Is 'You Can'T Take It With You' Worth Reading? Review

2026-01-02 20:01:32 232

3 Answers

Sophia
Sophia
2026-01-04 10:40:16
I picked up 'You Can’t Take It With You' on a whim after spotting its quirky title in a used bookstore, and wow, what a delightful surprise! The play’s chaotic, heartwarming energy reminded me of my own family’s messy gatherings—full of eccentric personalities clashing in the best way. The Sycamore family’s refusal to conform to societal norms is both hilarious and oddly inspiring. Grandpa’s philosophy of 'do what makes you happy' feels especially refreshing in today’s grind-centric culture.

What really stuck with me, though, is how Kaufman and Hart balance absurdity with sincerity. The romance between Alice and Tony could’ve been generic, but it’s grounded by the contrast between their families. The play’s 1930s setting adds a layer of nostalgia, but the themes—rebelling against monotony, valuing joy over money—are timeless. If you need a pick-me-up or just love stories about unconventional families, this one’s a gem.
Thaddeus
Thaddeus
2026-01-06 07:36:57
Reading 'You Can’t Take It With You' feels like attending the most unpredictable dinner party ever. I adored how every character feels like they wandered in from a different genre—Penny’s playwriting delusions, Ed’s xylophone obsession, even the snake-loving Mr. De Pinna. It’s a masterclass in ensemble writing. The play’s physical comedy (that exploding typewriter!) doesn’t always translate on the page, but the dialogue crackles with warmth. It’s lighter than Kaufman’s other works, but sometimes you just want a story where people prioritize joy above all else. Left me wanting to adopt Grandpa’s life philosophy permanently.
Mitchell
Mitchell
2026-01-06 12:55:49
more introspective works, I initially scoffed at 'You Can’t Take It With You.' But halfway through, I found myself grinning at the sheer audacity of the Sycamores. Their home is a glorious disaster—fireworks in the basement, ballet rehearses in the living room—and it made me question my own obsession with productivity. The play’s humor is broad but smart, poking fun at capitalism and bureaucracy without feeling preachy.

The supporting characters steal the show, especially Boris Kolenkhov, the melodramatic Russian ballet instructor. His over-the-top rants about America are gold. While the third act wraps up a bit too neatly (that IRS scene strains believability), the journey there is so fun it’s easy to forgive. Perfect for when you need a reminder that life shouldn’t always be so serious.
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