Epistolary novels aren't just letters anymore. If we're talking definition, the core is a story told entirely or predominantly through in-universe documents. That means letters, sure, but also diary entries, newspaper clippings, telegrams, emails, text message logs, even case files or official reports. 'Dracula' uses journals and ship logs; 'The Color Purple' is letters to God. The key element is the first-person, immediate intimacy of it, but with a built-in layer of found footage-style artifice. You're never getting an omniscient narrator smoothing things over.
What gets interesting is the constraint. The plot has to unfold through what characters would realistically write down or record, which forces cleverness. You get unreliable narrators, gaps in information when a character stops writing, and dramatic irony when the reader pieces together something the letter-writer misses. It's a puzzle-box structure by default. The definition feels like it's stretching lately with stuff like 'This Is How You Lose the Time War'—love letters between time-traveling agents. As long as the narrative vehicle is a document within the story's world, it qualifies. The form is way more flexible than the 18th-century letter novels suggest.