LOGINThe kitchen is a tomb, and the air is thick with the copper tang of fresh blood and the smell of old dust. Olivia remains on her knees, her hands still pressed against Weiller’s cooling skin.
Her mind is a fractured mess of images: the familiarity of the knife, the pool of blood, and the look of pure terror in the dead man’s eyes.
Suddenly, the oppressive silence is shattered by a sound that should bring relief, but instead feels like a physical blow to her chest. Wail. Wail. Wail.
Blue and red lights dance frantically against the boarded-up windows, filtering through the cracks in the wood like strobe lights in a nightmare.
"Thank God," Olivia thinks, her breath hitching in a sob of pure exhaustion. "The police are here. They can take the body. They can trace the knife. They can find Chloe."
She starts to stand, her dress heavy and wet with Weiller's blood, when a deafening crash echoes through the house.
The front door is kicked open with such force that the hinges scream.
"POLICE! HANDS IN THE AIR! SURRENDER NOW!"
The command is a roar, followed by the heavy, rhythmic thud of combat boots on the rotted floorboards.
Olivia freezes, her heart hammering against her ribs like a trapped bird. She remains on the floor, her mind unable to process the aggression.
Surely they aren't talking to her? She's the one who found him. She's the victim here.
"I SAID YOUR HANDS IN THE AIR, YOUNG WOMAN! DO IT NOW!"
Olivia sprouts off the ground, her body shaking so fiercely she nearly collapses again.
Three officers burst into the kitchen, their service weapons drawn and leveled directly at her chest. The tactical lights on their guns blind her, searing into her retinas.
How did they get here so fast? How did they know she was in this abandoned house on the edge of the city?
The realization hits her like a tidal wave: someone called this in before she even arrived. This wasn't a rescue. It was a setup.
"You’re under arrest for the murder of Weiller!" the lead officer roars, his face a mask of stone-cold authority.
"No... no, Offi... Officer, please!" Olivia cries, her voice a jagged, desperate rasp.
She reaches out a hand, forgotten that it's stained crimson. "I didn't... I found him! He was already dying!"
"DON'T MOVE! YOU HAVE EVERY RIGHT TO REMAIN SILENT! ANYTHING YOU SAY CAN AND WILL BE USED AGAINST YOU IN A COURT OF LAW!"
The officer lunges forward, grabbing her arm and spinning her around with a force that makes her shoulder pop.
Olivia stands, her face long, her head spinning from left to right as the cold steel of the handcuffs snaps shut around her wrists.
The metal is biting, a sharp contrast to the warmth of the blood still on her skin.
"I didn't do it!" she screams, the words lost in the cavernous house. "I... I met him like this! Look at the knife!
"Shut up! Now move!" the officer commands, shoving her toward the door.
The gun in his other hand remains steady, moving from Olivia to the dark corners of the house, treating her like a high-level threat rather than a grieving sister.
Back at the Logan penthouse, the atmosphere is equally volatile.
Aiden is pacing his bedroom, his shirt unbuttoned, the image of Vivian’s betrayal and Olivia’s departure looping in his head.
A sharp, insistent knock echoes at the door.
"Get the…….!" Aiden begins to roar, but he swallows the insult hard as he pulls the door open and sees Raphael standing there.
Raphael’s expression is neutral, but his eyes are sharp, taking in Aiden’s disheveled state and the lingering scent of Vivian’s perfume in the room.
"Sss... sorry, Boss," Raphael says, his voice low. "I came to inform you... Madam left earlier with the SUV. Master wanted me to….."
"Oh, sh*t!" Aiden cuts in, his hand flying to his forehead.
The color drains from his face. He had been so distracted by Vivian’s trap that he had let the tracker move without watching it.
He had let her walk right into the lion’s mouth. He rushes back into the room, grabbing his encrypted phone and his keys from the nightstand.
"Boss? Is everything okay? Do you need backup?" Raphael asks, stepping into the room.
Aiden doesn't answer. He rushes out of the suite, hitting Raphael off his path with his shoulder as he sprints toward the private elevator.
The sound of his heavy footsteps echoes down the hall, followed by the aggressive ding of the lift.
Raphael stands alone in the hallway, his shoulder aching from the collision. He looks toward the empty suite, then toward the elevator where Aiden disappeared.
"What at all is going on in this house?" Raphael thinks to himself, standing akimbo as he surveys the chaos.
"This is the second time in less than 24 hours I’ve been pushed away without an explanation. First Lady Vivian, now the Boss. I’m sure Mrs. Logan would also come and add hers if she were here."
He looks at the shattered vase still lying on the floor and shakes his head.
"If my waist doesn't break today from being shoved around," he murmurs with a dark, cynical smirk, "then my head will. Or maybe a bone will just dislocate from the sheer stupidity of this family."
He bends down to pick up a shard of the glass, his eyes glinting with a secret he’s not ready to share.
