Survival Island Tv Show

Dix jours. J'ai dû passer dix jours avec M. Jones, le patron de mon père, pour que mon père pourrait garder son emploi. Mon père a été surpris en train de voler son entreprise et M. Jones l'a viré sur-le-champ. Mais cela signifiait la ruine financière de ma famille. Nous n'aurions pas d'endroit où vivre, rien à manger et je devrais abandonner l'école. Mais ensuite, M. Jones a proposé une solution. Je passerais dix jours avec lui dans son manoir et tout serait pardonné. Sauf que le mâle alpha avait des règles. Je devais porter ses vêtements. Mangez sa nourriture. Et le pire de tout, mendier quand il a demandé. Et j'ai honte de le dire… mais je le voulais désespérément !

Beberapa dongeng mempunyai akhir bahagia, beberapa lagi memiliki akhir yang tragis, tapi ada juga beberapa dongeng yang tidak pernah benar-benar tamat. Sebut saja kisah seorang putra mahkota yang tidak pernah dinobatkan menjadi raja, seorang adik yang mengejar balas dendam semu, seorang putri teratai yang tidak pernah menjadi bunga teratai, atau kisah kakak beradik yang dibuang tanpa remah roti. Sekian lama luntang-lantung tanpa ada kepastian, dongeng-dongeng tersebut tanpa sengaja bersatu demi mencapai tujuan yang sama. Berada dalam satu kubu yang sama. Serta berjuang melawan musuh yang sama. Rebutlah akhir bahagia itu, karena kegelapan tidak pantas mendapatkannya.

Some fairy tales have happy endings, some have tragic ones, but there are also some fairy tales that never really end. Let's say, the story of a crown prince who was never crowned, a younger brother who pursued pseudo revenge, a lotus princess who never became a lotus flower, or the story of siblings who were banished without breadcrumbs. For a long time hanging around without any certainty, the tales accidentally unite to achieve the same goal. Being in the same side. Fight against the same enemy. Seize the happy ending, because the darkness doesn't deserve it.

In my past life, my father arranged betrothals for both my brother and me, leaving the choice to us. Without hesitation, my brother chose the wealthy heiress, forcing me to marry the housekeeper's daughter. But the heiress turned out to be a cruel woman. She brought her first love home and humiliated my brother every day. Meanwhile, the housekeeper's daughter I married ended up winning hundreds of millions in the lottery, granting me a life free from financial worries. Jealous of my prosperous life, my brother deliberately drove his car straight into me. When I open my eyes again, I'm back on the day we're supposed to choose our betrothed. My brother rushes to choose the housekeeper's daughter first. "Jason Wright, it's my turn to enjoy the good life! You can go keep that awful woman company!" I smile. He doesn't know that my comfortable life was never dependent on my wife.

In the novel "I Am in Love to a Womanizer," 30-year-old emerging writer Liezel-Anne Narisma finds herself entangled in a complex web of past love and unforeseen connections. Liezel was given a break when a big entertainment company offered her to make her novel into a TV series. Liezel's professional journey collides with her personal history when her ex-boyfriend Benedict Sarmiento, part owner of the agency that caters to the production's props and set. Benedict, a dedicated man with a clandestine past, discovers that the show's TV series eerily mirrors his own life. As it slowly unfolds, old wounds resurface, and Liezel becomes an unexpected anchor for Benedict's ex, Kathy Jones, a married woman with whom he had a relationship and the reason for his and Liezel's falling out as lovers. Amidst the complexities, a surprising revelation forces Benedict and Liezel to confront their shared history, paving the way for an uncertain future.

