Who Wrote 'Hide And Seeker'?

2025-07-01 22:53:51 169

3 Answers

Bella
Bella
2025-07-02 07:29:11
Daka Hermon's name should be shouted from rooftops for what she did in 'Hide and Seeker'. The book takes tag and turns it into psychological warfare—imagine playing hide-and-seek where getting caught means facing your worst memory. Hermon doesn't just write horror; she engineers fear experiments on paper. What got me hooked was her pacing—short chapters that hit like jump scares, and dialogue that sounds so real you'd think you eavesdropped on a middle school sleepover.

Her character work is phenomenal. Each kid in the friend group represents a different survival instinct—fight, flight, freeze—which makes their choices under pressure terrifyingly believable. The villain's backstory rooted in 19th-century orphanage records shows Hermon's commitment to historical horror details. If this style appeals to you, 'Small Spaces' by Katherine Arden delivers similar childhood dread with supernatural farming equipment.
Charlotte
Charlotte
2025-07-04 15:27:47
I just finished reading 'Hide and Seeker' and was blown away by how intense it was. The author, Daka Hermon, really knows how to twist childhood games into pure nightmares. This isn't her first rodeo—she's carved out a niche in middle-grade horror that actually scares adults too. Her writing style grabs you by the throat in the first chapter and doesn't let go until the last page. What I love is how she blends real kid emotions with supernatural terror, making the fear feel personal. If you liked this, check out her other book 'How to Survive Camping'—same spine-chilling vibe but with more marshmallows.
Isla
Isla
2025-07-05 09:09:16
Daka Hermon crafted 'Hide and Seeker' with this uncanny ability to make playground rhymes sound like cursed incantations. As someone who devours horror daily, I appreciate how she subverts expectations—the seeker isn't just finding kids, they're unraveling their darkest secrets. Her background in psychology shines through the character dynamics, especially how trauma manifests differently in each child during the game.

What's fascinating is her research process. She actually studied folklore from Appalachia to West African oral traditions to create the game's rules. The way she layers cultural horror elements makes it feel ancient yet fresh. Compared to her contemporaries like Jonathan Stroud or Holly Black, Hermon's horror feels more visceral because she doesn't shy from showing consequences.

For deeper cuts in this genre, try 'The Jumbies' by Tracey Baptiste—another masterclass in weaving cultural horror into children's literature. Both authors understand that the real terror isn't the monster, but what the monster makes you confront about yourself.
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