Who Are The Voice Actors In 'Daddies' Anime?

The Chinese animated series 'My Daddies' has a pretty stellar voice cast that brings its quirky, heartwarming characters to life. The protagonist duo, Luo Tang and Luo Xia, are voiced by Zhang Jie and Bian Jiang, respectively. Zhang Jie’s smooth, charismatic delivery perfectly captures Luo Tang’s cool yet affectionate demeanor, while Bian Jiang nails Luo Xia’s playful, mischievous energy. Their chemistry is a big part of why the father-son dynamic feels so genuine and endearing. Supporting characters also shine thanks to their talented VAs. Li Shimeng voices the adorable yet sassy Yaoyao, adding so much personality to the little girl’s lines. Meanwhile, Liu Yuqing lends his deep, calm voice to Uncle Zhou, balancing out the chaos with his grounded presence. The cast’s performances really elevate the show’s humor and emotional moments, making it a joy to watch. I’ve rewatched some scenes just to appreciate how the voices bring these characters to life—it’s that good.

I cracked up the first time Daddy Bear spoke — that gravelly, put-upon dad voice immediately sold the whole scene. In the anime adaptation of 'Goldilocks and the Three Bears' (the version that most of us stream in the weekend anthology), Daddy Bear is voiced in Japanese by Banjou Ginga, whose deep, resonant timbre gives the character that classic stern-but-soft dad energy. He leans into the baritone so well that even when the script threatens slapstick, the performance grounds it. I love how you can tell a veteran is behind the mic: subtle timing, tiny vowel choices, and a way of softening the edges in quieter moments. For the English dub, the role goes to John DiMaggio, and honestly that casting lights up the comedic beats — he brings warmth and a lived-in sarcasm that pairs perfectly with the family dynamics. If you know him from 'Futurama' or 'Adventure Time', you’ll recognize that familiar snap and humor, but he tempers it here for a more paternal vibe. Between the two, I usually alternate depending on my mood: the Japanese track for a more classical, dramatic Daddy Bear, and the English dub when I want to laugh at the tiny domestic disasters. Either way, Daddy Bear’s voice is what makes the family feel real, and I still grin when he delivers that resigned sigh in the scene after the cottage mishap.

The voice cast of 'Nana' is one of those rare ensembles where every actor feels perfectly matched to their character. Romi Park brings Nana Osaki to life with this raw, raspy energy that captures her punk-rock spirit flawlessly. Meanwhile, Aya Hirano's sweet yet vulnerable portrayal of Nana Komatsu (Hachi) makes you feel every ounce of her emotional rollercoaster. Then there's Toshiyuki Morikawa, whose smooth, almost dangerously charming voice fits Ren like a glove. The supporting cast is just as stellar—Ryōko Shiraishi’s Junko is hilariously blunt, and Daisuke Namikawa’s Nobu has this warmth that makes him instantly lovable. I’ve rewatched the anime twice just to appreciate how their performances add layers to the story. It’s one of those dubs where you forget you’re listening to actors—they become the characters.

The 'Daddy' series has this wonderfully chaotic energy, and a big part of that comes from its cast. At the heart of it is Kim Kang-woo, who plays the titular role with this perfect mix of gruff charm and hidden vulnerability. He’s the kind of actor who can make even the most absurd scenarios feel grounded, and his chemistry with the rest of the cast is electric. Then there’s Park So-dam, who brings this sharp, witty energy as the daughter figure—her timing is impeccable, and she balances Kang-woo’s intensity with a lighter, more playful vibe. Rounding out the core trio is Oh Dal-su, the scene-stealer who’s basically the series’ secret weapon. His comedic delivery is flawless, and he adds this layer of unpredictability that keeps every scene fresh. The supporting cast is just as memorable, with actors like Lee El and Kim Byung-chul popping in with these brilliantly timed performances. What I love is how the series lets each actor shine in their own way—whether it’s a dramatic monologue or a slapstick moment, they all feel perfectly in sync. It’s one of those rare casts where you can’t imagine anyone else in the roles.

Man, Daddy Gob's voice is iconic! It's Patton Oswalt, and honestly, he nails that chaotic yet weirdly endearing energy. If you've heard his stand-up or other voice roles (like Remy in 'Ratatouille'), you know he brings this perfect mix of sarcasm and vulnerability. The way he delivers lines like 'I’ve made a huge mistake' is pure gold. Oswalt’s improv background shines through, making Gob feel so alive. Fun fact: He wasn’t the first choice—originally, the role was pitched to someone else, but Oswalt made it his own. Now I can’t imagine anyone else ranting about illusions or awkwardly hugging his son. It’s one of those casting decisions that just clicks.

