How Does Trilby End?

2025-11-28 15:11:11 260

3 답변

Jocelyn
Jocelyn
2025-11-30 00:22:45
Reading 'Trilby' for the first time, I expected a gothic romance, but the ending hit me like a ton of bricks. Svengali’s death should’ve been a relief, right? But instead, it unravels everything. Trilby loses her voice, her identity—everything Svengali crafted for her. The way du Maurier describes her afterward is haunting; she’s like a puppet with cut strings. And poor Little Billee! He spends the whole book pining for her, only to get her back as a shell of herself. The irony is brutal. The story doesn’t just end with her death; it lingers on the aftermath, showing how her loss ripples through everyone. It’s not a clean resolution, and that’s what makes it so effective.

What’s wild is how modern it feels. The idea of someone being exploited for their talent, then discarded when they’re 'used up,' is sadly timeless. The book’s ending doesn’t offer easy answers, just this aching sense of waste. I’ve reread it a few times, and each time, I notice new details—like how the other characters’ guilt plays into the tragedy. It’s not just Svengali’s fault; they all failed her in different ways. That complexity is why I keep coming back to it.
Naomi
Naomi
2025-12-01 10:33:30
The ending of 'Trilby' is one of those classic literary gut punches. After Svengali’s death, Trilby’s voice—the thing that made her extraordinary—disappears, and she withers away. It’s devastating because you’ve seen her brilliance, and now it’s just gone. The way du Maurier handles her decline is masterful; it’s slow and subtle, making the final blow even harder. Little Billee’s grief is palpable, and the way the other characters react adds layers to the tragedy. It’s not just about losing her; it’s about realizing how much they took her for granted. The ending leaves you with this heavy, unresolved feeling, which is probably why it’s stayed relevant for so long.
Mila
Mila
2025-12-04 21:22:31
Trilby, the classic novel by George du Maurier, has an ending that really tugs at your heartstrings. After all the twists and turns, Trilby O’Ferrall, the talented singer under Svengali’s hypnotic control, finally breaks free when he dies. But the damage is done—her voice is gone, and she’s left broken. The way du Maurier writes her decline is so vivid; it’s like you’re watching her fade in real time. She returns to her old friends, but the spark is gone. It’s heartbreaking because you’ve seen her at her best, under Svengali’s spell, and now she’s just a shadow. The final scenes with Little Billee are especially poignant—there’s this sense of what could’ve been, but it’s too late. It’s one of those endings that sticks with you, not because it’s happy, but because it feels painfully real.

What I love about 'Trilby' is how it balances tragedy with these moments of sheer beauty. The opera scenes, the way music is both her salvation and her ruin—it’s all so layered. And the ending isn’t just sad for sadness’ sake; it’s a commentary on artistry, control, and love. Even though it’s over a century old, the themes feel fresh. I still catch myself thinking about it sometimes, especially when I hear a powerful singer and wonder about the price of genius.
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