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FIVE: A HEART FOR A HEART

Author: Meeka El
last update publish date: 2026-01-30 11:31:13

GIANNA

The vibration of the phone against the wooden floorboards sounds like a drill in the silence of the empty house. It jolts me awake. My hand flies to my chest instinctively, checking the machine, checking the wires.

Whir. Click.

It’s still working, still keeping me alive, barely. I snatch the phone. The screen is cracked, a spiderweb of glass over the glowing light.

Dr. Laurel: We have a heart Gi, please come now. Do not wait.

My breath hitches.

A heart means a chance. A second chance at life, and that means time. More time to live, and more time to rise and kick those who kicked me down.

I don't think. I just move, grab my purse, ignoring the dizziness that sways the room like a ship in a storm. I don't have a coat or an umbrella uni, I just have the desperation of a mother fighting for her unborn child.

I run out the door and the storm hits me the moment I step off the porch. It isn't just rain; it is a fucking downpour. The wind howls, tearing at my dress, soaking me to the bone in seconds.

The cold is a physical blow, shocking my system, and making the machinery in my chest struggle to compensate.

I fumble with the keys to the rusted sedan I bought with the last of my cash. It sits in the driveway, like a heap of scrap metal.

"Come on," I beg, shoving the key into the ignition. "Please, just one more time."

I turn the key and the engine sputters. It coughs, then it goes silent.

"No!" I scream, slamming my hands against the steering wheel.

"No, no, no! Not now, you piece of shit!"

I try again. Click. Click. Click. Dead battery or maybe the car just decided to die tonight, just like everything else in my life.

I look at the time on the dash. The hospital is two miles away and Laurel said now. Organs don't last forever. If I miss this window, I die, and my baby dies too.

I kick the door open and step out into the mud.

"I’m coming," I whisper to the darkness. I wrap my arms around my stomach, protecting the tiny life inside. "Mommy is coming."

Then, I start to run.

It is a nightmare. The rain is blinding, coming down in sheets so thick I can barely see the streetlights. The puddles are deep, soaking my sneakers, weighing down my feet. Every step sends a shock of pain up my shins, but the real pain is in my chest.

The LVAD, the pump, is heavy. It drags on my shoulder strap and it makes the connection site at my abdomen burn like fire. I can feel the strain. My lungs are burning, screaming for oxygen that my artificial heart struggles to circulate. One mile.

I stumble over a cracked piece of sidewalk. I catch myself, scraping my hands raw on the concrete, but I don't stop. I can't stop. Not yet.

"Just a little further," I pant, as the taste of copper fills my mouth. "Just... hold on."

Cars rush past me, spraying dirty water onto my legs. No one stops. Why would they? I look like a madwoman. A wet, bedraggled ghost running through a hurricane.

At half a mile, my vision starts to tunnel. The edges of the world go black, and the whirring in my chest is getting louder, drowning out the thunder. It sounds like a grinding gear.

Warning. Warning.

"Shut up," I gasp.

I see the red 'EMERGENCY' sign glowing in the distance. It floats in the dark like a beacon, but my legs are getting numb. I can't feel my feet hitting the pavement anymore. I’m just running on pure adrenaline and maternal instinct.

I reach the hospital driveway. The lights are too bright, they sear my retinas. I stumble toward the sliding glass doors.

"Help," I croak. But the word is swallowed by the wind. Just then, my knees give out and the ground rushes up to meet me.

I brace for the impact, I brace for the end. This is it, I guess.

But, I don't hit the concrete, instead strong arms catch me. They are solid, unyielding like stone and I’m hauled up against a chest that is broad and warm, soaking wet but radiating heat. I blink, trying to clear the rain and the black spots from my eyes.

I look up and the face above me is blurred, but I see eyes. Piercing, electric blue eyes. They are cold and terrifyingly intense.

They glow under the harsh halogen lights of the ambulance bay. He looks like a warrior carved from marble. He looks like the Angel of Death coming to collect his due.

