How To Write A Linear Plot For A Novel?

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Opening my eyes in an unfamiliar place with unknown faces surrounding me, everything started there. I have to start from the beginning again, because I am no longer Ayla Navarez and the world I am currently in, was completely different from the world of my past life. Rumi Penelope Lee. The cannon fodder of this world inside the novel I read as Ayla, in the past. The character who only have her beautiful face as the only ' plus ' point in the novel, and the one who died instead of the female lead of the said novel. She fell inlove with the male lead and created troubles on the way. Because she started loving the male lead, her pitiful life led to met her end. Death. Because she's stupid. Literally, stupid. A fool in everything. Love, studies, and all. The only thing she knew of, was to eat and sleep, then love the male lead while creating troubles the next day. Even if she's rich and beautiful, her halo as a cannon fodder won't be able to win against the halo of the heroine. That's why I've decided. Let's ruin the plot. Because who cares about following it, when I, Ayla Navarez, who became Rumi Penelope Lee overnight, would die in the end without even reaching the end of the story? Inside this cliché novel, let's continue living without falling inlove, shall we?

Vera fought for her life in the apocalypse for ten years. Ten brutal years left her disfigured, hungry, and almost broken, but she still clawed her way through it. She killed zombies, ran from mutated animals, starved, bled, and learned humans were often more dangerous than monsters. Then her brother, the only family she had left, betrayed her. Vera thought death had finally come. Instead, she woke up inside a trashy book she once read to stay sane while the old world fell apart. A book with a twisted plot and too much drama. And because her luck had always been terrible, Vera did not wake up as the heroine. No, of course not. Her second chance was to become the hated second female lead, pregnant, unwanted, and written to die when the plot no longer needed her. Her babies were supposed to die too. Even the three men who got her pregnant were written as future corpses, all to push the story toward spoiled women and one psychotic male lead. But Vera was not the woman from the book. She had survived one ruined world. She had not walked through radioactive rain and eaten mutated food just to cry over fantasy characters or beg for love inside a stupid plot. So Vera adapted. She accepted her punishment, took her three unborn babies, and left for the garbage center without making a scene. Everyone thought she had been thrown away. Vera saw a chance to make money, protect her babies, and build something of her own. Now the woman meant to disappear is building a wasteland empire, breaking the plot, and driving three men insane because she no longer chases anyone. By every rule in that world, Vera should be dead. But dying a second time was never an option.

I'm reading a book about a boy who bullies a girl, but they end up in love? Screw that; if it were me, I'd ruin the plot.

a really good book for you. I hope you like it becuase it tells you a good story. Please read it.

Lyra was never supposed to be the heroine. In the novel she read in her past life, Lyra was just a placeholder—the adopted daughter of a high-society family who dropped her the second their real daughter returned. Then came the humiliation. The neglect. The death that barely registered in the plot. But this Lyra? She’s not following the script. Reincarnated into the story, Lyra remembers everything. She knows where the plot is headed—and she plans to derail it. Step one: make herself indispensable. Step two: change the fate of Ethan, the second male lead who disappeared without resolution. He was brilliant, guarded, and completely overlooked by the original heroine. Lyra—who adored him as a reader—isn’t about to let history repeat itself. She starts small: a business deal, market predictions, power moves. Somewhere in the chaos, they become something more. And when the real daughter returns, sweet on the surface and toxic underneath, Lyra proposes a marriage contract to survive. No feelings. No strings. Just strategy. But love doesn’t follow rules, and neither does fate. As alliances fracture and danger rises, Lyra must fight to stay in a story that was never meant to keep her. She won’t be discarded. She won’t be erased. This time, the side character is writing her own ending.