INICIAR SESIÓNPOV RACHELLE
The sunlight in the Veronesi tower was different from the sunlight at the Santoro estate. In Nikolai’s mansion, the light felt filtered, gray, as if the heavy velvet curtains were mourning a joy that never existed. But here, on the 42nd floor of the glass-and-steel monolith my father built, the sun was a blade. It reflected off the white marble floors and the chrome mannequins, blindingly bright. I stood in the center of the atelier, a cup of black espresso in one hand and a charcoal pencil in the other. I hadn't slept. Not a wink. But I didn’t feel tired. I felt electric. "Rachelle, the swatches from the Como mill are here," my assistant, Sofia, whispered. She was twenty-four, ambitious, and currently looking at me like I was a ghost that had suddenly decided to start haunting the living. I didn't blame her. For three years, I had been the silent director who sent notes via email, the woman who stayed in the background to avoid "embarrassing" my husband with my ambition. Nikolai liked his women to be ornaments, not architects. "Let me see them," I said. My voice was raspy, but steady. She laid out the silks. Emerald, deep navy, and a crimson so dark it looked like drying blood. I ran my fingers over the fabric. The texture was exquisite, but the weight was wrong. "This won't hold the structure for the lapel of the 'Resurrection' coat," I said, tossing the crimson swatch back onto the table. "Tell them I want the double-faced wool blend. If they can’t deliver by Friday, tell them Veronesi is moving our contract to their rivals in Tuscany." Sofia blinked, her pen hovering over her tablet. "But... that’s a ten-million-euro contract, Ma’am. The Santoro distribution line handles their shipping. If we cut them off—" "The Santoro name doesn't carry weight in this office anymore, Sofia," I interrupted, looking her dead in the eye. "Not today. Not ever again." The office door burst open before she could respond. My father, Matteo Veronesi, walked in. He was sixty, with silver hair and a suit that cost more than a mid-sized car. He looked at me, then at the half-dozen sketches pinned to the corkboard behind me. "You really did it," he said, his voice a mixture of pride and genuine shock. "I got the call from Nikolai’s father an hour ago. He sounded like he was having a stroke." "He should see a doctor, then," I replied, taking a sip of the bitter coffee. "I’m busy, Papa. The Autumn show is in six weeks and I’ve wasted three years on a man who doesn't know the difference between silk and polyester." Matteo walked over to the board, touching one of my sketches—a structured blazer with sharp, aggressive shoulders. "He’s calling it a tantrum. He thinks you’ll be back by the weekend. He told his board that you just need to 'cool off' after some domestic spat." I felt a flash of heat in my chest—not of hurt, but of cold, calculated fury. "Let him think that. The longer he stays arrogant, the harder he’ll hit the ground when the three-month mark hits." My phone, sitting on the cutting table, began to vibrate. Nikolai. The name on the screen looked like a stain. I didn't answer. I didn't even silence it. I just watched it dance across the wood until it went dark. Ten seconds later, it started again. And again. On the fourth attempt, I picked it up and swiped 'Accept.' "I'm working, Nikolai," I said, not bothering with a greeting. "Where the hell are the keys to the safe in the study?" His voice was a jagged edge, vibrating with a frustration he clearly couldn't contain. I could hear the background noise of the mansion—the clinking of china, the muffled sound of Micah’s voice. "And why is your lawyer calling my office about a 'separation of assets' regarding the Milan penthouse? That was part of my wedding gift." "Correction: it was a gift to us," I said, stepping away from my father to get some privacy. "And since I’m the one who actually uses it for work, I’m keeping it. The keys to the safe are exactly where they should be—with the locksmith. I had the codes changed this morning." "Rachelle, enough of this theater!" he roared. I could picture him now: pacing the study, his face flushed, the veins in his neck bulging. "You made your point at dinner. You humiliated Micah. You embarrassed me in front of my parents. Now, pack your things and come back before this gets out to the press. I’m willing to overlook the 'divorce' nonsense if you apologize to Micah." I let out a short, dry laugh. It was a sound of pure disbelief. "Apologize? To the woman who is carrying a child that isn't yours? You’re even more delusional than I thought, Nikolai." "Don't you dare bring that up again," he hissed. "Micah is distraught. She’s been crying all night. She explained everything—Ambrose was there to help her with a surprise for me. Your jealousy is making you pathetic." "Jealousy?" I leaned against the window, looking out at the city I was about to conquer. "Nikolai, you confuse jealousy with observation. I