How Does Writing Korean Differ From Writing In Other Languages?

The novel is mainly about the forgotten British poet/writer named C. J Richards who lived in Burma/Myanmar in colonial times and he believed himself as a Burmophile. He served as I.C.S (Indian Civil Servant) and when he retired from I.C.S service, he was a D.C (District Commissioner) and he left for England a year before Burma gained its independence in 1948. He came to Burma in 1920 to work in civil service after passing the hardest I.C.S examination. He wrote several books on Burma and contributed many monthly articles to Guardian Magazine published in Burma from 1953 to 1974 or 1975. Though he wrote several books which had much literary merit to both communities, Britain and Burma (Myanmar), people failed to recognize him. The story has two parts: one part is set in the contemporary Yangon (then called Rangoon) in 2016 context and a young literary enthusiast named “Lin” found out unexpectedly the forgotten writer’s poetry book and there is surely a good deal of time gap that led him into a quest to know more about the author’s life. The setting is quite different comparing to colonial Burma and independence Myanmar (Burma), early twentieth century and 2016 which is a transitional period in Myanmar. The writer’s life is fictionalized in the novel and most of the facts are taken from his personal stories and other reference books. It is a kind of historical novel with a twist and it has comparatively constructed the two different periods in Myanmar history to convince readers, locally and abroad more about history, authorship, humanity, colonialism, and transitional development in Myanmar today.

Everyone in the company knows one thing about Ethan Jang. Our CEO has no heart. Cold. Emotionless. Brutal enough to fire someone before they finish “Good morning.” So imagine my shock when I walk into his office at 2 a.m. and catch the “Ice King of Seoul” ugly-crying over a K-drama, clutching a tissue and whispering, “Don’t die, Eun-bi… please…” I should’ve backed out slowly. Instead, he saw me. Now Ethan Jang billionaire, perfectionist, professional soul-crusher — is doing everything to shut me up: bribing me with bonuses, threatening to transfer me to Antarctica, and begging me (yes, begging) to keep his midnight K-drama breakdowns a secret. But hiding it becomes impossible when: • He accidentally quotes K-drama love lines during meetings. • He drags me into a fake-dating scandal to protect his image. • He insists on “rehearsing” romantic confession scenes with me… too close, too intensely. • And worst of all, his cold façade starts cracking — and I’m starting to like what I see underneath. He’s all logic and walls. I’m chaos, emotions, and bad decisions. We were never meant to mix… yet somehow we’re falling into the messiest, funniest, and most unexpected romance of our lives. Because the scariest man in the company isn’t heartless after all he’s just been waiting for someone to rewrite his script.

Love is something to never be ashamed of, it's okay to fall in love even if that person is someone of the same sex. That's the way I feel towards the person who showed me how to love. I love him, I want him and I want to hold him but the problem is... His married. Leslie Campbell is a young omega who is married to a beta. He is a book enthusiast who became an editor for a successful publishing company and he is assigned to his favorite author, Azrael Mitsuki Bethan, a Japanese American writer who paints the world in white and black. However, there is one serious problem... Azrael hates omegas especially male omegas. Leslie is determined to be Azrael's editor but their relationship becomes complicated when forbidden emotions start to develop leaving Leslie in a state to choose between his marriage and his soulmate while Azrael battles with his heart and his conscience. Heartwarming relationship between the alpha who desires to hate and the omega who knows only how to love.

For five years, Mira poured her obsession into The Reckoning of Caelen Mors—a dark fantasy about a ruthless duke and the woman he becomes dangerously fixated on. At 2:47 AM, exhausted and alone, she died at her laptop. Her final words still glowed on the screen: "Duke Caelen finally showed her his true face. It was nothing like she imagined." She woke as Isadora Vess—the secondary character from her manuscript—in a silk bed, in a monster's house, with servants calling her by a name she'd invented. The problem: Mira remembers writing this world. She knows every dark secret. She knows how the story should end. Except her memories are fractured. The manuscript was never finished. And the characters have evolved without her input, making choices she never wrote, saying things she never scripted. Worse—Duke Caelen knows she's different. He's been waiting for her. Across seventeen timelines, he's seen her arrive at this exact moment. And in three of them, everything burned. Now Isadora must navigate a world she created but no longer controls, surrounded by men who each want to use her—a charming prince offering escape, a dark count offering power, and a villain offering the only thing that might be true: the answer to why she's here, and what happens when an author gets trapped in her own story. Because in every version where Isadora arrives, the empire falls. And Caelen has been waiting a very long time to see which ending she'll choose this time.

Iori is a famous mystery writer with a dark past that still haunts her. One day, she's forced to co-write a book with the most famous romance writer Jun by their publisher, who also forces them to live together and pretend to be in a relationship for the sake of advertisement. Unable to refuse because of the huge favor their publisher owes them, those two who barely stand each other's presence are now trying to coexist and finish the book while dealing with their twisted pasts who were always ready to resurface...

I love you so much till my eyes and heart don't want to open up to my circumstances. The state where you are the only one and I am one of you. I don’t care even if your common sense tells me to leave you. I still endure, with my character that has less trust in you. Whether my suspicion in excessive or you who really don’t put me first, you choose to leave, keep your heart away from me, throw away your feelings that you used to convey to me, then you act like we were never there before.