and I’ll strap you to the chair!" The old man did a double take before blinking in a flustered manner. "Sorry for causing you trouble, ma'am." At night, children ghosts began to run and laugh wildly in the corridor. I grabbed one in each hand and hauled them up. "If you’re not going to stay put in the ward, I’ll give you an injection!" Why did I still have to work in a game? I was so tired. The other players cried out, "Clem! That's a ghost. Are you not scared?" I sneered, "Sorry, but burnt-out workers hold more grudges than ghosts ever could."

11 Chapters

Pregnant and Rejected by My Alpha Mate

Bastien marries me only for duty. I reject him and leave for good by faking my death. Yet he goes crazy looking for me. He says he loves me when we meet again. No! I don't buy it. I can't let him steal my child! ** "She's not yours!" The front door was locked and deadbolted, but it only takes Bastien and his Betas a moment to break past those defenses. As Bastien towers in the doorway, his silver eyes glowing with barely contained fury, I realize it's all over. Everything I've worked for these past three years is already lost; every tear I've shed and sacrifice I've made has all been for nothing. I come to stand in front of my ex-husband. Goddess I’d forgotten how handsome he is; how tall. It doesn’t feel right to be so near him without our bodies touching; it takes all my strength not to reach out to him. “Hello Bastien.” Whatever he was expecting, it clearly wasn’t this. His silver eyes stop their hungry head-to-toe scan of my body, settling on my face and blinking in surprise. I can see the gears turning in his head, piecing together the puzzle of my presence here and replacing shock with confusion and anger. “Is that really all you have to say to me?” I cock my head to the side. “What would you have me say?” “I thought you were dead!” He barks, making my wolf tuck her tail between her legs. Unlike my wolf, I have more than enough bad memories and regrets to withstand his ire. “Oh I’m sorry, did my funeral get in the way of your wedding plans?”

9.1

200 Chapters

Mommy is precious, My Billionaire Daddy

Jessica Lawrence was the most devoted child before her father wed his secretary in the wake of her mother's death, Jessica's life slowly turned 360 degrees after her stepsister drugged her and her father sent her to Poland, severing all ties with her. That one-night stand caused her to become pregnant, giving birth to Cornell who was a brilliant child. But the man Jessica spent the night with was a well-known business tycoon and a sophisticated Billionaire Liam Grey. Liam Grey intended to find her but mistook Jessica's step-sister for her. Jessica's destiny worked overtime to ensure that she was with Liam when she returned with her son after seven years. “My sweetheart, you are mine. And you are powerless to stop me from touching you," Liam Grey spoke huskily. When his son suddenly barged in, “Daddy, Mommy is precious. You can't hurt her." “Your mommy is my life. How can I hurt my life? And stop hogging her time. You've had your mother's love for seven years. It's now my turn to monopolize her affection." “Urgh! You two are annoying!” Pouted Jessica left the room.

9.8

190 Chapters

A Wife For The Billionaire

Oliver Haywood is a cold and ruthless billionaire who doesn't want any woman in his life due to his past. Even with the amount of women begging for his attention, he has refused to marry. But things changed the day his grandfather's will was read and it was stated that he is to lose his inheritance to an orphanage except he gets married and father a child within a year and six months. Although he doesn’t care about his grandfather’s wealth but not being able to stand and watch his grandfather's legacy and all he has worked hard for to be donated to orphanages, he swallowed his hatred and instructed his assistant to find a wife in less than 48 hours or else he is going to lose his job. After rejecting 44 women, he finally picked the last one standing. Which is a lady that came from the lower class of society but didn't look anything like someone that grew from the slums. He had picked her out of curiosity and unknown to him she has had a crush on him for the longest time and her reason for marrying him is to make him fall in love with her. But will Nuella Allen succeed in getting his heart? Will she make him change his view regarding all women? Would he want to grow old with her? Was she really from the slums? There is only one way to find out.

9.8

148 Chapters

The Wolf Without a Name

She was born from rape and took her mother’s life at birth.Her relatives detested her; they treated her badly and gave her no name. They wanted nothing to do with her.Girl, they called her for eighteen years, until it became the only name she knew.When her family who should have taken care of her found themselves in big financial trouble, the only hope of getting themselves out of the terrible mess they had created was to send her to their pack leader’s house to work to repay their debt.Girl hated what they were doing to her and was clueless about what was about to happen to her while she worked in the Alpha's home.

