Who Wrote The Itaewon Class Webtoon And Why?

2025-11-04 04:48:39 245
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3 Answers

Paisley
Paisley
2025-11-05 03:26:41
Quick, enthusiastic summary: the webtoon 'Itaewon Class' was written by Jo Gwang-jin, and the reasons behind it are part storytelling, part social project. He crafted a revenge-driven, entrepreneurial plot about a scrappy underdog fighting against a corrupt conglomerate while building 'DanBam', which lets him explore themes of fairness, class mobility, and multicultural life in Itaewon.

Jo seems to have used the webtoon medium to let characters breathe and to foreground community — the side characters aren’t just props, they’re the point: people pushed to the margins who band together. That approach made the story feel both personal and broadly resonant, which explains why it translated so well into the hit TV series and why the original comic still feels fresh to me.
Gabriella
Gabriella
2025-11-05 21:34:19
Growing up glued to webtoons and K-drama recaps, I can still get excited talking about 'Itaewon Class' — the original webtoon was written by Jo Gwang-jin (조광진). He launched it on Naver Webtoon and ran the serialization from around 2016 to 2018; that online run is what let the story build the kind of grassroots fandom that later helped the TV adaptation blow up in 2020. I loved how the visuals and pacing in the webtoon set up characters so vividly that the drama felt like a natural extension rather than a retelling.

Why did Jo write it? For me it reads like a deliberate mix of social critique and personal empathy. He wanted to tell an underdog story about someone who faces corporate injustice, social prejudice, and personal loss — and who fights back by building something real: the bar-restaurant 'DanBam'. Through that small-business lens the webtoon explores entrepreneurship, systemic power, and the messy human side of revenge and healing. Jo also threaded in Itaewon’s multicultural energy and marginal voices — which felt intentional, like he wanted a modern Seoul that wasn’t one-note. I always felt the whole project was driven by a desire to make readers root for people who get overlooked, to show resilience without glamorizing violence. Personally, that blend of grit and warmth is what stuck with me long after I closed the last chapter.
Kevin
Kevin
2025-11-10 09:22:13
There’s this sharp, earnest energy in the webtoon version of 'Itaewon Class' that made me go hunting for who wrote it: Jo Gwang-jin. Reading the serialized chapters, you can sense he wanted room to breathe with his characters, so the webtoon format on Naver was a perfect fit — episodic tension, cliffhangers, and time to let side characters earn their stripes.

Jo’s motivations seem twofold. On the surface it’s a revenge-and-redemption plot — a guy wronged by a big conglomerate starts from scratch to topple that imbalance. But underneath, he was sketching social commentary: class gaps, corporate bullying, racism and the very visible multicultural mix of Itaewon. He also gave space to identities and relationships that don’t always get center stage, which made the world feel more lived-in. In my view, Jo wrote it because he wanted a public-facing story that still felt intimate — a narrative where a small team’s daily grind and moral choices matter as much as any boardroom showdown. The webtoon’s tone struck a chord with readers who wanted grit, hope, and a slice-of-life sense of community; that’s why it grew beyond the pages into something bigger, and why I still recommend the original comic to people who loved the drama.
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