Trois alpha magnifiques, possessifs et exagérés qui veulent me partager, qui veulent me punir. Je suis une mauvaise fille, une très, très mauvaise fille et j'ai des vues sur les frères Maxwell. Ce sont trois des milliardaires les plus en vogue de New York et ce sont aussi mes patrons. J'ai toujours rêvé d'être prise par plus d'un homme, mais je n'aurais jamais pensé en vouloir trois. Je m'étais réservé pour quelqu'un d'extraordinaire et je n'aurais jamais pensé trouver trois de ces hommes. Il y a Jake, l'alpha dominant, qui veut me fesser. Micah, l'alpha sensible qui exprime son de l'affection de manière romantique avec ma bouche d'une manière qu'aucun homme n'a jamais faite auparavant et au moins nous oublions Trevor le plaisir, essayez n'importe quoi alpha, il est prêt à tout essayer, au moins une fois. Lorsqu'ils découvrent que leur adorable petite assistante est encore vierge et mieux encore, qu'elle a quelques fantasmes à réaliser, ils ne promettent que du plaisir, mêlé d'un peu de punition. Les mauvaises filles reçoivent une fessée, les bonnes filles reçoivent une fessée et baisé et même si je veux être une mauvaise fille, je les veux définitivement toutes les trois en même temps.

For twins Ethel and Elise, the line between dream and nightmare was always thin—and on Paron Island, it has been completely erased. Their idyllic gap year, a sun-soaked mosaic of beach bonfires and reckless abandon, is shattered in an instant. A "project," as the panicked news reports cryptically call it, has gone horrifically wrong, releasing a pathogen that reanimates the dead with a singular, gruesome purpose: to feed. The sisters' bond, once defined by shared secrets and sibling rivalry, is now their only anchor in a world drowning in blood. Driven by a raw, primal instinct to protect each other, they join forces with a few other fortunate—or unfortunate—souls who survived the initial onslaught. Together, this makeshift family must navigate the ruins of their former paradise, where every shadow hides a potential threat and every human sound could be a lure. Ethel, the more cautious sister, finds a hidden strength in strategy, while Elise's impulsive nature becomes both a weapon and a liability. But their fight against the decaying hordes is only the surface of the terror. Whispers of a coordinated presence, of supplies that go missing too conveniently, and of strangers who seem to know too much, point to a more insidious truth: the island's collapse was not a random tragedy. They are being hunted by something that thinks, that plans, that wears a human face. As their hope for rescue dwindles, Ethel and Elise are forced to confront the ultimate horror—that in the midst of an apocalypse, the most monstrous creatures of all are still human.

"This realm is your only chance of coming back to life in the mortal world, and if you attract those consequences, take note that you will die.” “Death?” I ask, mostly to myself. And to the voice, “What do you mean by 'I’m on my way to death'?” ~~~ Nova was having a bad day, and all she wanted was for the day to end already. But the universe seemed to have misunderstood her wish, because not only did her day not end, but she met with an accident that left her in a coma. As if that wasn't bad enough, she became trapped in a dimension between life and death, where she had to face a series of trials that would determine if she wakes... or fades from existence. Enter Zephyr, the spirit assigned to guide her to the light – her recovery. The spirit who never tried to disguise his want for her failure. The spirit she should've never fallen in love with. But in a world where survival is determined by the number of challenges a soul can conquer, the heart still found its way around love. With her complicated feelings in an already complicated world, Nova must decide what she's truly fighting for – her life, or the one being who's capable of ending it. *** In a short time, the remaining one hundred and twelve souls are pushed out. When we’re complete and standing, a voice – different from on the bus – greets us. “Welcome, Souls, to the survival games.”

A man breathless, standing valiantly before all his enemies. He was called Chyou Chen, a swordsman who earned an unrivaled title. After being trained by nine demon swordsmen.

Jayde Clinton’s life has been a series of uphill battles since her father’s death. Struggling to support her mother and fend off ruthless loan sharks, she’s grown used to the feeling of desperation. But when her mother is taken as collateral for unpaid debts, Jayde makes a shocking deal: to impersonate Hattie Everett, a billionaire heiress who vanished days before her arranged marriage. Thrust into a world of deceit, betrayal, and power struggles, Jayde finds herself pretending to live the life she’s always dreamed of, only to realize wealth comes with its darkness. As lies unravel and secrets come to light, Jayde must decide if survival is worth losing herself—and her heart. Can Jayde hold onto her dignity in a world determined to strip it away, or will the weight of manipulation and betrayal be too much to bear?