don't want you. Therefore, I cannot be jealous of what you do with your life. I’m simply informing you of the truth so you don't look like a fool when that baby is born with the Peregrini jawline." "Rachelle—" "I have a board meeting in ten minutes. If you want to talk about the safe or the penthouse, call my lawyer. If you want to talk about your feelings, call a therapist. Goodbye, Nikolai." I hung up and turned the phone off completely. My heart was thumping, but not with fear. It was the adrenaline of the hunt. "He’s not going to let go easily," my father warned, crossing his arms. "The Santoros need our prestige. Without the Veronesi link, their luxury distribution wing is just a shipping company with a fancy logo." "Then they better start practicing their logistics," I said, picking up my charcoal pencil. "Because I’m not just divorcing him, Papa. I’m going to outshine him so brightly that he becomes a footnote in my biography." The rest of the morning was a blur of high-stakes decisions. I met with the head of marketing, scrapped the old, "soft" campaign, and demanded something "dangerous." I wanted the Veronesi woman to look like she could kill a man with a glance and buy his company with a signature. Around 2:00 PM, a delivery arrived at the office. Not flowers—Nikolai knew I hated the cliché. It was a box from a high-end jewelry boutique. Inside was a necklace I had mentioned liking a year ago. A peace offering. I didn't even take it out of the box. "Sofia!" I called out. "Yes, Ma'am?" "Take this to the reception. There’s a girl there, the one who works the morning shift. What’s her name? Elena?" "Yes, Elena." "Give this to her. Tell her it’s a bonus for being on time." Sofia’s eyes went wide as she saw the sparkle of the diamonds. "But... this is a Santoro piece. It’s worth thirty thousand euros." "Then she can sell it and pay off her student loans," I said, turning back to my sketches. "To me, it’s just lead weight." By the time the sun began to set, painting the Milan skyline in shades of bruised purple and gold, I felt a sense of peace I hadn't known since I was twenty-six. I was tired, yes, but it was the good kind of tired—the kind that comes from building something real. I walked out to my car, my security detail following at a respectful distance. As I stepped onto the sidewalk, a familiar silver sports car screeched to a halt at the curb. The door opened, and Nikolai stepped out. He looked disheveled. His tie was loose, his hair was messy, and for the first time in my life, I saw a flicker of something that looked like desperation in his eyes. "We aren't done," he said, stepping into my personal space. The scent of him—sandalwood and expensive tobacco—tried to trigger a memory of intimacy, but I felt nothing but a cold void. "I think we are," I said, looking up at him. I didn't back away. "You have eighty-nine days left of being my husband, Nikolai. Use them to get your story straight. Because when the clock hits zero, I’m taking everything that actually matters." "You think you’re so strong now because you're back in your father's house," he spat, his voice trembling. "But you’ll realize soon enough that the world isn't as kind as your sketches, Rachelle. You’ll come back." "Don't hold your breath," I said, stepping into my car. "It’s bad for the complexion. And you’re going to need to look your best for the cameras when the scandal breaks." As the car pulled away, I looked in the rearview mirror. Nikolai was standing alone on the sidewalk, a small, dark figure dwarfed by the towering empire of the woman he thought he could own. The arrepentimiento hadn't started yet. Not truly. He was still in the "anger" phase. But I knew the cycle. Soon would come the bargaining. Then the depression. And finally, the crushing realization that he had traded a diamond for a piece of glass. I leaned back against the leather seat and closed my eyes. For the first time in three years, I wasn't dreaming of his love. I was dreaming of the runway.POV RACHELLEThe mountain wind shrieked, a predatory sound that tore at my coat and threatened to pull me over the jagged edge of the ravine. Below the twisted guardrail, Nikolai’s car groaned—a sound of dying metal that made my stomach churn. The headlights flickered, casting long, sickly shadows against the snow."Don't come any closer, Rachelle!" Nikolai’s voice was wet, broken by a cough that sounded like it was tearing his lungs apart. "The ground... it’s shifting."I ignored the firefighter who tried to grab my arm. I crawled toward the edge, my knees sinking into the slush and ice. I didn't care about the designer wool or the cold. I only cared about the leather-bound book clutched in his trembling hand."Give it to me, Nikolai!" I shouted over the wind. "Throw it!""I can't... my shoulder is pinned." He turned his head, and the sight of him made me gag. Blood was a dark mask over half his face, and his pupils were blown wide with shock. "The glove box... I jammed it in there s