7.7

46 Chapters

What Popular Projects Has Ascendance Studio Worked On Recently?

4 Answers2025-09-26 22:14:00

Ascendance Studio has been making waves in the creative scene lately, and it's exciting to see what they've produced. One of their standout projects is the much-talked-about 'Skyward Chronicles'. This fantasy adventure beautifully showcases their animation skills, filling the screen with vibrant colors and stunningly choreographed action sequences. The character design feels fresh yet nostalgic, reminiscent of beloved classics. What’s brilliant about this series is how it intertwines complex themes of friendship, trust, and betrayal in a world filled with magic and mystery.

Recently, they've also released a gripping horror series titled 'Shadows of the Abyss'. This series has left me on the edge of my seat! With its chilling atmosphere and eerie sound design, it expertly builds a sense of dread that creeps under your skin. The storytelling is smart, using psychological elements that keep viewers guessing about what lurks behind the shadows. It’s definitely a project that has put them on the map, showing they can tackle multiple genres masterfully. Honestly, it’s brilliant to see studios like this pushing the boundaries of what we expect from animated series.

What Scenes Left Readers Unusually Worked Up In The Novel?

2 Answers2025-10-17 08:00:33

Certain passages twist my chest tighter than a plot twist ever should. Scenes that leave readers unusually worked up usually share a few things: high emotional stake, a character you’ve invested in, and a moral or physical shock that feels both inevitable and betrayed. Think about betrayals that feel intimate rather than theatrical — a lover revealing a secret in the quiet aftermath of dinner, a mentor quietly choosing a rival, or a friend walking away when you need them most. Those hits land harder than blockbuster violence because they punch the connection you built chapter by chapter. In 'A Storm of Swords' the betrayal at a wedding shocks not just because people die, but because the party setting and personal trust invert into mass violence; in 'Gone Girl' the revelations twist sympathy into suspicion and make readers reevaluate every prior moment.

Writers also get people worked up with the slow-burn dismantling of hope. Endings that pull the rug from under the protagonist in a way that recontextualizes everything — like the big reveal in 'Atonement' — guilt and regret become communal with the reader, and that shared uneasy feeling ferments into real anger or grief. Unreliable narrators, courtroom climaxes, the slow drip of a mystery being revealed, and scenes that force characters into impossible moral choices (sacrifice a loved one or let innocents suffer) all strain a reader’s ethical muscles. Sensory detail matters too: a hospital room where a life hangs by a breath, or a cellar smelled of damp and regret, makes dread physical. I find that when authors synchronize pacing, sensory description, and I-protagonist vulnerability, the scene transcends plot and becomes a bodily experience for the reader.

Personally, the scenes that really stayed with me combined personal betrayal with a sudden, irreversible consequence. I once tore through a book where a quiet confession in the rain turned into a public, legal nightmare by dawn — the intimacy of the confession made the fallout feel like a personal wound. Afterwards, I had to stop, put the book down, and breathe; that’s the kind of upset that means the writer succeeded. Those are the scenes I talk about with friends for days, dissecting what we would have done differently and why our hearts were racing. They linger, in a good way, like a song you can’t stop humming.

Why Did Fans Get So Worked Up About The Season Finale?

5 Answers2025-10-17 08:31:33

Wow, that finale set the forums on fire the minute it aired — and I was part of the chaos, refreshing threads like a lunatic. The big reasons: emotional investment, expectation management, and a few deliberate creative choices that either landed brilliantly or felt like a slap depending on your vantage point. People had lived with these characters for seasons; when a beloved arc was cut short or twisted into something ambiguous, it felt personal. Add in a shock death, a bold moral reversal, or a cliffhanger that refused to resolve, and you get a recipe for fury.

Beyond the immediate plot beats, there was the meta-layer. Teasers, trailers, and interviews had promised answers, and when those answers were partial or leaned into ambiguity, viewers felt misled. Leaks and fan theories had been brewing for months, so when the show leaned into subversion — the opposite of the most popular theories — armies of fans felt baited. Social media amplified every hot take, and reaction videos turned subtle moments into viral controversies overnight. I kept thinking of how 'Lost' fractured its audience: people either forgave ambiguity as art or viewed it as the worst kind of tease.

