Can Trope Meaning Change Over Time In Media?

I was the kind of girl everyone called hopelessly lovestruck. That day was no different from any other. I clung to my boyfriend’s arm, leaned in close, and shamelessly asked for a kiss like I always did. However, right before my lips touched his, a line of glowing comments drifted across my vision. They floated in the air like a livestream chat. [Can this side character wake up already? Can she not see the male lead avoided her the entire time? He hated clingy relationships like this.] [The kind of person who really suits him is the female lead. Someone gentle, patient, and understanding.] [Once the real female lead shows up, this annoying clingy girlfriend is definitely getting dumped.] My body froze. I slowly loosened my arms from around his neck. In the next second, he suddenly looked up at me. “Why’d you stop?”

Opening my eyes in an unfamiliar place with unknown faces surrounding me, everything started there. I have to start from the beginning again, because I am no longer Ayla Navarez and the world I am currently in, was completely different from the world of my past life. Rumi Penelope Lee. The cannon fodder of this world inside the novel I read as Ayla, in the past. The character who only have her beautiful face as the only ' plus ' point in the novel, and the one who died instead of the female lead of the said novel. She fell inlove with the male lead and created troubles on the way. Because she started loving the male lead, her pitiful life led to met her end. Death. Because she's stupid. Literally, stupid. A fool in everything. Love, studies, and all. The only thing she knew of, was to eat and sleep, then love the male lead while creating troubles the next day. Even if she's rich and beautiful, her halo as a cannon fodder won't be able to win against the halo of the heroine. That's why I've decided. Let's ruin the plot. Because who cares about following it, when I, Ayla Navarez, who became Rumi Penelope Lee overnight, would die in the end without even reaching the end of the story? Inside this cliché novel, let's continue living without falling inlove, shall we?

On our third wedding anniversary, Kent gave me a gift. A black metal wristband. Cold. Sleek. He called it a new product from his company—a pain-sharing system. The other user was Violet. His "girl bro." The person he was closer to than his own sister. Kent brushed a hand over my cheek, his gaze soft. "Clara, you're too coddled. You should learn from Violet. She's tough." Then he snapped the wristband onto my wrist. So while Violet got a full-back tattoo and an entire sleeve, I felt every single needle. When Violet went wingsuit flying, I collapsed at home. Every bone in my body felt shattered. I threw up blood. While she soaked up attention online as the "extreme sports queen," I was drowning in nonstop pain. Kent sat beside me, holding my hand as he cared. "Just hang in there. Violet's just being herself. As my wife, you should be more understanding." To finally push me over the edge, Violet decided to livestream herself jumping into the ocean to make me die in her place. Their friends couldn't wait to watch. Later, I watched calmly from a hospital room as the system slowly drained the life out of her. Kent looked deranged as he demanded to know why I wasn't dead. Because I had already reversed the system. All her vitality had become the nourishment that sustained me.

After transmigrating into a novel, I realized the heroine and I had the exact same name. Naturally, I thought I had transmigrated into the female lead. So I marched straight to the man who was still a broke nobody at the time, threw all caution to the wind, and pounced on him like I had plot armor protecting me. He even glared at me with red eyes and told me he hated me. I honestly thought he was just into the whole push-and-pull thing. Everything shattered when the real heroine showed up and I finally understood one thing. He actually hated me. Heartbroken, I packed my bags and got ready to disappear. The next second, he pinned me against the wall. "Where are you going? Already bored of me, sweetheart?"

I'm one out of none, believe me. The world, let's say it will end no matter what. Everything around us surely decompose, nor crumble as the time passes, yeah? However; do you know better than what I discover myself? One abandon the world, the like of you, this lifetime. For what? For the purpose of saving the life beyond, right? You sure find the end you've long for so long. The bitter...end. Why, you ask? Let me tell you the reason I even share it to you. You even says we are not that close to begin with, so why...I'm doing this? I'm kind of debating whether you use euphoria, and actually tells me I'm some sort of a cult. That's why I have the question for you. Will you let me tell you the reason...or you already think I'm some sort of evil design to stop you? You know the Myth, right? It's deep within... us.

Vera fought for her life in the apocalypse for ten years. Ten brutal years left her disfigured, hungry, and almost broken, but she still clawed her way through it. She killed zombies, ran from mutated animals, starved, bled, and learned humans were often more dangerous than monsters. Then her brother, the only family she had left, betrayed her. Vera thought death had finally come. Instead, she woke up inside a trashy book she once read to stay sane while the old world fell apart. A book with a twisted plot and too much drama. And because her luck had always been terrible, Vera did not wake up as the heroine. No, of course not. Her second chance was to become the hated second female lead, pregnant, unwanted, and written to die when the plot no longer needed her. Her babies were supposed to die too. Even the three men who got her pregnant were written as future corpses, all to push the story toward spoiled women and one psychotic male lead. But Vera was not the woman from the book. She had survived one ruined world. She had not walked through radioactive rain and eaten mutated food just to cry over fantasy characters or beg for love inside a stupid plot. So Vera adapted. She accepted her punishment, took her three unborn babies, and left for the garbage center without making a scene. Everyone thought she had been thrown away. Vera saw a chance to make money, protect her babies, and build something of her own. Now the woman meant to disappear is building a wasteland empire, breaking the plot, and driving three men insane because she no longer chases anyone. By every rule in that world, Vera should be dead. But dying a second time was never an option.