Short and sweet: the most famous voice of Tom’s expressive noises is William Hanna—those original meows, yelps and screams in the old MGM shorts are his handiwork. Over time the role shifted into the hands of specialized sound actors and foley artists; Mel Blanc sometimes chimed in during early days, and in modern revivals people like Frank Welker and members of the contemporary WB animation crew (Spike Brandt and others) have provided a lot of Tom’s vocal effects.
Credits change by short, series or movie, so if you’re hunting a particular squeal, check the production notes for that title: classic credits almost always point to Hanna, while later series and films list newer voice-effect specialists. Personally, I love how that mix of old-school Hanna yelps and modern sound work keeps Tom both timeless and lively.
Every time someone asks who voiced Tom, I go into collector mode and start naming eras rather than just one name. In simple terms: William Hanna is the OG—his vocal effects are all over the theatrical shorts. He handled most of Tom’s nonverbal performance (screams, meows, gasps) for decades, and those sounds define the character for many fans.
In later revivals and TV series you get a mix. Mel Blanc and other studio performers occasionally contributed during the earlier years, but modern productions lean on dedicated sound actors like Frank Welker for animal noises. On top of that, contemporary projects often credit sound designers and animation directors who tweak or layer the effects—Spike Brandt is one name people will see attached to newer Tom material, because he’s been involved in several recent Tom and Jerry projects. Shows like 'Tom and Jerry Tales' and newer streaming shorts rely more on these modern effects specialists than on one single, consistent actor.
So if you’re cataloging voices: list William Hanna first for the classic run, then look for Mel Blanc and other studio names in the early stuff, and check for Frank Welker and production-specific crew in the TV/film revivals. It’s not a simple one-actor story, but that layered approach is part of what keeps Tom sounding fresh across generations.
I still grin thinking about how Tom’s voice work is sort of a secret weapon of classic animation—so here’s the rundown I always tell friends at watch parties. In the original MGM shorts from the 1940s through the 1950s, almost all of Tom’s cries, yelps, laughs and pained screams were supplied by William Hanna himself. He wasn’t doing big speeches—Tom was mostly physical comedy and expressive noise—but those little HANNAs are the spine of the character’s sound. They’re the iconic yelps that make a Falling piano gag land perfectly.
Beyond Hanna, a few contemporaries sometimes added bits: Mel Blanc popped in on occasion early on for incidental sounds and crowd noises in certain shorts, and several uncredited studio sound artists patched together other effects. Fast-forward to modern times and you see specialists stepping in. Frank Welker has provided animal vocal effects for several later projects and series revivals because he’s the go-to guy for expressive creature sounds. Spike Brandt and some of the modern WB animation crew have also supplied Tom’s vocal bits and additional mouth noises in direct-to-video releases and recent series. Other voice pros and foley artists have rotated through depending on the production, so credits vary by short, series or movie.
If you want to trace a particular squeal or scream, check the credits for each era: classic shorts will almost always list William Hanna for Tom’s sounds; contemporary shows and films list specific sound artists or names like Frank Welker and crew. For me, nothing beats spotting a Hanna yelp during a marathon of 'Tom and Jerry'—it’s like hearing the original wiring of the joke, and it still makes me laugh.
2026-02-05 16:26:17
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Alpha werewolves should be cruel and merciless with unquestionable strength and authority, at least that’s what Alpha Charles Redmen believes and he doesn’t hesitate to raise his kids to be the same way.
Alpha Cole Redmen is the youngest of six born to Alpha Charles and Luna Sara Mae, leaders of the Red Fang pack. Born prematurely, he is rejected without hesitation as weak and undeserving of his very life.
By adulthood, his father’s hatred and abuse towards him has spilled over into the rest of the pack making him the scapegoat for those with the sadistic need to see him suffer. The rest are simply too afraid to even look his way leaving him little in the way of friends or family to turn to.
Alpha Demetri Black is the leader of a sanctuary pack known as Crimson Dawn. It’s been years since a wolf has made their way to his pack via the warrior’s prospect program but that doesn’t mean he’s not looking for the tell tale signs of a wolf in need of help.
Malnourished and injured upon his arrival, Cole’s anxious and overly submissive demeanor lands him in the very situation he’s desperate to avoid, in the attention of an unknown alpha.
Yet somehow through the darkness of severe illness and injury he runs into the very person he’s been desperate to find since he turned eighteen, his Luna. His one way ticket out of the hell he’s been born into.
Will Cole find the courage needed to leave his pack once and for all, to seek the love and acceptance he’s never had?
Meet Skyler Jackson. She is the Alpha's 17-year-old nearly 18-year-old daughter, but is also the pack slave and the Alpha's punching bag. She dreamed of a mate when she was younger but doesn't believe, anymore.
Meet the Mason brothers: Cole, Elijah, and Nathan. They are the Alphas of the most feared pack in the country. They are said to be ruthless and cruel to whoever crosses them, but they will also protect packs and loved ones with their lives.
What will happen when Skyler meets these three brothers? What will happen when one commits the ultimate betrayal? Will she be able to forgive? Will his brothers? What will be in Skyler's future?
*** Warning read at your own discretion as this story may trigger some readers as it contains physical and sexual abuse, violence and mature scenes. Please read at own discretion!
A security guard caught a snake in our apartment complex and delivered it straight to my door.
I was just about to scream when floating comments cut in.
[The male lead got dumped and turned back into his real form just to spy on his girlfriend, and he actually got caught? This is funny as hell!]
[He got dumped, and his girlfriend hates him. He's probably gonna cry himself to sleep!]
[Aww, poor little snake can't curl up on his girlfriend tonight.]