"I... I can't die yet," I whisper, clutching the lapel of his expensive suit. My bloody fingers leave stains on the dark fabric. "My baby..."

"You aren't dying," the man says. His voice is deep, a rumble of thunder that vibrates through my bones. It isn't a comfort, it’s a command. "Not until I say so."

He lifts me effortlessly, cradling me against his chest as he kicks the ER doors open.

"We need a gurney!" he roars. The power in his voice silences the chaotic waiting room. "Now!"

In seconds, nurses swarm us and I am lowered onto a bed. The lights overhead are blinding white lines as we rush down the corridor.

"BP is crashing!" someone yells. "She's in V-fib!"

"Get the pads!"

I turn my head to the side. The man, the blue-eyed stranger is keeping pace with the gurney. He is holding my hand, his grip is bruising. He isn't looking at the doctors; he is looking at me, claiming me.

Dr. Laurel appears above me and her face is pale. "Gianna! Stay with us!"

"The heart..." I gasp. "Did I... make it?"

"We have it," Laurel says, she is moving fast, cutting my dress open, exposing the machinery taped to my skin. "But we have to move fast. Gianna, listen to me."

She shoves a clipboard onto my chest and a pen is pressed into my trembling hand.

"The donor had conditions," Laurel yells over the alarms blaring from the monitors. "Strict legal conditions. You have to sign. If you don't sign, I can't operate."

"What?" I slur. The room is spinning. "Conditions?"

"Just sign it!" The man growls from beside me. He leans in close and I can smell rain, sandalwood and raw power. "Sign the paper if you want to save your child."

My child.

I don't read it, I can't because the words are swimming. I just scribble my name on the line and sign away my soul to the devil to save the angel in my womb.

"She signed," the man says. "Take her."

He lets go of my hand and the loss of his warmth is instant.

"You're going under, Gianna," Laurel says and a mask is placed over my face.

The gas smells sweet and sickly. I try to look for the man one last time. As they wheel me through the double doors of the operating theater, I catch sight of him standing behind the glass of the viewing gallery above.

He stands with his hands in his pockets, watching me like a predator watches prey. Then the darkness takes me and everything becomes void.

There is no light here. No sound. I’m floating in a sea of ink. Is this death?

Then, I see him. Ryan. He’s standing in the darkness, laughing. He’s holding Tasha’s hand and they’re standing over my mother’s grave spitting on it.

"You were weak," Ryan’s voice echoes, surrounding me. "You were nothing. A battery-operated doll."

"You died," Tasha sneers. "And we won."

And suddenly I feel the rage ignite in the center of my chest. It isn't a flicker; it is an explosion. It burns through the void, turning the ink into fire.

No.

I’m not weak. I’m not nothing. I feel a sharp and intrusive pain, cracking my chest open. They’re taking the machine out, cutting away the failure. I will not die. I can’t, not until I’ve made Ryan and everyone else pay.

I scream into the void. "I will kill you! Ryan! I will fucking destroy you!"

Then, the darkness shatters. A Beep. Silence.

"Come on," a voice whispers. It is the man’s voice. The Angel of Death.

Suddenly, I feel a jolt of electricity arching through my body.

Thump. The sensation is alien, strong, and violent. Thump-thump. Thump-thump.

It isn't the mechanical whir I have lived with for months. It isn't the weak, fluttering bird I was born with. This is a drum. A war drum.

My eyes snap open and the light is dim. I’m in a room that smells of lavender. I take a deep, full breath, and my lungs expand without pain. The blood rushes to my fingertips, warm and vibrant. I lift my hand to my chest. Under the bandages, under the skin, I feel it.

A heart. A real, flesh-and-blood heart. It hammers against my ribs with a ferocity that scares me. It feels... angry, feels powerful.

I turn my head.

The man is sitting in the chair beside my bed. I immediately blink back the tears that burns behind my eyes. He’s in the shadows, but those blue eyes are glowing, fixed on me. He looks exhausted, his tie undone, but his gaze is still sharp.

