How Does Things In Jars Novel End?

2025-11-13 16:31:37 159

3 Answers

Uriel
Uriel
2025-11-15 00:40:31
The finale of 'Things in Jars' is a rollercoaster of gothic twists and emotional punches. Bridie’s showdown with Sir Edmund in his creepy mansion is straight out of a penny dreadful—hidden rooms, grotesque specimens, and a chilling reveal about Christabel’s origins. What I loved was how Kidd subverts expectations: Christabel isn’t just a victim; she’s a force of nature, and her final act defies categorization. Ruby’s arc, too, surprised me—his spectral presence becomes more poignant as Bridie confronts her past. The writing’s lush and eerie, especially in the river scene where themes of identity and belonging ripple through.

It’s not all gloom, though. Kidd peppers the ending with wry humor (Bridie’s hat obsession gets a perfect callback). And that last image of Christabel? Hauntingly open-ended. Makes you wonder if ‘monsters’ are just stories we’re too scared to understand.
Quinn
Quinn
2025-11-17 04:00:16
Jess Kidd's 'Things in Jars' wraps up with a haunting yet strangely hopeful resolution. Bridie Devine, the sharp-witted detective, finally uncovers the dark secrets surrounding Christabel, the mysterious child with supernatural traits. The novel’s climax reveals the true motives of the villainous Sir Edmund Athelstan, who’s been exploiting Christabel for his twisted experiments. Bridie’s resilience shines as she outsmarts him, but not without personal cost—her relationship with Ruby, the ghostly boxer, takes an emotional turn. The ending leaves you pondering the blurred lines between science and myth, with Christabel’s fate hinting at a bittersweet freedom. Kidd’s gothic atmosphere lingers, like fog over Victorian London, long after the last page.

What stuck with me was how Bridie’s toughness masks her vulnerability, especially in her quiet moments with Ruby. The way Kidd weaves folklore into a detective story feels fresh, and Christabel’s character—neither fully human nor monster—challenges every assumption. It’s not a tidy ending, but it’s satisfying in its ambiguity, like a half-remembered dream.
Hugo
Hugo
2025-11-17 22:44:02
'Things in Jars' closes with Bridie Devine facing the consequences of her own heart. After unmasking Sir Edmund’s crimes, she’s left to reconcile her pragmatic worldview with the supernatural truths she’s witnessed. Christabel’s departure—whether as myth or miracle—mirrors Bridie’s fractured sense of home. Ruby’s ghost, now more memory than companion, symbolizes the debts we carry. Kidd doesn’t tie every thread; some mysteries, like the jarred artifacts, remain unsettlingly vague. But that’s the point—some things resist solving, just like Bridie herself. The last pages left me staring at my ceiling, questioning what ‘belonging’ really means in a world that labels difference as dangerous.
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