LOGINBLURB He killed her parents and kicked her out while she was pregnant. He thought he’d destroyed her. On their first anniversary, Ryan Holt didn’t give Gianna a gift—he gave her a death sentence. Broken, homeless, and diagnosed with heart failure, Gianna was ready to die until he stepped in. Sean Cooper, the coldest billionaire in New York, offered her a lifeline. He gave her a new heart and he gave her protection. But everything comes with a price. “I didn’t save you because I care,” Sean whispered, his eyes cold as ice. “I saved you because the heart beating inside your chest belongs to my mother. And I’m keeping it close.” Now, trapped in a contract marriage with a man who loves only her heart, Gianna must survive. But when her ex-husband returns, begging for a second chance, he realizes too late: The woman he broke is gone. And the billionaire’s wife who replaced her is out for blood.
View MoreGIANNAPeculiar's He-Art opens on a Saturday in October and the line wraps around the block.The warehouse in Chelsea is everything I imagined and nothing I expected. Eight thousand square feet of exposed brick and steel beams, the ceilings high enough that the natural light falls in columns through the clerestory windows and hits the floor like something sacred. The main gallery holds the exhibition work. The east wing is a workshop with easels, supplies, workbenches and for community classes. The west wing is a studio where artists-in-residence will create new work in front of the public, making the process visible instead of hiding it behind closed doors.Sean's team handled the renovation. I handled the soul. Every wall color, every lighting angle, every placement of every canvas is all mine. The smell is turpentine and fresh paint and the lavender sachets I tucked into every corner because this building belongs to a woman who believed that love was a scent, not just a word.I g
SEANThe ring has been in my jacket pocket for two weeks now. Fourteen days of carrying a platinum band with a lavender sapphire through board meetings, security briefings and the particular insanity of managing a four-front war while simultaneously planning the simplest question a man can ask.The jeweler in Amsterdam cut the stone to match the exact shade of the lavender in the garden. The same garden my mother planted in February, the garden where I sat with Gianna on a bench and told her she didn't have to handle things alone. He owed me a favor from a deal I structured three years ago. I called it in for this.I've planned proposals. Elaborate ones. A rooftop dinner at the penthouse overlooking Central Park, champagne, a string quartet. A private gallery showing, with her paintings and the ring hidden in the centerpiece. A trip to Paris, the Louvre at closing time, just us and the Mona Lisa and a question.I rejected every single one. They're all performances. Gianna doesn't wa
SEAN"I found him." Yuki Tanaka doesn't knock. She walks into my office at 7:30 AM with her tablet, sets it on my desk.The tablet shows a corporate flowchart. At the top: Greenfield Capital Partners, the Cayman entity writing quarterly checks to Miller & Associates Trust. Below it, a line traced through two intermediary shells to a domestic source: a law firm in Manhattan called Reinhart & Bloom."Reinhart & Bloom represents an entity called Project Meridian," Yuki says. "Real estate holding company. Properties across the Eastern Seaboard of residential, commercial, mixed-use. Estimated portfolio value north of four hundred million.""Board members?""Anonymous. Layered behind trust structures, nominee directors, the usual." She swipes to the next screen. "But one filing from twelve years ago — a property acquisition in Connecticut — required a personal guarantee. The guarantee was signed."She zooms in on the signature. Looping, confident handwriting. Gerald Miller."I cross-referen
GIANNAThree months postpartum and Laurel cleared me for everything two weeks ago. Everything. She said it with a straight face and a raised eyebrow that communicated more than the medical charts.Since then, there's been a tension in the house that has nothing to do with war councils, moles or restraining orders. A thicker, and warmer tension. The kind that lives in the space between two people who've been sleeping in the same bed and not sleeping together, who've been careful with each other the way you're careful with something healing, and the healing is done.But my body is different now. The stretch marks run silver across my hips and lower belly. My waist is softer, my breasts fuller, the geometry of me rearranged by nine months of carrying a human and twelve hours of delivering one. I catch myself turning away from the mirror when I undress. Angling my body in bed so Sean sees the parts that haven't changed instead of the parts that have.He notices. He always notices, but h
GIANNATwo nights since the almost-kiss and I've reverted to the old pattern. I check the tablet. The kitchen is empty, the library is empty. The west corridor has no footsteps pacing around. No one is moving through the house like a ghost. I avoid every room he might occupy, eat when he's gone, a
SEANWe’ve two missions and two fronts with one enemy hiding behind different masks.I haven't slept since the studio. Since the paint on her cheek and the inch of air between her mouth and mine and the phone that rang at the exact moment I was about to violate the only rule she asked for. The no-
GIANNAI come back from the diner and go straight to the studio and paint like I'm trying to kill the canvas.There was no plan, no sketch, no gentle heart-guided brushwork. Just pure rage. The palette is all darks with Prussian blue, burnt umber, alizarin crimson so deep it looks like dried blood.
GIANNAI spend four hours preparing for a man I've met just once. Laurel helps me sit up properly, not the half-slumped posture of a patient waiting for meds, but upright, spine straight, shoulders back. She adjusts the pillows, raises the bed, and when I ask her to fix my hair, she doesn't questi


















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