Who Is The Target Audience For 'I Was Told There'D Be Cake'?

2025-06-24 09:15:42 358

4 Answers

Wyatt
Wyatt
2025-06-28 12:42:43
Sloane Crosley's 'I Was Told There'd Be Cake' is a magnet for millennials navigating the awkward transition into adulthood. The essays resonate with anyone who’s ever felt out of place—whether it’s botching a job interview, surviving toxic friendships, or confronting the absurdity of modern dating. Her humor is sharp but not cruel, making it perfect for readers who appreciate self-deprecating wit and relatable cringe.

The book also appeals to nostalgia lovers, especially those who grew up in the '90s. Crosley’s anecdotes about childhood misadventures or the horror of realizing you’ve become the 'weird neighbor' strike a chord with Gen Xers and older millennials. It’s for anyone who’s ever thought, 'How did I end up here?' and laughed instead of cried. The tone is conversational, like swapping stories with a brutally honest friend over coffee.
Tanya
Tanya
2025-06-28 19:44:10
This book is for the chronically awkward. Crosley’s audience is the person who accidentally microwaves a spoon or shows up to a costume party as the only one in street clothes. Her essays are a love letter to misfits, blending humor with moments of unexpected tenderness. It’s ideal for readers who enjoy Tina Fey’s 'Bossypants' or Phoebe Robinson’s essays—smart, funny, and unafraid to highlight life’s little disasters.
David
David
2025-06-29 01:54:02
Crosley speaks to the perpetually single, the career-confused, and the socially anxious. Her target reader is the one who laughs at memes about adulting because crying would take too much energy. The book’s mix of sarcasm and sincerity attracts fans of contemporary humor writing—think Jenny Lawson but with fewer taxidermied raccoons.
Elijah
Elijah
2025-06-29 17:16:26
If you’re into memoirs that feel like a late-night chat with your funniest friend, this is your book. Crosley targets urbanites in their 20s and 30s—overeducated, underpaid, and perpetually frazzled. Her stories about office politics, ill-fated crushes, and the existential dread of RSVPing to weddings are pure gold for young professionals. The humor is dry and observational, akin to David Sedaris but with more subway-related mishaps.

It’s also a hit with creative types. Writers, artists, and anyone who’s ever tried (and failed) to adult will see themselves in these pages. The essays are short, snappy, and perfect for commuters or people who pretend to read literary fiction but secretly crave something lighter.
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