The big black snake looked pitiful in the guard's hands.
It secretly sized me up with its slit pupils.
I tried holding out my hand, and the black snake stared in disbelief.
Two seconds later, it obediently rubbed its head against my fingers.
Carolina Alves
I came to America to write love stories, but my inspiration’s been running on empty. Then I followed an orange kitten onto the subway, through a strange neighborhood, and straight into the arms of a firefighter. Ace Rosario is steady, strong, and just a little sarcastic—and suddenly, I can’t stop writing again. The only question is… am I falling for my muse, or for the man himself?
Ace Rosario
Oldest sibling, last to get my act together. My family’s always seen me as the drifter, never the responsible one. But I’m determined to prove myself as a firefighter—and the last thing I expected was for Carolina Alves to tumble into my life with her wild hair, her Portuguese rambling, and my mischievous kitten, Goose, in tow. She makes me think love might be the one risk worth taking.
The Purrfect Love Story is the heartfelt, playful conclusion to the Ravenwood Series. While it can be read as a standalone, Ace recommends checking out his siblings’ stories first—Man’s Best Wingman, A Bark in the Park, and The Purrfect Wingman—before diving into his own.
The moon goddess must be running mad because who are these four hot shirtless men and why is my wolf purring and going into heat from just looking at them?!
~
My name is Kora Rhysand and I’m my father’s worst mistake. I have never said a word since I was born because my Omega wolf is mute. My sisters remind me every day that I’m worth less than the dust underneath their shoes, and everyone in the Saged Wolf pack calls me cursed. When the moon goddess surprises me with a second chance, I’m reborn two years in the past to the night of my 18th birthday.
Now I have four mates, but I’m not sure how they are all going to fit…
Ofelia Rosario - I take pride in being smart, careful, and independent. Fostering a pregnant cat was supposed to be the one soft thing in my life—until the fire. I stayed too long trying to save Spitfire, and I nearly didn’t make it out. But Zach Dayton pulled me from the flames—calm, strong, and way too charming. He’s everything I shouldn’t want. Everything that scares me. But he keeps showing up, helping, and making me laugh when I want to cry. And Spitfire? She seems convinced we belong together. Maybe love isn’t something you can logic your way around. Maybe it’s something you lean into.
Zach Dayton - Falling in love isn’t supposed to feel more dangerous than running into a burning building. But then there’s Ofelia—stubborn, guarded, beautiful Ofelia. I was just doing my job when I found her trying to shield a pregnant cat from the smoke. But the second I saw her, something shifted. I’ve always believed I’m not built for love—too much loss, too many close calls. But she makes me want to try anyway. The way she looks at me, the way she fights for that cat, for herself… she doesn’t need a hero. But maybe she’ll let me be hers anyway.
Book 8 in the Ravenwood Series. It can be read as a standalone. However, to learn about the characters and past events that may be referenced, you should check out the rest of the series.
Book 1 - The Princes of Ravenwood (Zach's first appearance)
Book 2 - Chasing Kitsune
Book 3 - Expect the Unexpected
Book 4 - Out of My League
Book 5 - Man's Best Wingman (Ofelia's first appearance)
Book 6 - Troubled Heart
Book 7 - A Bark in the Park
I've always been a sucker for the classic Saturday morning line-ups, so I can rattle off a bunch of voices that made those cats unforgettable.
For starters, 'Garfield' on TV was basically Lorenzo Music — his dry, deadpan tone is the voice everyone who grew up with 'Garfield and Friends' hears in their head. Decades later Bill Murray took the character to the live-action/CGI movies, giving him a slightly different swagger. In the more modern English dub of 'The Garfield Show', Frank Welker handled Garfield's voice duties, which shows how one character can wear very different vocal hats across eras.
Tom from 'Tom and Jerry' is weirdly iconic because he barely talks, but William Hanna provided most of the original laughs, yelps and screams that made Tom expressive. Sylvester the Cat from the 'Looney Tunes' crew was Mel Blanc — his lisp and timing are perfect cartoon-cat material. And for a hero-cat vibe, Larry Kenney owned Lion-O in the original 'ThunderCats', with Will Friedle later picking up the mantle in the 2011 reboot. Those voices stuck with me in different phases of my life, and I still get a grin hearing any of them.
I still grin thinking about how much of the original 'Tom and Jerry' charm came from sounds rather than lines — the squeaks, screams, and manic laughs are performers in their own right. In the classic MGM shorts most of the vocal work was handled by the creators and a tiny roster of studio pros. William Hanna himself provided a huge chunk of those memorable vocal effects: Tom's yelps, chuckles, and pratfall reactions were often Hanna's voice, which is wild when you realize the co-director literally performed half the cartoon's personality. That DIY vibe is part of why those shorts feel so energetic.
Beyond Hanna, a handful of famous voice actors popped in over the decades. June Foray showed up to voice some of the female characters (Toodles Galore and other bits of dialogue), and legends like Mel Blanc made occasional contributions in the earlier era — not as recurring leads, but as one-off character voices and effects. In later decades, when the franchise expanded into TV shows and feature adaptations, heavy-hitter sound artists such as Frank Welker took over many animal and creature vocalizations. Those modern effects guys are practically invisible stars: they give Tom and Jerry personality without turning either into a chatty cartoon.
If you trace the credits through 'Tom and Jerry Kids', 'Tom and Jerry Tales', and the feature films, you’ll spot a parade of well-known voice names and even some mainstream actors in human roles. For me, the coolest part is hearing how different generations of performers put their stamp on that timeless chase — it’s like listening to the same joke told by new comedians and still laughing.