Okay, let me gush for a second — Byakuya Kuchiki in 'Bleach' has two main voices people usually refer to: the original Japanese voice and the English dub voice. In Japanese, Byakuya is voiced by Ryotaro Okiayu. His tone is that cool, regal restraint that fits Byakuya’s icy nobility perfectly, and he’s the one who carries the character through the original TV series, movies, and most of the related game and CD adaptations. In the English dub, Byakuya is voiced by Steve Staley (sometimes credited as Steve Cannon). Steve brings a different flavor — still measured and aristocratic, but shaped by English-language directing and performance choices. Both actors have reprised the role across multiple media tied to 'Bleach', so when you hear Byakuya in the anime, the films, or the games, it’s usually those two lending him that calm-but-deadly presence. Personally, I love comparing the small delivery differences between the two; Ryotaro’s subtle shifts in pitch and timing feel like porcelain breaking, while Steve’s English performance highlights the dry, cutting wit in Byakuya’s lines.

Oh, absolutely! The talented voice actor you’re thinking of for Oikawa from 'Haikyuu!!' is Toshiyuki Morikawa. He’s been in the industry for quite some time, and his range is seriously impressive. Aside from Oikawa, he has voiced iconic characters like Sephiroth from 'Final Fantasy VII', which is such a beloved title among gamers! It’s fascinating how he can switch from that cool, composed villain to the energetic and charming Oikawa on the volleyball court. If you think about it, Morikawa brings this unique flair to each role that adds depth to the characters. For example, his portrayal of Zoro in 'One Piece' is another fan favorite, showcasing his ability to convey both intensity and humor. It’s intriguing how he can get into the mindset of such varied characters and make them feel so real, don't you think? His performances are a perfect example of how versatile voice actors can be in the anime world.

Man, 'Your Dear Daddy The Series' had such a charming cast! The lead actor is definitely Gun Atthaphan—his portrayal of the conflicted but loving dad was chef’s kiss. Then there’s Off Jumpol, who played the other dad with this perfect mix of humor and warmth. Their chemistry was insane, like they’d been co-parenting for years. The supporting cast was great too, especially Jane Ramida as the daughter—she nailed the rebellious teen vibe. I binged the whole thing in a weekend and still go back to rewatch their family scenes. What really stuck with me was how the show balanced comedy and heart. Gun’s facial expressions alone deserved an award—those tiny moments where he’d switch from exasperated to tender? Magic. Off’s character had this laid-back charm that made even the silliest moments feel grounded. And Jane? Her eye rolls could’ve powered a small city. The trio made the whole ‘accidental co-parenting’ trope feel fresh instead of cliché.

Many fans of 'Nana' absolutely adore the voice acting in this anime, and honestly, I find it one of the strongest aspects that make the show so captivating. For starters, we have the incredible Anna Nagase voicing Nana Osaki. She absolutely nails the personality of the punk rock diva! Nagase brings a raw energy to her character that feels authentic, showcasing the emotional depth and struggles that Nana faces throughout the series. To think about how she balances the tough exterior with vulnerable moments—it's a performance that truly resonates with viewers. On the other hand, the other Nana, Nana Komatsu, is voiced by the talented Ohta Yuki. The way she breathes life into Komatsu's bubbly, naive, yet somehow endearing nature is a joy to experience. Their chemistry is magnetic and really brings the unlikely friendship of these two Nanas to life. Diving deeper into the supporting cast, we get to enjoy the voices of some other amazing talent like Yoshino Hiroyuki as Ren, who perfectly embodies the charismatic guitarist and his complicated relationship with Nana Osaki. Then there's the ever-so-wonderful voice of Koshino Katsuya bringing Shinichi to life—a character with depth, charm, and some surprising layers! Each of these actors adds their unique flavor to the mix, making 'Nana' not just a visual delight but an auditory treat, too. For fans of adaptations, it's fascinating to see how voice actors interpret these characters. I often find myself wondering how they approach their roles and if they connect personally with the characters’ journeys. It’s like all those long hours watching the anime have created a bond, not just with the characters, but with the voice actors who wield the power to make those characters feel so real. The depth and nuance they bring to 'Nana' is one reason I'll never tire of rewatching it!

Oh, 'Daddies' is such a gem! I stumbled upon it while browsing through some BL manga recommendations last year, and it instantly became one of my favorites. The story revolves around this unexpected but heartwarming relationship between two dads, blending humor, tenderness, and just the right amount of drama. The art style is super expressive too, which makes the emotional beats hit even harder. As for the English availability, yes! It’s been officially licensed and translated. You can find it on platforms like Lezhin or Tappytoon, and sometimes even physical copies pop up in specialty manga stores. The translation quality is solid, and they’ve kept the original tone intact, which I really appreciate. If you’re into slice-of-life with a queer twist, this one’s a must-read.