Who Is The Target Audience For 'It'S Not How Good You Want To Be'?

2025-06-24 16:00:45 108

3 answers

Ryder
Ryder
2025-06-29 17:48:54
As someone who’s read 'It's Not How Good You Want To Be' multiple times, I’d say it’s perfect for anyone stuck in a creative rut. The book speaks directly to artists, designers, or even entrepreneurs who need a kickstart. It’s not about technical skills; it’s about mindset. If you’re the type who overthinks every project or waits for 'perfect conditions,' this book slaps that hesitation out of you. The language is blunt—no sugarcoating—which resonates with people tired of fluffy self-help. I’ve seen musicians, ad agency teams, and startup founders dog-ear the same pages about persistence and stealing ideas (ethically). It’s especially clutch for early-career folks who haven’t yet unlearned school’s 'follow the rules' mentality.
Sawyer
Sawyer
2025-06-28 06:28:53
From my perspective as a creative professional, this book targets two distinct groups. First, the frustrated intermediates—those who’ve mastered basics but hit a plateau. They know their craft yet struggle with originality or consistency. The book’s advice on 'creating more than you consume' directly addresses their burnout. Second, mentors who guide teams. I’ve ripped pages from it for workshop exercises because its concepts like 'fail fast' and 'process over prestige' translate brilliantly to group dynamics.

The beauty is its universal appeal wrapped in niche examples. A graphic designer might latch onto the section about client negotiations, while a novelist underlines the bit about daily output trumping inspiration. Even non-creatives profit from its core philosophy: productivity isn’t about waiting for genius. My engineer friend applied its 'don’t prepare, begin' principle to coding projects and cut his procrastination by half. The book assumes you’re already competent but need permission to break conventions—a vibe that resonates across fields where innovation matters more than credentials.
Carly
Carly
2025-06-29 13:21:52
Let’s cut to the chase—this book isn’t for dabblers. It’s for the hungry. I gifted it to a filmmaker friend who was paralyzed by script rewrites, and she said it 'activated her killer instinct.' The target audience? People who treat their craft like a bloodsport. The chapters on criticism (especially 'Your opinion isn’t that important') attract performers and public creators tired of approval-seeking. Its no-nonsense tone filters out casual readers; you either highlight every sentence or throw it across the room.

What surprised me was its traction among athletes. A basketball coach I know uses its 'practice ugly' mantra for training drills. The book thrives in high-stakes environments where results trump theory. It’s less ‘find your passion’ and more ‘grind until your passion finds you.’ That resonates with late-night hustlers—freelancers, indie developers, even tattoo artists—who’ve moved past dreamy ideals and just want tactical fire. The lack of step-by-step instructions makes it worthless to beginners but gold for those already in the arena.
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