"Welcome back," he mutters. His voice is devoid of warmth.

He stands up and walks to the side of the bed and places his hand on the railing, leaning over me.

"Who..." my voice is a croak. "Who are you?"

"I'm the man who owns that beat in your chest," he says.

He reaches out and touches the bandage over my heart. His fingers are hot.

"That heart belonged to my mother," he says softly and dangerously. "And now, you belong to me."

I stare at him, confused, terrified, but strangely alive. The fear doesn't paralyze me like it used to. The fear fuels me now.

I look at the monitor, 80 beats per minute. It’s strong, steady and relentless.

Ryan wanted me dead. He wanted me buried, but he made a mistake.

I am not the weak, sickly Gianna anymore. I am something else. I have a borrowed heart, and I have a reason to use it. I look into the stranger’s eyes without flinching.

"If I belong to you," I whisper, the new blood pumping courage through my veins. "Then help me get revenge."

He smiles, but It is a dark, terrifying smile.

"Rest now, little asset," he says. "We have a lot of work to do."

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  • Bound By A Borrowed Heart    47 : THE DINNER THAT CHANGED IT ALL

    GIANNAI wake up in my bed with Peculiar's robe still around my shoulders and no memory of the walk between rooms.The last thing I remember is the poetry book, the armchair, and the lavender scent wrapping around me like arms. Then nothing, just warmth and the vague sense of being lifted, of a heartbeat that wasn't mine pressed against another chest.He carried me. There's nobody else it could be. Sean found me asleep in his mother's sacred room, in his mother's robe, and instead of waking me, instead of being angry that I'd trespassed, he picked me up and brought me here.I don't bring it up when I see him in the hallway that morning, he nods the way he always does, brief and professional, with the fortress intact. But the air between us is different. It’s warmer, like a room where someone just opened a window for the first time.That evening, I decide to push."Sean, Have dinner with me," I say casually.

  • Bound By A Borrowed Heart   46 : THE WOMAN IN THE LAVENDER ROOM

    SEANIt’s 3:07 AM and the hallway is dark but my feet know the route. I move left at the corridor. Past her door and pause to listen, for her heartbeat which beats steady through the wood, and she's sleeping. I move past the library, down the east wing stairs.It’s my nightly patrol, my nightly penance. The house checks I've been doing since my mother died because if I walk every hallway, if I listen at every door, if I keep count of every heartbeat under this roof, then nothing can be taken while I'm watching.I reach the lavender room and the door is open.The door is never open. I closed it the day after the funeral and it's stayed closed, a sealed chamber, a museum to a woman I couldn't save. Mrs. Kate dusts it weekly. Nobody else enters. Nobody is allowed.But Gianna is inside.She's asleep in my mother's armchair. The silk robe that was my mother's favorite, the one she wore on Sunday mornings with coffee and the cross

  • Bound By A Borrowed Heart    45 : AFTER VICTORY

    GIANNAI wake up to an avalanche. My phone has more than 347 notifications. My social media has tripled overnight. My followers skyrocket in real time like a stock ticker after good earnings. Every art blog, cultural magazine, and lifestyle platform is running the story. The headlines are savage: "Fraud Exposed at Manhattan Gallery." "The Original Artist Wins: Authentication Panel Delivers Unanimous Verdict." "TrueCanvas Unmasked as Copycat Cousin in Dramatic Gallery Showdown."I sit in bed scrolling through them with one hand on my belly and the other hand shaking. The baby is calm this morning. She fought her fight yesterday. Now she's resting.The DMs are a flood, galleries wanting to show my work, sponsors offering collaborations, collectors asking about purchases. Six months ago I couldn't afford prenatal vitamins. Now strangers are offering five figures for a canvas.Laurel calls at eight."I saw everything. The video of you walking toward Tasha is already a meme. You're iconic