POV RACHELLEThe air in the Swiss Alps didn’t just feel cold; it felt thin, like it was stripping away the last of the lies I had lived for three years. I sat across from my uncle Lorenzo in the private cabin of the mountain train, my eyes fixed on the snow-capped peaks of St. Moritz."She doesn't know you're coming," Lorenzo said, his voice barely audible over the rhythmic hum of the tracks. "She thinks the pact is still in place. She thinks you are still trapped in that house, playing the part of Nikolai Santoro’s doll."I looked down at my hands. I wasn't wearing my wedding ring anymore. Instead, I wore a charcoal wool coat from my own winter collection—sharp lines, reinforced shoulders. I looked like a woman who owned the world. But inside, I felt like the nineteen-year-old girl who had stood by an empty grave, screaming into the rain because her mother was gone."Why did my father do it, Lorenzo? He loved her. I remember the way he used to look at her.""Matteo loved her, yes. Bu
POV RACHELLEThe man standing in the dimly lit hallway of the Santoro villa didn’t look like a ghost. Ghosts were supposed to be ethereal, translucent things that faded with the dawn. This man was solid. He wore a charcoal wool overcoat that smelled of rain and expensive tobacco, and his eyes—a piercing, icy blue—were a mirror of my own."Who are you?" I whispered, my voice caught in the back of my throat.Nikolai had collapsed back into his leather chair, his head in his hands. Micah was a heap of sobbing silk on the floor, ignored by everyone. The world had narrowed down to this stranger and the heavy silence between us."My name is Lorenzo Nespola," the man said. His voice was melodic, with a heavy Milanese accent that carried the weight of decades. "I am your mother’s brother. Your uncle, Rachelle.""My mother is dead," I snapped, the old grief flaring up like a fresh wound. "She died in a car crash when I was nineteen. My father buried her.""Your father buried an empty casket an
POV RACHELLEThe scent of iron and ozone filled the pristine white atelier. Ambrose Peregrini, the man I had spent years despising from a distance, was leaning against my cutting table, his designer shirt ruined by a blossoming crimson stain."Ambrose?" I stayed behind the safety of my drafting desk, my hand hovering over the silent alarm button. "What is this? If this is another one of Micah’s games—""It’s not a game, Rachelle," he wheezed, sliding down to the floor. "Nikolai… he saw us. He didn’t just see the photos. He followed us to the warehouse. He heard everything."My heart hammered against my ribs like a trapped bird. "He heard what?""That the baby isn't his. That the fire… the one four years ago…" Ambrose coughed, a grimace of pain twisting his handsome, shallow face. "He found the original ledger. The one Micah told him was destroyed. She’s been blackmailing me for years, Rachelle. She told me if I didn't play along, if I didn't help her stage that 'rescue' in the smoke,
POV RACHELLEThe silence of the Milan penthouse was a luxury Nikolai Santoro had never understood. He liked noise—the roar of engines, the clinking of crystal, the sycophantic laughter of board members. To him, silence was a vacuum that had to be filled. To me, it was the sound of my own thoughts finally being allowed to breathe.I stood in the center of the living room, surrounded by half-packed crates. This apartment had been our "neutral ground," a sleek, glass-walled sanctuary overlooking the Duomo. Now, it was a crime scene of a dead marriage.I wasn't taking much. Just my drafting table, my library of textiles, and a single painting that had hung in the hallway—a chaotic, abstract splash of gold and charcoal that I’d bought before I ever met Nikolai.I was reaching for a roll of packing tape when the front door chime echoed through the foyer. I didn't have to look at the security monitor to know who it was. The rhythm of the knock was impatient, possessive."I told you to call m
POV RACHELLE The sunlight in the Veronesi tower was different from the sunlight at the Santoro estate. In Nikolai’s mansion, the light felt filtered, gray, as if the heavy velvet curtains were mourning a joy that never existed. But here, on the 42nd floor of the glass-and-steel monolith my father built, the sun was a blade. It reflected off the white marble floors and the chrome mannequins, blindingly bright. I stood in the center of the atelier, a cup of black espresso in one hand and a charcoal pencil in the other. I hadn't slept. Not a wink. But I didn’t feel tired. I felt electric. "Rachelle, the swatches from the Como mill are here," my assistant, Sofia, whispered. She was twenty-four, ambitious, and currently looking at me like I was a ghost that had suddenly decided to start haunting the living. I didn't blame her. For three years, I had been the silent director who sent notes via email, the woman who stayed in the background to avoid "embarrassing" my husband with my ambi







