LOGINThe New Year arrives in Edinburgh with the specific enthusiasm for Hogmanay that baffles anyone who hasn't been here for one and becomes immediately comprehensible to anyone who has. The city burns with it for twenty-four hours, then falls quietly, profoundly hungover for two days, and Sebastien spends those two days at the Greymantle house working through a month's accumulated Wolf Council business, attempting to present it to himself as ordinary and not as the administrative backdrop to the most significant three months in Folklore history since 1987.
The pack bond at New Year is always high-frequency. Thirty-one people with their own specific textures of celebration, family, the end-of-year feelings that humans have and wolves carry differently, which is to say loudly. By the second of January it's settled into its usual register, everyone at appropriate ambient distance Marcus with the sheep, Elspeth with her grandchildren, the twins with their respective hangovers.
He's been to the Canongate for Sunday dinner twice since Geneva. Both times with Variable on the table and Veira across from him and the quality of a thing that isn't yet what it's going to be but is already not nothing. He's learning the pace of it, a pace he's never previously been required to learn, because his previous relationships were conducted with people who had no substantive reason to be careful about him. Veira has substantive reasons and applies them, and he finds, to his surprise, that he prefers this. Knowing that what she gives him she's considered. Knowing that when she's in a room with him, she's chosen the room.
He's at his desk on the third of January when she calls.
"Joon-Ho found something in Iceland."
"What."
"He thinks the sixth frequency has a physical location in the north Atlantic. He was in the Westfjords over New Year. The signal's directional and stronger at close range."
He sits back. "You knew he was going."
"I told him to wait. He's Joon-Ho."
"What do you need."
"The Wolf Council's maritime jurisdiction in the north Atlantic. Who the Folklore's authority extends to in international waters. What the protocol is for first contact with an unknown bloodline, if that's what this is."
"There is no protocol."
"I know. We're going to have to write it."
"When."
"The team flies to Reykjavik on the fifteenth. Joon-Ho has a guesthouse booked. We drive up from there." A pause. "I'd like you to come."
"I'm coming."
"I'm asking, Sebastien. Not assuming."
"I know. And I'm answering. I'm coming."
A pause. Not long. The kind that contains something both people can feel and neither is going to name yet.
"Bring cold weather gear," she says.
"I'm Scottish."
"I know. Bring it anyway. Iceland is different."
She hangs up. He sits with his phone for a moment, thinking about the pack bond, thirty-one frequencies warm in the background of his awareness, thinking about what it would mean for the Folklore to discover a sixth bloodline not politically. What it would mean in the bone.
He calls Emre.
"She called you about Iceland," Emre says, on the second ring.
"She called everyone, I assume."
"Yes. She's coordinating the whole thing." A pause. "She coordinates things the way she does everything else. Without making the coordination visible."
"I know."
"It's impressive."
"Yes." A pause slightly less comfortable than the previous one, but less uncomfortable than it would have been six weeks ago. "You're coming."
"She asked."
"I know she asked. I'm saying you're coming."
Emre is quiet a moment. "Are we doing this now."
"Doing what."
"Deciding what we are."
"We know what we are. Two people in her life with complicated histories and complementary skills and a functional working relationship."
"That's accurate."
"It doesn't need to be more than that."
"Also accurate."
"Good."
"Good."
A pause. Then Sebastien says: "You're good at the neutral Folklore read. In Iceland, when we make contact, that's going to matter."
"I know."
"So."
"So we go to Iceland."
"We go to Iceland," Sebastien says, and ends the call, and starts making his own.
