Poet In Tagalog Examples

- Tagalog Novel - Hindi anak ni Hannah si Elisha, pero higit pa sa sariling dugo't laman na itinuring niya itong pamilya nang abandunahin ito ng tunay nitong mga magulang. Apat na taon na tumayo siyang ama at ina nang sabay sa bata. Until Elisha's biological parents suddenly reappeared in their lives. At bago pa mapagtanto ni Hannah ang nangyayari, binabawi na ng ama nito ang bata mula sa kanya. Pero gano'n na lang ba iyon? Matapos ang lahat ay tila siya pa ang masama? Up to what lengths could a mother go to keep her child? Kahit na hindi si Hannah ang nagsilang kay Elisha, gagawin pa rin niya ang lahat para ipaglaban ito.  Even if it would mean going against the dangerous Billionaire, Nate Sarmiento in the process. Kahit pa mukhang wala siyang karapatan, Hannah still raised his child and that’s an irreversible fact. But would Hannah survive the harsh treatment before she could even see Elisha again? If she would, what about from Nate’s charms? Could her inexperienced heart handle the danger of falling in love with a man who loves someone else?

In the coastal quiet of Baler, a studio is born—not of architecture, but of intention.* Founded by Yam, a poet whose words cradle pain gently, and Franc, an artist who paints tenderness into walls, the studio becomes a refuge for those learning to stay—with grief, love, longing, and themselves. As visitors arrive, they leave behind more than footprints: a sigh recorded in bamboo, a poem tucked into the “Found Letters” shelf, a mural painted in crooked lines. Through zines, tea, silence, and sketchbooks, the studio teaches softness as revolution. Ren creates the *Window of Soft Returns*, an installation of anonymous voice recordings—each whisper forming a community of echoes. Drew builds the *Staircase With No Wrong Turns*, inviting people to walk through emotions without shame. Franc offers brushstrokes as brave work, and Yam curates writing circles that map healing in half sentences. Together, they host festivals that feel like hugs, and they begin traveling their archive, letting softness cross oceans. Even those who once left—like Miguel—return, discovering that some doors never truly close. Others, like Tala, capture the studio’s sound and turn it into a podcast of breath and becoming. Over seventy chapters, the studio transforms into something larger than itself: a mural of memory, a sanctuary for second chances, a place where return is sacred and voice is proof of survival. In the final bloom, the studio stands not as a monument—but as a reminder: > *“Staying isn’t easy. > But chosen together, > it becomes home.”*

The novel is mainly about the forgotten British poet/writer named C. J Richards who lived in Burma/Myanmar in colonial times and he believed himself as a Burmophile. He served as I.C.S (Indian Civil Servant) and when he retired from I.C.S service, he was a D.C (District Commissioner) and he left for England a year before Burma gained its independence in 1948. He came to Burma in 1920 to work in civil service after passing the hardest I.C.S examination. He wrote several books on Burma and contributed many monthly articles to Guardian Magazine published in Burma from 1953 to 1974 or 1975. Though he wrote several books which had much literary merit to both communities, Britain and Burma (Myanmar), people failed to recognize him. The story has two parts: one part is set in the contemporary Yangon (then called Rangoon) in 2016 context and a young literary enthusiast named “Lin” found out unexpectedly the forgotten writer’s poetry book and there is surely a good deal of time gap that led him into a quest to know more about the author’s life. The setting is quite different comparing to colonial Burma and independence Myanmar (Burma), early twentieth century and 2016 which is a transitional period in Myanmar. The writer’s life is fictionalized in the novel and most of the facts are taken from his personal stories and other reference books. It is a kind of historical novel with a twist and it has comparatively constructed the two different periods in Myanmar history to convince readers, locally and abroad more about history, authorship, humanity, colonialism, and transitional development in Myanmar today.

- TAGALOG NOVEL- Nang magdisi-otso anyos si Lara, nagpakasal siya sa isang lalaking pakakasalan dapat ng ate niya labing isang taon na ang nakararaan. Pero hindi dumating sa araw ng kasal nila si Miguel Villareal at ipinaabot lang ang mga dokumentong kailangan niyang pirmahan. Five years later, hindi pa rin nagpakita kahit na minsan ang asawa niya sa kanya. Kaya naman naghamon na siya ng hiwalayan. But when Migo learned of her wish to end their marriage, he disagreed to set her free. Pinagtrabaho siya nito sa kompanya nito pero bawal niyang ipagsabi na asawa siya ng may-ari. Bukod pa ro'n ay sa pinakamababang pwesto siya nito pinagsimula. At idagdag pa na wala pa ring pagkakataon na makita niya ito sa trabaho. Offended and hurt, Lara demanded him to sign their annulment papers and be done with their marriage. Pero hindi niya inexpect na susugod ang CEO sa cubicle niya para lang punitin sa harapan niya ang mga papeles na pinadala niya rito. But what shocked Lara most was how devilishly handsome her husband, Miguel Villareal was! Did she really want to annul their marriage? Would meeting him again for the first time after so many years be the start of something beautiful between them, husband and wife? Or would the truth behind Migo’s decision to keep her away from him tear her apart? After all, Migo was a powerful man and behind every man of that status was a kryptonite his enemies were so eager to find.