WHO DOES THE RUTHLESS PRINCE BECOME OBSESSED WITH IN 'LOST ROYALS'?

In 'Lost Royals', the ruthless prince becomes dangerously obsessed with Lady Isolde, a mysterious noblewoman with ties to the ancient witches' coven. At first glance, she appears to be just another pawn in court politics, but her ability to see through his manipulations and match his cunning makes her irresistible. Their cat-and-mouse games escalate into something darker when he discovers she can manipulate shadows—a power thought lost with the last witch queen. His obsession isn’t romantic; it’s a mix of envy and fear. He craves her power, her defiance, and the way she laughs at his threats. The more she resists, the more he spirals into fixation, risking his throne to possess her secrets. What makes this dynamic chilling is how Isolde weaponizes his obsession. She deliberately leaves clues about her past, dangling the truth like bait. The prince’s advisors warn him she’s playing a long game, but he’s too far gone. By the mid-series, his obsession fractures his alliances, and his enemies exploit his distraction. The irony? Isolde never wanted his attention—she was targeting his brother, the crown prince, but the ruthless one inserted himself into her plans.

The prince’s obsession in 'Lost Royals' is a masterclass in psychological deterioration. Initially, he sees Lady Isolde as a tool—her family’s influence could secure his claim to the throne. But when she publicly humiliates him by exposing his assassination plot during the royal banquet, his interest twists into something vicious. He starts collecting artifacts related to her: a stolen glove, locks of hair from her maid, even commissioning portraits he later slashes in fits of rage. His spies report her every move, yet she always stays three steps ahead, leaving cryptic notes in his chambers just to unnerve him. The turning point comes when Isolde reveals her lineage. She’s not just a noblewoman; she’s the last descendant of the Moon Witches, a lineage the prince’s ancestors slaughtered centuries ago. His obsession morphs into paranoid worship. He believes if he can control her, he’ll regain the magical supremacy his bloodline lost. Their interactions become a grotesque dance—he offers her jewels, then threatens her village. She responds by cursing his wine to show him visions of his own death. The brilliance of this dynamic is how it deconstructs power. The prince has armies, but Isolde has legacy. His obsession isn’t love—it’s the desperate need to conquer what he fundamentally doesn’t understand. For readers craving similar tension, check out 'The Crimson Crown' where a warlord becomes fixated on a scholar who deciphers his darkest secret. The power plays there are just as brutal but with more historical intrigue.

Let’s cut to the chase: in 'Lost Royals', the so-called ruthless prince isn’t obsessed with just anyone—he’s hooked on the one person who treats his tyranny like a boring party trick. Lady Isolde isn’t conventionally beautiful or sweet; she’s sharp, sarcastic, and wears her disdain like perfume. The prince thrives on fear, but she yawns at his executions and corrects his grammar during threats. It drives him wild. He starts showing up at her estate uninvited, demanding chess matches where she checkmates him in under ten moves. His ‘gifts’ become increasingly unhinged—once, he had a rival noble’s head delivered to her greenhouse because the man insulted her rose hybrids. The genius of this dynamic is its unpredictability. Just when you think it’s about domination, Isolde flips the script. She lets him ‘capture’ her, only to reveal she poisoned his guards hours earlier. The prince isn’t obsessed with her despite her defiance—he’s obsessed because of it. In a court of sycophants, she’s the only one who mirrors his ruthlessness back at him, and it shakes his worldview. Their relationship is less romance, more mutually assured destruction with fabulous dialogue. For fans of this energy, 'Throne of Shadows' has a similar vibe with a rebel queen and the emperor who burns down cities to get her attention.