Finally, shipping wars and identity politics played a part too. When a finale alters relationships, representation beats, or canon motivations, entire communities mobilize. It's not just plot; it's identity and fandom identity. At the end of the day I get why folks were furious — I felt all the feels, too — but I also appreciate when creators take risks, even if it makes the comment sections burn. I still can't stop thinking about that last frame though.

How Did The Trailer Get Viewers Worked Up For The Movie?

5 Answers2025-10-17 22:12:18

That trailer landed like a heartbeat—steady, then suddenly racing—and I found myself replaying it until my neck hurt. Right away the editing did the heavy lifting: quick cuts that hinted at danger, a slow reveal of a key prop, and an almost cruelly brief glimpse of the protagonist with a haunted expression. The sound mix was everything; that low, rumbling score undercut by a high, single-note sting built tension the way a good ghost story does around a campfire. Visually, the color palette shifted from warm to cold in seconds, so you felt the stakes tighten without a single line of exposition.

Beyond craft, the trailer teased rather than told. It planted a few undeniable hooks—an unexpected ally, a symbolic object, a sudden betrayal—and left the rest as gaps my brain immediately wanted to fill. Clips and GIFs blew up on feeds because there were so many different moments to obsess over: one shot looked like a meme, another like a cinematic painting. Fans began crafting theories, dissecting frame-by-frame, and that chatter multiplied the hype. Even the release date placement—right after a climactic beat—felt tactical.

I got worked up because the trailer respected my imagination. It promised spectacle but left room for surprise, flaunted quality without overexplaining, and invited me into a mystery I wanted to solve. After rewatching it, I was buzzing not just about set pieces but about tone and possibility, which is exactly the kind of excitement I love to chase.

Which Artists Worked With Malcolm Wheeler Nicholson Early On?

4 Answers2025-08-25 16:31:40

When I dive into the early days of American comics, Malcolm Wheeler-Nicholson always pops up as one of those scrappy pioneers who gave many artists a place to experiment. He founded National Allied Publications and launched titles like 'New Fun' (1935) and 'New Comics' (1936), and those books were staffed by a mix of newspaper strip cartoonists, pulp illustrators, and the fledgling comic-freelancers of the era. Some of the better-documented names connected to his early enterprise are Vin Sullivan (an editor-artist who later played a big role at what became DC), Sheldon Mayer (who created strips and later shepherded talent into the company), and the team of Jerry Siegel and Joe Shuster, whose Superman became central once the company evolved.

Beyond those marquee names, Wheeler-Nicholson’s pages saw work from freelancers coming out of studios like the Eisner & Iger shop, meaning people such as Will Eisner’s circle and other packagers indirectly fed art into his titles. Records from the mid-1930s can be spotty, so when I’m tracing credits I like to cross-reference original issue indicia, contemporary ads, and modern histories. If you’re curious, checking scans of the early issues of 'New Fun', 'New Comics', and early issues of 'Detective Comics' gives a pretty clear picture of who showed up in those formative pages.

Which Translators Worked On Spice And Wolf Books English Editions?

3 Answers2025-09-03 16:23:00

I’ve dug through my own shelf and a few library catalogs for this kind of question, and the short, honest take is: the English translations of 'Spice and Wolf' were done by different people across formats and editions, so there isn’t a single household name to point at for every copy you might see.

If you have a physical copy, the quickest way I use is to flip to the copyright (colophon) page — publishers like Yen Press list the translator, editor, and sometimes the localization team there. The light novels and the manga can have entirely different credits: the novels will typically list the novel translator on that page, while the manga will credit whoever handled the adaptation/localization for the comic. I’ve seen cases where omnibus reprints or digital relaunches swap in new translators or editors, too, so the translator for volume 1 might not be the same for volume 12.

If you want exact names for a specific volume, I’d search the ISBN on WorldCat or the Library of Congress entry, or check the book’s product page on the publisher site (Yen Press historically published the English editions) — they often show credits. Fan sites and databases like Anime News Network or Goodreads sometimes list translator names in the bibliographic details, but I always cross-check with the book itself when possible. If you want, tell me the exact edition (publisher/year/ISBN) you’re checking and I’ll help hunt the credited translator down.

