Life is unforeseeable, but Amanda never expects that the next time she bumps into Riley will be on the day she is discharged from the hospital.
Amanda hates hospitals; they always remind her of her parents’ passing. Everything here feels like a lingering nightmare, pressing down on her until she can barely breathe.
And just then, she sees the last two people she wants to see.
Riley is there, still attractive and sturdy, carrying a vulnerable but lovely woman bodily up the stairs. Together, they look perfect—a picture of elegance and charm. People will smile when they see it, except Amanda.
Because her husband, Riley, is here to accompany another woman as his own wife lies recovering in a hospital bed.
Amanda notices how Riley, usually all strides and long legs, slows down to match Faye’s dainty pace. His gaze softened in a way Amanda has never seen.
It hit Amanda that the first time she wore stiletto heels.
At that time, she followed Riley to attend a quarterly business review. She’d struggled to keep up, almost twisting her ankle, but he hadn’t even glanced back, only later coldly reprimanding her.
“Amanda, this is a workplace, not a charity. The corporate world is a battlefield. Never expect any special treatment from me; I'm always equal opportunity about everything. If you fall behind, no one will wait for you.”
So, he does know how to wait for someone—just not her.
In the past, Amanda would feel depressed. She doesn’t know what it is, but something feels off about her mood. She is calm, even a little irritated—she’d been blind to Riley’s double standard for far too long.
But Amanda doesn’t like do shoulda, coulda, woulda.
After marrying Riley, she’d given her all, dedicating herself entirely to being a good wife. And now, determined to burn bridge with him, she can say she is over it. Three years of marriage had drained her of any remaining affection for him.
She starts to turn away, intending to head down a different corridor, but Faye spots her. Confused, Faye asks, “Who are you? Why are you staring at us? Do you know us?”
As she speaks, Faye’s breathing grows unsteady. She wraps her arms around Riley and hugs him tightly. She looks as though butter wouldn’t melt in her mouth.
“Riley, that weird woman seems to be giving me the stink eye. Have I done something wrong?”
Apparently, Faye Aiken is being endearing to win Riley over.
The moment Riley sees Amanda, he gives her the deep freeze and there is a deep frown on his face. “It’s nothing—just someone unimportant,” he whispers, gently patting on her back.
Riley has always been wary of Amanda mingling with his friends, which hits the spot.
Other than the two of them, Riley’s father and a couple of her friends, no one knows about their marriage, making it easier for her to be through with Riley.
But Amanda feels like the universe is conspiring against her—physically drained and now forced to see flirt in front of her.
She rolls her eyes and is champing at the bit to leave here.
“Amanda! Amanda!” Riley, having settled Faye, quickly catches up with her. “Are you insane? You came all the way to the hospital just to make a scene? Can’t you be a little more considerate? Faye’s been seriously ill!”
Faye has taken a sharp turn for the worse, teetering between life and death more than once, and Riley has been running himself ragged caring for her.
He’s tried to reach out to Amanda, but she hasn’t answered his calls, nor has she shown up at work. His assistant says she’s been unreachable.
Riley assumes she is still sulking over him abandoning her at the villa on their anniversary.
He never imagines he will run into her here of all places. She is being ridiculous; he is dealing with a life-or-death situation, and she is only thinking about herself.
She’s always been understanding, never prying into his private life—so what has changed?
That's ridiculous! He would rather think I’m stalking him than believe I might actually be sick. And he blindly trusts Faye’s lies.
The thought stokes Amanda’s anger, but she forces herself to swallow it.
Until things are fully resolved, she cannot afford to provoke Riley, who might just feel insulted enough to interfere out of spite.
“I have a miscarriage,” Amanda says quietly. “It’s unlikely I’ll ever be able to have my own baby.”
Riley frowns at Amanda, clearly annoyed. “Don’t joke around. We’ve always taken precautions. Do you mean that no sooner had I left than you lost a child? Last time I saw you, you were fine. You’re not even trying to make this believable.”
Amanda doesn’t know why she even tries to talk to him—She might as well save her breath.
If Riley refuses to believe a word she says, why does he even bother to come after her in the first place? Maybe her unborn child understands that its father is a terrible man, one not worth being born to.
Amanda gently touches her lower abdomen and gives a false smile.
“Fine,” she says. “Maybe I’m just jealous of Faye getting all your attention, so I come to find you. I’m neither sick nor pregnant.”
She notes the look of irritation on Riley’s face and swallows what she’s intended to say. “Go on back to Aiken—she’s the patient, isn’t she?”
Riley hates his father.
His father’s betrayal had driven Riley’s mother into depression and made him wary of marriage altogether. His father had once hoped he would marry Faye, but Riley, determined to defy him, had readily agreed to Amanda’s proposal.
Now, though, Riley is in complete control of the company, earning the respect of both the board and the entire organization. He is no longer tethered to his father’s expectations or anyone else’s.
He is free to chase his so-called “true love”. Congratulations, Riley, Amanda thinks.
