Does Yellowstone Have Good Ratings On Rotten Tomatoes?

Catching up on shows and poking around reviews, I looked up 'Outlander' on Rotten Tomatoes and the critics' Tomatometer sits at about 78% (as of mid-2024). That number feels right to me: it captures how many critics appreciate the show's lush production values, the chemistry between the leads, and the boldness of adapting Diana Gabaldon's sprawling novels to television. Critics often praise the visual scope, costume work, and the central performances, even while some note pacing issues or uneven season arcs. The critics' average rating tends to hover around the low 7/10 mark, which matches the 78% Tomatometer — generally favorable, not universally adored. Personally, that lines up with my feelings: I love the world-building and moments of emotional payoff, even if some episodes drag. Pretty satisfying overall.

I binged 'Yellowstone' over a rainy weekend, and wow—it’s like 'Game of Thrones' but with cowboy hats and land disputes instead of dragons. The reviews aren’t lying; the show’s got this raw, gritty charm that hooks you instantly. Kevin Costner’s performance as John Dutton is magnetic, and the family dynamics are so tense you could cut them with a knife. The cinematography alone is worth it—those sweeping Montana landscapes are practically a character themselves. That said, it’s not perfect. Some plotlines drag, and the violence can feel over-the-top, but the sheer unpredictability keeps you glued. If you love drama with a side of moral ambiguity and stunning visuals, it’s a must-watch. I’ve already convinced three friends to start it, and none have regretted it.

The 'Kingsman' series has had a pretty wild ride on Rotten Tomatoes, and honestly, the scores reflect how divisive these films can be. The first one, 'Kingsman: The Secret Service,' sits at a solid 75% critic score, which feels about right—it’s a slick, stylish action-comedy that doesn’t take itself too seriously, and that charm won over a lot of folks. The audience score is even higher at 80%, which tracks because fans adore its over-the-top fight scenes and Colin Firth’s surprisingly badass turn as a spy. Then there’s 'Kingsman: The Golden Circle,' which dipped to a 51% critic score. Oof. I get it, though—the sequel went even bigger and weirder, and not everyone vibed with the bloated runtime or Julianne Moore’s cartoonish villain. But hey, the audience score is still at 60%, so some people clearly had fun with it. 'The King’s Man,' the prequel, landed at 40% with critics, which… yeah, it’s a tonal mess, but I’ll admit I kinda enjoyed its historical oddness. Audience score? 66%. Moral of the story: critics and fans rarely agree on these films, but they’re always a riot.

Yellowstone' has this raw, unfiltered energy that grabs you from the first episode. It's not just another cowboy drama—it's a gritty, modern-day Western with layers of family drama, power struggles, and breathtaking landscapes. The Dutton family feels so real, flawed, and compelling that you can't look away. Kevin Costner’s performance as John Dutton is magnetic, and the supporting cast? Stellar. Every character has depth, from Beth’s razor-sharp wit to Rip’s silent loyalty. The show doesn’t shy away from brutality or moral ambiguity, which makes it feel authentic. Plus, the writing balances tension and emotional moments perfectly—one minute you’re on edge, the next you’re heartbroken. It’s no wonder fans are obsessed. What really sets 'Yellowstone' apart, though, is how it blends classic Western tropes with contemporary issues. Land disputes, corporate greed, and family legacy—it’s all there, but it never feels preachy. The cinematography is another standout; those Montana vistas are practically a character themselves. And let’s not forget the soundtrack, which nails the mood every time. Whether you’re into dramas or just love a good story, 'Yellowstone' delivers something unforgettable. I binged the first season in a weekend and immediately wanted more.

Yellowstone has this raw, unfiltered vibe that grabs you from the first episode. It's not just another cowboy drama—it's like 'The Godfather' but with ranchers, where loyalty and land mean everything. The Dutton family's power struggles feel so intense because the writing doesn't shy away from moral gray areas. John Dutton isn't a hero or villain; he's just fighting to keep his legacy alive, and that complexity hooks you. Plus, the cinematography is breathtaking. Those sweeping shots of Montana? They make the land feel like a character itself. And let's not forget Kevin Costner's performance—he brings this weathered authority that anchors the chaos. The show blends modern issues like corporate greed with timeless themes of family, making it resonate with both older audiences and younger viewers who crave substance.