The committee reports on the Friday and the Assembly convenes on the sixth of April, and Veira is not there.She watches it from the farmhouse on a link Sunnsdottir arranges through a procedural clause nobody has used since 1974, and Sebastien sits beside her for eleven hours and does not once say anything unless she asks him something.Croft opposes the conduit holding the seat. He does it in seven minutes and it is the best speech anybody makes all day and he loses the vote nine to four.Then Veira's written submission is read into the record by the convener, and Solvieg reads all of it, including the last paragraph, which several Elders have plainly not been shown in advance.I decline the seat. I ask the Assembly to create it and leave it vacant until a member of the restored bloodline is of age and willing to hold it. If that takes fifteen years, the vacancy is the accurate record of what was done, and I would ask the Assembly to look at it.There is a silence of about four secon
The committee reports on the Friday and the Assembly convenes on the sixth of April, and Veira is not there.She watches it from the farmhouse on a link Sunnsdottir arranges through a procedural clause nobody has used since 1974, and Sebastien sits beside her for eleven hours and does not once say anything unless she asks him something.Croft opposes the conduit holding the seat. He does it in seven minutes and it is the best speech anybody makes all day and he loses the vote nine to four.Then Veira's written submission is read into the record by the convener, and Solvieg reads all of it, including the last paragraph, which several Elders have plainly not been shown in advance.I decline the seat. I ask the Assembly to create it and leave it vacant until a member of the restored bloodline is of age and willing to hold it. If that takes fifteen years, the vacancy is the accurate record of what was done, and I would ask the Assembly to look at it.There is a silence of about four secon
The rehearsal is on a Tuesday in March, and it is the most anticlimactic thing anybody in the building has ever witnessed.Nell sits in an armchair in the front room at Braehead with a doctor on one side and Croft on the other and Joon-Ho's monitoring array on a card table, and for four minutes nothing happens, and then she says: "Oh.""Oh what," Croft says."It's just it's a bit more." She frowns. "Like when you're carrying shopping and someone puts another tin in.""Are you in any discomfort.""No. It's fine." She shifts in the chair. "Can I go? Aoife's teaching attenuation at four and she gets annoyed if I'm late."Joon-Ho does not let her go for two hours. The array shows what he later describes as the least dramatic dataset of his professional life: a fifth of a fragment, moved, held, stable.Veira watches it on a laptop from eleven miles away with Adaeze beside her and finds she cannot see the screen properly."It worked," Adaeze says."It worked.""Say it like you believe it."
Croft approves it on the twenty-ninth day.He does not telephone. He drives to the farmhouse eleven miles down the coast and knocks on the door at seven in the evening with a folder under his arm and rain on his shoulders and says, before Veira has finished opening it:"I want you to read the refusal first."He has written both. Thirty-one pages approving and twenty-six refusing, and he has brought both, and he makes her read the refusal at the kitchen table while he stands at the window with his back to her.It is a good document. It is the best argument against the transfer she has ever seen, better than anything the Assembly produced, better than anything she constructed for herself at three in the morning in February. It cites the eleven names from Utrecht and the four who died before twenty and the fact that no child at Braehead has yet passed the two-year adaptation threshold anybody can point to, because nobody has ever measured one.She finishes it. She sets it down."You coul
The first transfer is not a transfer and it does not happen for eleven months.What happens in the eleven months is Tuesdays.Veira teaches by link from the farmhouse down the coast, four hours a day, and the curriculum she builds is the one she assembled backwards out of eight years of a blurred memory and four days in a bedroom in Cults: how to tell your own feeling from somebody else's arriving through the channel. How to attenuate. How to close, and for how long, and what it costs. How to notice the early signs of overload in yourself, which is the thing that killed Morna Croft and which nobody in 1889 was taught at all.The nineteen-year-old from Cork stops being furious in week seven and becomes, by the following spring, the best teacher in the building.The boy from Valencia's grandmother learns enough English to argue with the doctor.The girl from Kraków is the first to attenuate without being talked through it, in October, and does it in front of the whole room by accident a
Emre goes to Ghent in June and sits with Absalom Lieth for four days.He does not expect anything. He says so on the phone to Veira on the first evening, in the flat voice of a man managing an expectation downward before it can damage him."He doesn't know me. He hasn't known anybody since 2013.""Then why four days.""Because he taught me everything and I read something out at his memorial while he was alive and eleven years is a long time." A pause. "And because if there is one lucid hour in a year I would like to be in the chair when it happens."There is no lucid hour.What there is, on the third afternoon, is a photograph album that a nurse brings out because a visitor is the first Absalom Lieth has had in nine years and the staff have decided to be kind.Emre goes through it slowly.Ghent. Lyon. A dog. A conference in the 1980s. And then, on the fourth page from the end, a photograph taken in a garden that Emre recognises immediately because he has walked in it, with a man in hi