What Historical Advisors Worked On Elizabeth I: The Virgin Queen?

4 Answers2025-08-27 16:38:04

I've always been a credits nerd — I love leafing through who consulted on historical dramas — so when I watched 'Elizabeth I: The Virgin Queen' I made a point of checking the end titles and the DVD booklet.

The production leaned on historians and documentary-makers who specialize in Tudor England: names commonly associated with Elizabethan consultation include David Starkey, John Guy and Susan Doran, and those are the kinds of voices the BBC/HBO often tap for authenticity. That said, productions sometimes also bring in costume or music historians whose input is just as crucial even if their names aren't shouted in press pieces.

If you want the definitive list, the easiest route is to pause the end credits on the miniseries (or check the full credits on IMDb or the BFI database) and look for roles like ‘historical consultant’, ‘historical advisor’ or ‘research’. I found that cross‑checking the DVD extras and the original press kit clears up who did hands‑on advising versus who was interviewed for background. It’s a small rabbit hole but delightful if you’re into seeing how history is shaped for the screen.

What Costume Designers Worked On The Victoria Series?

2 Answers2025-08-25 18:33:54

Watching the dresses in 'Victoria' always makes me pause the episode and squint at the credits — those gowns are doing half the storytelling. If you mean the 2016 TV drama 'Victoria' (the Jenna Coleman show), it’s not a single-name job: the series used a full costume department with a principal designer for seasons and a team of episode designers, supervisors and period specialists who rotate through episodes. For the 2009 film 'The Young Victoria' (which often gets lumped in by people searching for 'Victoria'), the costume designer who got most of the attention and awards was Sandy Powell — she did those Oscar‑nominated, lavish early‑19th‑century looks that people still talk about when comparing film and TV period wardrobes.

For the TV series, I usually check the episode end credits or the 'Costume and Wardrobe Department' section on a show's IMDb page to see the detailed, episode-by-episode breakdown — that’s where you’ll find the lead costume designer(s), costume supervisors, cutters, milliners and wig/cosmetics teams listed. There are often different leads across seasons or even single episodes, because period shows need lots of hands and specialists (corsetry, tailoring, pattern makers, and embroidery teams). The press packs for ITV and historically-minded interviews also call out the principal designer and head of costume for a given season.

If you want, tell me whether you mean the TV show 'Victoria' or the film 'The Young Victoria' and I’ll dig up the exact credited names for each season/episode. I’ll also note any award nominations or behind‑the‑scenes interviews so you can read how they researched silhouettes, fabrics, and button placement — those little details are my favorite part of costume deep dives.

Which Publishers Have Worked With Sebold Author On Their Novels?

3 Answers2025-05-21 04:05:27

Alice Sebold is a name that resonates deeply with readers who appreciate raw, emotional storytelling. Her novels have been published by some of the most respected names in the industry. 'The Lovely Bones,' her breakout novel, was published by Little, Brown and Company, a division of Hachette Book Group. This publisher is known for its commitment to literary excellence and has been a great partner for Sebold. Her memoir, 'Lucky,' was also published by Scribner, an imprint of Simon & Schuster, which has a strong reputation for supporting powerful, personal narratives. These collaborations have helped bring Sebold's unique voice to a wide audience, making her work accessible to readers around the world.

Has Dawn Andrews Worked On Any TV Series?

2 Answers2025-09-10 08:37:07

Dawn Andrews is a name that rings a bell, but I can't immediately recall any major TV series she's been credited in. A quick dive into IMDb and industry databases doesn't throw up any obvious hits—no showrunner roles, writing credits, or producing gigs on big-name projects. That said, the entertainment industry is vast, and smaller-scale or regional productions might not always get widespread attention.

If she's involved in TV, it could be behind the scenes in a less visible capacity, like development or uncredited script work. Alternatively, she might be more active in another medium, like theater or indie film. Without concrete examples, it's hard to say for sure, but I'd love to hear if anyone else has run across her work! Maybe she's one of those unsung heroes who quietly shapes stories we love.