How Do The Lyrics That'S What I Like Translate To Spanish?

As someone who appreciates the lyrical poetry of songs, 'What I Like About You' is a compelling mix of straightforward and catchy tunes. The song professes admiration and love in a simple and unadorned way. It talks about those little things that make a person special, making it an excellent anthem for fans of romantic themes. Its jubilant rhythm and honest lyrics encapsulate the joy of being in love, which is what adds to its enduring appeal. Suitable to be shared with that special someone, this song is a great piece to express affection.

There’s something about hearing 'That's What I Like' come on in a grocery store or while washing dishes that makes me grin every single time. I used to hum the chorus under my breath on long commutes, and that curiosity led me down the credits page: the lyrics were crafted by a small team of collaborators centered on Bruno Mars. Specifically, the songwriters credited are Bruno Mars, Philip Lawrence, Christopher Brody Brown (often just called Brody Brown), James Fauntleroy, and the members of The Stereotypes team—Jonathan Yip, Ray Romulus, and Jeremy Reeves. Those names show up together a lot in modern pop and R&B, and you can hear their fingerprints in the song's slick, confident lines. The timeline is kind of fun too. The track was recorded during the sessions for Bruno's album '24K Magic' and the album itself was released on November 18, 2016. So while the exact pen-and-paper moments probably took place earlier in 2016 (the creative window for that record was roughly 2015–2016), the public first got the song with the album drop in November 2016. It later became a single and got pushed to radio in early 2017—officially released as a single around late January 2017—and climbed the charts, eventually hitting No. 1 on the Billboard Hot 100 in May 2017. Beyond just the names and dates, I love thinking about how modern pop songwriting is so collaborative. A line you sing without thinking often carries the input of seven people, producers, and studio vibes from late-night sessions. Knowing who wrote 'That's What I Like' makes me appreciate how many hands and ears shape those catchy lines—plus it gives me someone to thank next time I catch myself dancing in a parking lot.

I was blasting 'That's What I Like' on a rainy evening and found myself grinning at how confidently it strolls between braggadocio and genuine flirtation. The phrase 'that's what I like' in the song works like a wink — it's both a catalog of pleasures and a promise. In the verses the singer lists lavish things and sensual moments: the lifestyle, the pampering, the nightlife, and the intimate time with a partner. Each item functions less as a literal shopping list and more like a shorthand for desire — what turns him on and what he wants to give (or share) with someone. So when the chorus lands, saying 'that's what I like', it's a gleeful stamp of approval, a way to make the listener feel chosen for those pleasures. When I listen closer, the line also has two layers: performative and sincere. On one hand it's showmanship — Bruno's persona is confident, flashy, and a little playful about material success. That fits the album's throwback, party-friendly vibe. But on the other hand, there's a sincerity under the flash: the generosity isn't purely transactional. The repeated refrain feels intimate, like he's telling a lover, 'these are my favorites, and I'm offering them to you.' That duality is why the song works at a club and on a slow drive home; it can be both a flex and a romantic gesture depending on how you take it. Beyond literal meaning, the phrase becomes a mood-setting tool. Musically and visually (think the slick retro production and flashy live performances around the '24K Magic' era), it invites listeners to step into that world — a mix of 90s R&B swagger and modern pop gloss. For me, the best moments are when it feels consensual and playful rather than purely transactional: the narrator is proud of his tastes, but he’s also excited to make someone else feel special. That blend of ego and warmth is why I still put this song on when I want to dance or when I need a reminder that indulgence and affection can sit together, for better or worse.

Funny thing—it's not a simple yes-or-no. In my experience it really depends on where and when you're listening. 'That's What I Like' by Bruno Mars doesn't contain curse words that would automatically trigger FCC-style profanity rules, but it is full of playful, sexual innuendo. Because of that, many mainstream pop stations just play the original track without cutting anything, especially during evening hours. In the U.S., broadcasters are extra careful between 6 AM and 10 PM because of indecency regulations, so some conservative stations or specific morning shows might use a radio edit that trims or tones down particularly suggestive lines. I've caught both versions on the air: one time I was driving to work and the morning show played a slightly edited cut where a cheeky line was muted or mixed differently, and another night a Top 40 station ran the full album version with nothing changed. Satellite radio like SiriusXM tends to be looser with edits, and internet streams (Spotify, YouTube, Apple Music) often show whether a track is labeled 'explicit'—for 'That's What I Like' it usually isn't marked explicit, which is why most streaming listeners hear the full version. Regional differences matter too: in the UK there’s a watershed after 9 PM where broadcasters are more permissive, and other countries have their own standards and cultural sensitivities that affect what gets censored. If you want to check directly, search for 'That's What I Like (radio edit)' or look at the single/clean versions on YouTube; radio edits are usually uploaded by labels or fan channels. Also pay attention to the time of day and the station's vibe—family-oriented daytime shows are the likeliest culprits for edits, while late-night and streaming services are more likely to play the uncut track. Personally, I kind of enjoy hearing the differences—sometimes the edit is clumsy and funny, and other times the original's cheeky charm wins out—so try tuning in at different times and you'll probably hear both flavors.

