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I woke up inside a novel, and not even as an important character. I became a pretty background extra in a smut novel. My brother, however, was the only normal person in the entire story. His character setting was the one man the soft, delicate heroine could never win over. He was the cold, unattainable Prince Charming she could never conquer. When the heroine cried and confessed her love, he was studying. When she offered him her whole heart and body, he was busy starting a company. When she spiraled into scandals and nightlife, he was already a billionaire, calm and untouchable. I thought he would live a quiet, ascetic life forever. Until one night, I walked in on him at midnight… holding a piece of clothing I recognized all too well, murmuring a name over and over, a name so familiar that my scalp tingled.

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Elise is an unemployed woman from the modern world and she transmigrated to the book "The Lazy Lucky Princess." She hated the book because of its cliché plot and the unexpected dark past of the protagonist-Alicia, an orphan who eventually became the Saint of the Empire. Alicia is a lost noble but because of her kind and intelligent nature the people naturally love and praise her including Elise. When Elise wakes up in the body of the child and realizes that she was reincarnated to the book she lazily read, she struggles on how to survive in the other world and somehow meets the characters and be acquainted with them. She tried to change the flow of the story but the events became more dangerous and Elise was reminded why she hated the original plot. Then Alicia reaches her fifteen birthday. The unexpected things happened when Elise was bleeding in the same spot Alicia had her wound. Elise also has the golden light just like the divine power of the Saint. "You've gotta be kidding me!"

ღ꧁ღ╭⊱ꕥ Maria Isabel Monedero fantasized about being like Shakespeare. She devoted her all life to writing romance tragedy stories. She joined many writing competitions but never won. She almost gives up her spirit, but her bubbly personality doesn’t. Until the day she graduated college. Then, Maria Isabel Monedero, known as Mimo as her pseudo name, joined Story & Life publishing incorporation to work as a creative novelist. She got admitted, and many editors demanded that she be in their lineup. Unfortunately, before she gets to designate a team, she must undergo provision training within six months. Then, finally, the publisher assigns her a personal editor named Jaime Tejedor, who claims to be a hopeless romantic. He dislikes tragedy romance stories, which is Mimo’s best field in writing. He rejected Mimo’s works twice, and she only has the last chance to stick around. If she ever gets rejected again, it’s the edge of her career. For her to evade that… She plots to seduce her editor to approve her work. Will she succeed? Or fall entirely to his charm? ꕥ⊱╮ღ꧂ღ

Awakening to a bewildering and astonishing reality, Seraphina found herself in an extraordinary situation: she had transmigrated into her own novel, stepping into the shoes of a character she had meticulously crafted. The male lead in her story was notoriously elusive, challenging to approach, and the master of a harem. Seraphina, now Zephyrine Everlynn, unexpectedly found herself among the women in his harem. It was utterly absurd! Promptly leaving the harem, Seraphina used her knowledge to help others win the male lead's heart, all for the right price. But why did the male lead continuously find his way back to her?

Vera fought for her life in the apocalypse for ten years. Ten brutal years left her disfigured, hungry, and almost broken, but she still clawed her way through it. She killed zombies, ran from mutated animals, starved, bled, and learned humans were often more dangerous than monsters. Then her brother, the only family she had left, betrayed her. Vera thought death had finally come. Instead, she woke up inside a trashy book she once read to stay sane while the old world fell apart. A book with a twisted plot and too much drama. And because her luck had always been terrible, Vera did not wake up as the heroine. No, of course not. Her second chance was to become the hated second female lead, pregnant, unwanted, and written to die when the plot no longer needed her. Her babies were supposed to die too. Even the three men who got her pregnant were written as future corpses, all to push the story toward spoiled women and one psychotic male lead. But Vera was not the woman from the book. She had survived one ruined world. She had not walked through radioactive rain and eaten mutated food just to cry over fantasy characters or beg for love inside a stupid plot. So Vera adapted. She accepted her punishment, took her three unborn babies, and left for the garbage center without making a scene. Everyone thought she had been thrown away. Vera saw a chance to make money, protect her babies, and build something of her own. Now the woman meant to disappear is building a wasteland empire, breaking the plot, and driving three men insane because she no longer chases anyone. By every rule in that world, Vera should be dead. But dying a second time was never an option.