“Amanda—”
She doesn’t bother to listen closely to whatever he is saying. “Congratulations on getting what you want,” she says flatly, then turns and walks away without a second thought.
Amanda doesn’t notice that Riley seems to be seized with a wave of panic. But even if she has, she’d probably reckon something bizarre happened on him—after all, Riley is always so self-assured, so convinced he has everything under control.
Amanda is not weak, not the fragile woman Faye once painted in her mind. She is stronger than Faye ever imagined. Why? Faye asks herself this again and again. Amanda had no parents to turn to. No family she could lean on. The relatives she once had only wanted her money, and Amanda cut them away long ago. After she married, Riley was the closest person in her life. He was her family. Her husband. Faye thought that meant Amanda would cling to him no matter what, that her heart would keep her trapped.But she was wrong.Amanda walked away. She carried her pain and still found the strength to cut the bond. Faye bites her lip at the thought. She cannot understand it. For someone so loyal, so deep in her feelings, how did Amanda do it? How could she leave behind the man she loved?And Riley—Riley who always looked cold, who always made Amanda wait, who ignored her pain—he is the one now undone. He is the one who c
Since then, the feeling has only grown. Each unanswered call, each cold reply, builds on that night.Now Faye finally understands. Amanda is gone. Not just from the company, but from Riley’s life. From this city. From this marriage.She tries to deny the truth at first. She asks questions, pretending not to care. She even calls Riley’s father once, speaking in a careful tone, circling the subject without naming it. But no matter how she turns it, the answer is the same. The company is doing well. Riley himself is fine. The only change, the only wound, is Amanda’s leaving.Faye feels the conclusion press against her, heavy and unwanted. It is Amanda. It has always been Amanda. Her leaving has shaken Riley in a way nothing else could.She sits in her apartment one evening, staring at her phone, thinking of all the times she pulled him away from Amanda. She remembers the rush of victor
Nights stretch late when he cannot sleep. He imagines her in Milan. He sees her walking along stone streets with a sketchbook in her hand, her dress brushing against the air. He imagines her stopping at a café, sipping coffee while the morning light pours over her. He imagines her entering a studio, paint on her hands, her eyes alive with focus. These images hurt him, but they also keep him close to her.In the silence of his office or in the emptiness of her old apartment, Riley feels the same thought circle back: Amanda deserves more. And he has to become more if he wants even the smallest chance of standing beside her again.Riley finds out about her flight. He tells no one. He does not go to her gate. He does not call her name. Instead, he waits in a quiet corner of the terminal, where the lights are bright and the air smells faintly of coffee and perfume. People pass him in steady waves, but he does not move. His eyes search unti
The new secretary is competent. She takes notes, arranges schedules, answers calls. But Riley feels the difference in every step. He asks for a document and waits minutes, not seconds. He points out an error in a report and sees nervousness instead of quiet confidence. He gives instructions and has to clarify twice. None of it is disastrous, yet each moment sharpens his sense of loss. Amanda would not have let it reach him. Amanda would have known before he asked.He tries not to let his frustration show, but inside it grows heavy. The comparisons come without effort. He does not seek them, yet they are there, unavoidable. And with every comparison, he misses her more. What once seemed ordinary now feels irreplaceable.The pride he feels for her success in Milan mixes with the ache of his daily life without her. He imagines her walking into her new studio, adjusting quickly, learning faster than anyone else, proving her worth in ways others
The first night Riley moved into Amanda’s old apartment, the silence struck him hardest. He unlocked the door with a slow hand, stepped inside, and closed it behind him. The sound of the latch echoed too loud in the narrow hall. For a moment, he stood still, staring at the space as if it might resist him.His boxes had already been delivered earlier that day. They sat stacked near the wall, plain and heavy, out of place among the furniture Amanda had left. The sofa was still there, the one he remembered from years ago, deep in color and wide enough for her to curl into with a book. The dining table stretched in the center of the room, smooth wood that carried the faint mark of use. He could almost picture her sitting there with a cup of tea, papers spread in front of her.Riley set his briefcase down but did not open it. His eyes moved from corner to corner, and every corner felt like hers. The curtains framed the windows just as she h
Riley wants to follow her. He wants to step on the same plane, walk behind her, sit in the same city where she will live. But he knows he cannot leave. Griffin Group does not move with him. His position is not something he can hand over to another. The weight of the company ties him down, and he hates it for the first time.The one relief comes like a sudden light. He learns that Amanda has sold her apartment. The news reaches him before anyone else notices. He does not hesitate. Through a trusted agent, he buys it at once. By the end of the week, the papers are signed. The apartment is his.He walks in one evening, the keys cold in his hand. The rooms smell faintly of her perfume, the one that always drifted after she walked past his desk. She has taken her clothes, her books, the small items she used every day. But the heavy furniture stays—the dark sofa, the dining table, the mirror by the door. Each piece holds a memory. Riley almo