There's something about late‑70s ballads that sticks to you, and 'Looks Like We Made It' is one of those songs that smell like summer evenings for me. The track was released in 1976 as part of Barry Manilow's album 'This One's for You', and the lyrics came out with the song—so they’ve been around since that 1976 release. The writers, Richard Kerr and Will Jennings, gave us that bittersweet line delivery that feels like a story told over a cheap diner coffee. I still have a creased copy of the album notes somewhere, and the printed lyrics were in the liner notes back then. If you want to see them now, lyric sites and reissues of the album reproduce the same words, but the original publication of the lyrics coincides with the album/single release in 1976. It's wild how a simple line can carry decades of late‑night feelings.

Resonance' lyrics really hit me. The vibe is intense, and the blend of emotions in the words makes it feel super relatable. I live for songs that capture feelings perfectly, and this one does just that. The energy is infectious, and I often find myself singing along. It's one of those tracks that sticks with you, you know?

Funny thing — when I first went hunting for on-screen lyrics for 'That's What I Like', I assumed the official video would have them. In my experience, the official music video and the lyric video are often two different uploads: the flashy official video usually focuses on visuals and storytelling, while a separate lyric video (or an official audio upload) will put the words front-and-center. So, most of the time the main official music video for 'That's What I Like' does not display full onscreen lyrics throughout. If you want the words while you watch, I usually check three places: the video title (look for the word "Lyric"), the description (sometimes they paste lyrics there), and YouTube's CC/subtitles toggle — official captions can show the lyrics if enabled. I also keep a tab open with a trusted lyrics site as backup; sometimes the official channel posts an actual lyric video separately. Last time I binged Bruno Mars tracks, that split between the official visual and the lyric content helped me sing along better. Try searching the artist’s channel for 'lyric' or look for uploads labeled "official lyric video" if you prefer the words on screen — it makes karaoke nights a whole lot easier.

Every time 'That's What I Like' comes on, I catch myself grinning at how many people swear Bruno Mars is singing something totally different. I ride the commuter train and overhear snippets — someone mumbled 'strawberry shampoo on ice' the other day and I nearly burst out laughing. The real lyric 'strawberry champagne on ice' is catchy but the consonant blend and the party-vibe production make it prime material for mondegreens. People also often hear 'I got a conga in Manhattan' when the actual line is 'I got a condo in Manhattan' — two syllables can do weird things in a crowded car or at a noisy bar. I've sung along at karaoke and watched friends confidently belt the wrong words, which always lightens the mood. Beyond 'condo' and 'strawberry champagne', other tiny lines get mangled: the way Bruno slides between phrases makes 'gold jewelry shining so bright' sometimes sound like 'cold jewelry' or even 'go tell your mama' depending on your ear and the speaker setup. The chorus hook — 'Lucky for you, that's what I like' — is usually safe, but when a crowd sings it out of sync you get hilarious mashups where syllables get swapped or dropped. I love how misheard lyrics create inside jokes; at a party we once permanently renamed the bridge because someone misheard a line and it became our private meme for months. If you want to spot or prevent mishears, try reading the lyric sheet once while listening, or slow the track 0.75x on a streaming app — the words snap into focus. Also, pay attention to backing ad-libs and studio echoes; those are the usual culprits that mask consonants. And if you're into digging, check lyric annotation sites and fan forums: they have long threads where people debate whether Bruno says X or Y, and you get a nice blend of nitpicky transcriptions and funny mishearings. Honestly, part of the fun is that both versions — correct or not — end up stuck in your head, and that’s music doing its job to the max.