Who Wrote The Lyrics That'S What I Like And When?

The lyrics for 'That's What I Like' were penned by Bruno Mars alongside a team of talented collaborators, including Philip Lawrence, Christopher Brody Brown, James Fauntleroy, and Johnathan Yip. It's one of those tracks where every writer's flair shines through—Mars' signature playful charm, Lawrence's knack for catchy hooks, and Fauntleroy's smooth R&B sensibilities. The song feels like a perfect cocktail of their styles, blending humor, luxury, and romance into something irresistibly danceable. I love how the lyrics play with opulence and relatability at the same time. Lines like 'Jump in the Cadillac' and 'sex by the fire at night' are pure fantasy, but the way Mars delivers them makes it feel like he's winking at the listener. It’s no surprise the track won a Grammy—every word feels intentional, like they had a blast crafting it. That collaborative energy is probably why it’s still on my playlist years later.

The lyrics for 'How You Like That' were crafted by a powerhouse team including TEDDY, Danny Chung, and members of BLACKPINK themselves—specifically Jisoo, Jennie, and Rosé. TEDDY's signature touch is all over it; he’s the genius behind so many of BLACKPINK’s hits, blending fierce, unapologetic energy with catchy hooks. Danny Chung brought his flair for punchy, rhythmic phrasing, which complements the group’s bold style perfectly. What I love about this track is how the lyrics mirror BLACKPINK’s evolution—defiant, confident, and dripping with swagger. The way they flip a breakup narrative into a triumphant anthem is pure genius. Jisoo’s Korean lyricism, Jennie’s rap flow, and Rosé’s melodic input add layers that make it feel personal. It’s not just a song; it’s a statement piece, and the writing team nailed that vibe.

Bruno Mars' 'That's What I Like' was an absolute banger, and the awards it racked up prove it. The song won Grammy Awards for Best R&B Song and Best R&B Performance in 2018—totally deserved, if you ask me. The smooth vibes, catchy lyrics, and Bruno's effortless charm made it a standout track on his album '24K Magic.' What I love about this song is how it blends modern R&B with old-school influences, creating something fresh yet nostalgic. The production is slick, and the lyrics are playful without being cheesy. It's no surprise the Recording Academy recognized it. Plus, the music video added another layer of creativity with its vibrant visuals. Honestly, it’s one of those tracks that never gets old, and the awards just cement its legacy.

The lyrics for 'Like a Flowing Wind' were penned by the legendary songwriter Yumi Matsutoya, who's also known for her work under the name Yumi Arai. She's this incredible artist who's been crafting poetic, emotionally rich lyrics since the 70s, and her words have this way of painting vivid imagery—like in this song, where the wind becomes this metaphor for life's fleeting moments. I first stumbled upon her music through 'Kaze no Tani no Nausicaä,' and it blew me away how she could weave nature and human emotion together so seamlessly. Her style is unmistakable—gentle yet profound, like a whisper that carries weight. Funny thing is, I later learned she didn’t just write for herself; her lyrics became anthems for other artists too. 'Like a Flowing Wind' feels like one of those timeless pieces where every line lingers. It’s not just about the words but how they dance with the melody, creating something that feels both personal and universal. Matsutoya has this gift for making you feel like she’s singing directly to you, even if the song was written decades ago.

If what you're after is the official text for Bruno Mars' 'That's What I Like', the cleanest places to check are the sources that have licensing deals to reproduce lyrics. My go-to routine when I want something accurate is: first look at the artist's official channels, then cross-check with licensed lyric providers and the streaming services I use. Start with Bruno Mars' official website or his record label pages — those sometimes include lyrics or link to official lyric videos. Next, YouTube is super handy: search for the official lyric video or the official music video on Bruno Mars' channel or his VEVO feed. The description of those uploads often contains the full lyrics, and because they're posted by the artist or label they're usually reliable. If you prefer apps, Apple Music and Spotify (the desktop/mobile apps) both display synced lyrics for many tracks now — Spotify pulls lyric data via partners like Musixmatch or other licensed providers, and Apple Music shows lyrics right inside the player. Musixmatch and LyricFind are two licensing services that supply official text to lots of platforms; their entries are usually accurate. I also check Genius when I'm curious about annotations and context, but I double-check Genius' transcription against a licensed source because it's largely user-contributed and can have small errors. For the most legally sound option, look at the physical or digital album booklet: if you own the CD, vinyl, or the digital booklet from iTunes/Apple Music, you'll get the lyric text as published with the release. Sheet music sellers like Musicnotes or Hal Leonard also sell official transcriptions which include lyrics and can be useful if you want the phrasing laid out for performance. A couple of practical tips from habit: use a Google search like "'That's What I Like' lyrics Bruno Mars" — the lyric panel that pops up is often powered by licensed partners, but check the source (it'll say LyricFind, Musixmatch, etc.). If you're unsure whether a site is quoting lyrics with permission, prefer the ones mentioned above. Personally, I pull up the Spotify lyrics on my phone when I'm cooking and sing along; it's saved me from a handful of misheard lines and that chorus is still a blast to belt out.