I checked out 'The Hot Chick' on Rotten Tomatoes a while back, and it’s sitting at a pretty modest 22% from critics. The audience score is a bit higher at 46%, which kinda tracks—it’s one of those movies where fans of Rob Schneider’s humor might enjoy it more than reviewers did. I remember watching it years ago, and it’s definitely got that early 2000s vibe: silly, over-the-top, and not taking itself seriously at all. The premise is wild—a body-swap comedy with Schneider playing a high school girl—and while it’s not high art, it’s got some laugh-out-loud moments if you’re into that brand of humor. Critics called it juvenile (which, fair), but I’ve seen worse movies with higher scores. It’s a guilty pleasure for sure. What’s funny is how divisive it is. Some people quote lines from it like it’s comedy gold, while others cringe at the mere mention. I fall somewhere in between—it’s not a masterpiece, but it’s oddly rewatchable when you’re in the mood for something dumb and fun. If you’re curious, just go in expecting zero subtlety, and you might have a blast.

Yellowstone' has this raw, unfiltered energy that grabs you from the first episode. Kevin Costner as John Dutton is magnetic—his portrayal of a rancher clinging to power in a changing world is both brutal and weirdly poetic. The show's landscapes are characters themselves, with Montana's wilderness framing every family betrayal and land war. What hooks me most is how it blends modern-day conflicts with that classic Western vibe. It's like 'Game of Thrones' but with cowboy hats and cattle instead of dragons. Some critics say it leans into melodrama, but honestly, that’s part of the fun. The way it explores family loyalty and greed makes you wince and cheer at the same time. I’ve rewatched the standoff scenes way too many times.

You might be surprised, but Rotten Tomatoes doesn't really give a tidy, single “lowest episode” label for 'Outlander'. Their coverage tends to focus on seasons and overall series Tomatometers more than consistently scoring every single episode across the years. Some episodes have individual pages with critic blurbs and audience scores, while others barely have enough reviews to form a reliable percentage. If you’re trying to find the absolute lowest-rated entry on Rotten Tomatoes, you’ll have to treat it like detective work: open the 'Outlander' series page, drill into each season, and then check episode pages where available. Pay attention to whether you’re looking at the critics’ Tomatometer or the audience score — those can point in different directions. Also keep in mind ratings shift over time as new reviews trickle in, so what looks lowest today might change next month. Personally, I find the whole exercise fascinating because fan reactions and critic takes sometimes wildly diverge from my own enjoyment. I’ve loved episodes that critics dinged and rolled my eyes at some fan-favorite moments, which is part of why I watch in the first place.

Surprisingly, critics were pretty harsh on 'Don't Kiss the Bride' when I checked Rotten Tomatoes — the Tomatometer sits at about 14%, which is a clear sign most reviewers didn't enjoy it. Critics usually pointed to a flimsy script, awkward tonal shifts, and moments that felt like they were aiming for screwball but landed somewhere between slapstick and lukewarm rom-com. Listening to that chorus of complaints, the framing is usually that the movie never quite commits to a consistent voice, so scenes that should feel charming come off as forced. That said, I found it useful to read a handful of the reviews to see what they actually meant. Some critics still praised particular performances and a few silly set pieces, so the hate isn't total annihilation — more like a lot of polite shrugs. If you like lightweight, goofy romantic comedies with a few decent lines and you don't mind a predictable arc, it might still be a watchable guilty pleasure. For me, the Rotten Tomatoes number is a good heads-up: low critic score, but not necessarily a movie-sink unless you expect deep storytelling. I walked away entertained in small doses, even if most critics would disagree with that take.

Yellowstone's latest season has sparked quite the debate among critics, and I’ve been glued to every review. Some praise the show’s relentless intensity, calling it a masterclass in family drama with its brutal power struggles and stunning cinematography. The way Kevin Costner carries the weight of the Dutton legacy still feels magnetic, even if the plot occasionally veers into melodrama. Others, though, argue the season leans too heavily into shock value, with twists that feel more contrived than organic. Personally, I’m torn. The ranch’s gritty world-building remains immersive, but I miss the tighter storytelling of earlier seasons. The new characters are hit-or-miss—some add depth, while others just clutter an already packed narrative. Still, when ‘Yellowstone’ hits its stride, like in those quiet moments between Beth and Rip, it’s downright electrifying. Critics might nitpick, but the show’s raw emotional core keeps me coming back.