Who Wrote 'Arsenic And Old Lace' And When Was It Published?

2025-06-15 17:57:53 190

3 Answers

Nora
Nora
2025-06-19 02:30:34
The classic dark comedy 'Arsenic and Old Lace' was penned by American playwright Joseph Kesselring and first hit the stage in 1939. It became an instant hit for its wild blend of murder and humor, with two sweet old ladies poisoning lonely men as an act of "charity." The play later inspired the famous 1944 film adaptation starring Cary Grant, which boosted its popularity even further. Kesselring’s timing was perfect—pre-WWII audiences craved escapism, and this mix of macabre and laughs delivered. If you enjoy twisted humor, check out 'The Addams Family' for a similar vibe.
Lila
Lila
2025-06-20 16:55:27
I’ve always loved how 'Arsenic and Old Lace' subverts expectations—written by Joseph Kesselring in 1939, it’s a masterclass in dark humor. The play’s premise sounds grim (elderly serial killers), but Kesselring makes it hilarious by contrasting their gentleness with their crimes. It’s wild to think it premiered during a tense pre-war era, yet audiences ate up the absurdity. The 1944 film version, though iconic, toned down some of the play’s darker edges. If you dig this style, try reading 'The Ladies of the Corridor' by Dorothy Parker—another sharp, twisted look at women’s lives.
Scarlett
Scarlett
2025-06-21 02:25:53
Joseph Kesselring, a lesser-known but brilliant playwright, created 'Arsenic and Old Lace' in 1939. What fascinates me is how his background shaped the play—he initially wrote serious dramas, but this pivot to dark comedy showcased his versatility. The play debuted on Broadway in 1941, right before America entered WWII, offering audiences a hilarious distraction from global tensions. Its success lay in the absurd premise: elderly sisters hiding bodies in their basement while their nephew, a drama critic, freaks out. The 1944 film adaptation cemented its legacy, though Kesselring reportedly disliked Cary Grant’s exaggerated performance.

For those curious about similar works, 'You Can’t Take It With You' by George S. Kaufman and Moss Hart has the same chaotic energy. Kesselring’s play remains a staple in theater circles because it balances horror and humor so effortlessly. Modern shows like 'What We Do in the Shadows' owe a debt to its tone—mixing the mundane with the monstrous.
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