He doesn't move like the police; he moves like a ghost.As Chloe’s own vision begins to blur from the gas, she sees the figure raise a suppressed weapon and fire twice…….thwip, thwip. The two guards drop like stones.The figure strides through the smoke, heading straight for Mark. He ignores Chloe completely.He reaches into a pouch on his thigh, pulls out an epinephrine auto-injector, and plunges it straight through Mark’s shirt into his thigh.The figure then turns his head toward Chloe. Through the dark visor, she hears a voice that makes her heart stop - a voice she recognizes from the Logan estate, but one she never expected to hear in a place like this."Don't fall asleep yet, Chloe," Raphael whispers, his voice devoid of its usual mockery. "The real monsters are just arriving.”The white, acrid fog of the gas continues to billow into the room, swirling around the legs of the chairs like a predatory ghost.It is cold….colder than the stagnant air of the warehouse……and it carries
The driver rolls down the window just an inch. Aiden catches a glimpse of a familiar shock of blonde hair and a cold, piercing blue eye.It’s Vivian Sumall. She isn't here to report the news; she’s the one who called the journalists. And as she catches Aiden’s eye, she raises a single finger to her lips and blows him a mocking kiss before the van suddenly begins to roll backward, preparing to flee.KIDNAPPERS WAREHOUSE The air inside the warehouse is thick with the smell of mildew, stale tobacco, and the metallic tang of old machinery.Dust motes dance in the sickly orange glow of a single hanging bulb that sways slightly, casting long, distorted shadows across the concrete floor.Chloe sits bound to a rusted metal chair, her wrists burning where the zip-ties have bitten into her skin. Every muscle in her body is coiled tight, a spring ready to snap.She isn't watching the door. She isn't watching the shadows. Her entire world has shrunk to the sound of the rhythmic, agonizing whist
Aiden’s eyes lock onto the arresting officer who claimed he "caught her in the act." The man’s face goes from white to a sickly, mottled grey."You caught her in the act?" Aiden whispers, his voice like the edge of a winter wind.He takes a single step forward, and the entire police line recoils. "Then you'd better start praying, Officer. Because my wife isn't the only one who’s going to be in a cell tonight."Aiden turns his head slightly, hearing the faint sound of a second engine approaching. But it isn't another police car.It’s a black van with tinted windows, and as it rounds the corner, it doesn't slow down. It accelerates directly toward the group.The side door of the van slides open with a mechanical hiss before the vehicle has even fully settled. Three figures leap out with the practiced agility of predators.They aren't holding guns, but in this world, their weapons are far more lethal: high-definition cameras, boom mics, and smartphones already live-streaming to millions.
The police cruiser, carrying the lead detective and the trembling Bernards, kicks up a thick plume of dust that clings to the dry weeds lining the path.Inside the vehicle, the air is thick with Lisa Bernard’s frantic prayers and the sharp, metallic scent of anxiety.They are following the breadcrumbs left by a weary taxi driver, heading toward a ghost of a house that has suddenly become the center of a nightmare.As the cruiser nears the desolate coordinates, the hum of their engine is suddenly drowned out by a ferocious, high-pitched roar.A silver Mercedes-AMG streaks past them like a bullet, a blur of polished metal and screaming tires. The speed is reckless, suicidal.It swerves dangerously close to the police vehicle, kicking up a blinding wall of grit and sand that hammers against the windshield."Hey! What the hell is wrong with you, man?" the lead officer shouts, slamming his palm against the steering wheel as he swerves to maintain control. "Death wish! He’s got a damn death
The police station is a cavern of fluorescent lights and the rhythmic, mocking sound of typewriters.In a corner of the waiting room, the air feels thin, as if the grief radiating from the two people sitting there has consumed all the oxygenLisa Bernard is a shell of a woman. Her eyes are swollen to the point of closing, and her chest heaves with a jagged, uneven rhythm.She isn't just crying anymore; she is mourning a version of her son that she fears is already slipping away."He’s out of time, Bernard," she laments, her voice a thin, ghostly thread. She reaches into her purse and pulls out a spare inhaler, clutching the plastic casing until her knuckles turn white."His lungs... they’re weak. The stress, the cold, the dust - it’s a death sentence for him. What if he’s having an attack right now?What if he’s calling for me and he can’t even get the air out to say my name?"Mr. Bernard looks like he has aged ten years in a single night. His shoulders are slumped, but he reaches out
The kitchen is a tomb, and the air is thick with the copper tang of fresh blood and the smell of old dust. Olivia remains on her knees, her hands still pressed against Weiller’s cooling skin.Her mind is a fractured mess of images: the familiarity of the knife, the pool of blood, and the look of pure terror in the dead man’s eyes.Suddenly, the oppressive silence is shattered by a sound that should bring relief, but instead feels like a physical blow to her chest. Wail. Wail. Wail.Blue and red lights dance frantically against the boarded-up windows, filtering through the cracks in the wood like strobe lights in a nightmare."Thank God," Olivia thinks, her breath hitching in a sob of pure exhaustion. "The police are here. They can take the body. They can trace the knife. They can find Chloe."She starts to stand, her dress heavy and wet with Weiller's blood, when a deafening crash echoes through the house.The front door is kicked open with such force that the hinges scream."POLICE!