  • Bound By A Borrowed Heart   44 : THE GHOST AT THE GALERY

    SEANThe moment Tasha screamed Ryan's name, I was already moving towards Briggs. He was positioned at the south wall, with an earpiece in, and a hand on the security radio. I caught his eye and he read the question before I asked it."Holt entered through the main entrance at 7:42 PM," Briggs says into my ear as I reach him. "Positioned himself near the back exit. Gallery CCTV tracked him the entire event.""What did he do?""He just watched and photographed several of Gianna's pieces on his phone. He lingered near the TrueCanvas wall for a bit. Then he left through the service entrance forty-five seconds before Tasha started screaming."Forty-five seconds. That means he knew. He saw the verdict coming, he heard the first crack in Tasha's voice, and exited before the explosion. Everything was calculated and controlled. That’s the exact behavior of a man who came to gather intelligence, not to be seen.But he was seen. By the cameras, by Briggs and by me."The guest list was controlle

  • Bound By A Borrowed Heart   43 : THE VERDICT

    GIANNADr. Osei doesn't rush. She's the kind of woman who understands that silence before truth makes the truth land harder."Our panel conducted three independent analyses," she says into the microphone. The gallery is dead quiet, two hundred people holding champagne they've forgotten to drink. "Firstly, the forensic paint layer composition. The works attributed to the artist known as Gianna Meyers employ a proprietary blending technique, a specific ratio of oil and acrylic layered in alternating sequences that produces a unique chemical signature at the molecular level."She pulls up a slide on the gallery's display screen. Two microscopic cross-sections side by side, the paint layers visible in colored bands like geological strata."The works attributed to TrueCanvas approximate this technique but fail to replicate it. The ratios are consistently off by twelve to fifteen percent. The layering sequence is reversed in four of twelve pieces.

  • Bound By A Borrowed Heart   42 : THE GALLERY OF TRUTHS

    GIANNAThe gallery is a battlefield dressed in champagne and track lighting. My work is on the east wall, while TrueCanvas’s on the west. Twelve paintings each, hung at uniform height, lit with gallery-grade spots that make the colors sing. The room is packed with people . From Manhattan's art elite, collectors in designer glasses, to critics with notebooks, and influencers with phones, and a press corps clustered near the podium where the authentication panel will deliver their findings.I walk the east wall first to where my paintings are displayed. I know every brushstroke, every layer, every moment of rage and grief and hope that went into the canvas. The red bird. The fire walk. The cracked-open chest. The abstract of tangled heat that I turned to face the wall in my studio and Sean's team retrieved without comment. They glow under the spots, alive in a way that makes me want to cry, because six months ago I was dying in a ra

  • Bound By A Borrowed Heart   27 : THE COPY

    GIANNASomething is wrong before I even open my eyes. My phone is buzzing on the nightstand and it’s not the usual single pulse of a notification but the sustained vibration of a device being hammered. I pick it up and the screen is a wall of tags, mentions, and DMs. Not the warm "welcome back" fl

    last updateLast Updated : 2026-03-27
  • Bound By A Borrowed Heart   32 : CRACK IN THE DOCTOR

    LAURELThe file on my desk says Maria Gutierrez, age twenty-nine, mother of two. The file doesn't say that Maria used to bring homemade cookies to her cardiac monitoring appointments because she felt bad that I was "always stuck in this sad little office." It doesn't say that her five-year-old dre

    last updateLast Updated : 2026-03-29
  • Bound By A Borrowed Heart   25 : MIDNIGHT CONVERSATIONS

    GIANNAIt’s three days since Baker called and I still can't close my eyes without hearing it."Your father didn't kill those people."The words play continuously in my head wherever I am. In the shower, in the studio, in the dark at 2 AM when the baby is restless and my heart is restless and my bra

    last updateLast Updated : 2026-03-26
  • Bound By A Borrowed Heart   23 : IN THE WARD

    GIANNAMount Sinai's neurology wing has two faces. The private rooms upstairs have fresh flowers and park views while the charity ward in the basement has fluorescent lights that buzz at a frequency designed to erode hope, linoleum the color of old teeth, and curtains between beds that give you the

    last updateLast Updated : 2026-03-25
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