I was humming that line the other day and it nagged at me until I tried to track it down. The phrase 'He'll Never Love You Like I Can' rings like a song title, but I couldn't immediately place a definitive songwriter from memory. Sometimes titles get slightly misquoted or multiple songs share similar lines, which makes it trickier than it sounds. From my experience poking around music credits, the fastest reliable ways to find who wrote specific lyrics are to check the song’s official credits on streaming platforms (Apple Music often lists composers), look at the liner notes if you have a physical album, or search performance-rights databases like ASCAP, BMI, or PRS — they list registered songwriters and publishers. If you want to do a quick web search, put the title in quotes like 'He'll Never Love You Like I Can' and add keywords such as “writer,” “lyrics,” or the artist name if you know it. Genius.com and MusicBrainz are also community-driven places where credits often show up, but they can be user-edited so I double-check with a PRO database. If this came from a live performance, TV scene, or cover, that can complicate things because credits sometimes differ between versions. If you can tell me where you heard it — an artist, a show, or a line of the chorus — I’ll dig a bit more and point you to the exact songwriter or suggest the best databases to check.

I was blasting 'That's What I Like' on a rainy evening and found myself grinning at how confidently it strolls between braggadocio and genuine flirtation. The phrase 'that's what I like' in the song works like a wink — it's both a catalog of pleasures and a promise. In the verses the singer lists lavish things and sensual moments: the lifestyle, the pampering, the nightlife, and the intimate time with a partner. Each item functions less as a literal shopping list and more like a shorthand for desire — what turns him on and what he wants to give (or share) with someone. So when the chorus lands, saying 'that's what I like', it's a gleeful stamp of approval, a way to make the listener feel chosen for those pleasures. When I listen closer, the line also has two layers: performative and sincere. On one hand it's showmanship — Bruno's persona is confident, flashy, and a little playful about material success. That fits the album's throwback, party-friendly vibe. But on the other hand, there's a sincerity under the flash: the generosity isn't purely transactional. The repeated refrain feels intimate, like he's telling a lover, 'these are my favorites, and I'm offering them to you.' That duality is why the song works at a club and on a slow drive home; it can be both a flex and a romantic gesture depending on how you take it. Beyond literal meaning, the phrase becomes a mood-setting tool. Musically and visually (think the slick retro production and flashy live performances around the '24K Magic' era), it invites listeners to step into that world — a mix of 90s R&B swagger and modern pop gloss. For me, the best moments are when it feels consensual and playful rather than purely transactional: the narrator is proud of his tastes, but he’s also excited to make someone else feel special. That blend of ego and warmth is why I still put this song on when I want to dance or when I need a reminder that indulgence and affection can sit together, for better or worse.

The lyrics for 'Love Me Like You Do' were penned by a talented trio: Savan Kotecha, Ilya Salmanzadeh, and Max Martin. These songwriting powerhouses have been behind some of the biggest hits in pop music, and this track is no exception. Kotecha's knack for emotive storytelling, combined with Ilya's melodic sensibilities and Martin's legendary pop craftsmanship, created that addictive blend of vulnerability and euphoria that makes the song so memorable. It's fascinating how they captured the intensity of new love—those lyrics feel like they're ripped straight from a midnight confession or a whispered promise. What I love about this song is how the writing balances simplicity with raw emotional impact. Lines like 'You're the light, you're the night' and 'What are you waiting for?' are deceptively straightforward, but the delivery and context give them this cinematic grandeur. It’s no surprise the track became synonymous with 'Fifty Shades of Grey'—the lyrics practically ooze that mix of passion and tension. Every time I hear it, I’m struck by how it manages to feel both intimate and massive, like a love letter shouted from a rooftop. Funny how three people can spin words into something that feels so universally personal.

Music analytics always fascinate me, especially when it comes to tracks that dominate the charts like Bruno Mars' 'That's What I Like.' Last I checked, the song had racked up billions of streams across platforms—Spotify alone reported over 1.5 billion at one point. It's wild how a single track can resonate so globally, blending R&B and pop in a way that feels timeless. What's even crazier is how streams stack up over years. The song dropped in 2016, and it's still popping up in playlists today. I love digging into how longevity works in streaming—some tracks fade, but others? They just keep climbing like digital vines. Bruno's got that magic touch, I swear.

I get such a kick out of tracking cover versions of songs I love, and 'That's What I Like' is one of those pop tunes that keeps getting reinvented live. Over the years I've seen a few recurring names pop up in live or live-style performances: big YouTube acts and a cappella/jazz groups especially seem to enjoy reworking Bruno Mars' groove. Postmodern Jukebox, for example, is famous for turning modern hits into vintage arrangements — I first heard their take on a Bruno Mars track while riding the bus and it instantly felt like a speakeasy remix of the original; if you like retro vibes, their live-ish videos and tour clips are a goldmine. Another frequent source of live covers are YouTube collaborators and bedroom-pop performers — think of people like Kurt Hugo Schneider and Sam Tsui or indie acoustic acts (Boyce Avenue-types) who strip the song down to an intimate guitar or piano version. I remember watching a rooftop acoustic cover that made the lyrics sound way more tender than the club-ready production; those versions often show up in small-venue live sessions or livestreams. Pentatonix and other a cappella groups also toy with Bruno Mars songs in concerts and fan-captured clips, turning the funky beats into vocal percussion showcases. Beyond online creators, TV talent shows and local bands are constantly borrowing 'That's What I Like'—contestants on shows like 'The Voice' or regional singing competitions have performed it live, and jazz or funk tribute bands sometimes insert it into medleys during gigs. If you want to hunt these down, search YouTube for "live cover 'That's What I Like'" plus keywords like "Postmodern Jukebox," "acoustic," "a cappella," or the names I mentioned. I’ll warn you: you'll find everything from faithful renditions to wild stylistic flips, and that variety is exactly the fun part of chasing covers around.