LOGIN
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Lover by Design is the sequel to Bride by Default and begins six months after Sienna and Adrian’s story.
While this book follows Celeste Hartwell and Michael Harbinger as the main couple, it continues the conspiracy, characters and events introduced in Bride by Default. For the best reading experience, I recommend reading Book One first.
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Celeste
His mouth was on the inside of my thigh, and I still didn’t know his name.
That was the point. The whole point.
I hadn’t come to The Veil to be courted. I didn’t want candlelight, or a man deciding I was special, or the soft violence of being chosen. For six months the world had made me a story about being left. Tonight I wanted one hour that belonged to me and to no headline.
He’d let me set every step of it. That undid me before his hands did. In the gold dark of the private room he had waited, watching me through that plain black mask, steady and unhurried, until I closed the last of the distance myself. Until I was the one who pushed him back onto the bed.
Now he was rewarding me for it.
He spread me open and took his time, slow, deliberate, learning what made me lose the rhythm of my own breathing and then doing exactly that until my fingers knotted in his hair. He didn’t rush toward anything. He read me the way I read rooms, catching every shift, every sound I tried to swallow, and he used all of it against me.
The mask covered his face from forehead to cheekbones. Mine did the same. I had no idea what colour his eyes were, what he did for a living, whether he owned the obscenely expensive watch I’d noticed downstairs or had stolen it from someone richer.
The Veil took our phones at the door. No photographs. No names. Private rooms booked through encrypted membership credentials. Half the people downstairs could probably destabilise a small country before breakfast, yet everyone had agreed to spend the evening pretending they had no surnames.
For once, mine wasn’t Hartwell.
I wasn’t the woman Adrian Swift had abandoned at the altar.
I wasn’t the woman whose sister he’d married instead.
Nobody here wanted a statement about whether Sienna and I had reconciled.
Nobody pitied me.
Most importantly, this man hadn’t asked a single question about my life.
“Tell me what you want,” he said against my skin.
I lifted my head.
“If you’re waiting for applause, I’m busy.”
“Tell me what you want.”
“You were doing perfectly well.”
He gave it to me until my spine arched off the sheets and I had to bite down on the sound.
When I couldn’t stand it any longer I pulled him up the length of my body. He let me roll him onto his back. His hands settled on my hips when I straddled him. He didn’t move me. He waited.
I lowered myself onto him. The stretch made me stop halfway. His fingers tightened once.
“You good?”
“Yes.”
I sank the rest of the way.
Very good.
I set the pace. He let me, met it stroke for stroke, and his eyes never once left my face. I rode him until the room shrank to heat and friction and the low, rough sounds he made when I moved just so.
Until pleasure made control less interesting. Then he rolled me beneath him and drove into me harder, one hand under my thigh, his mouth against mine.
“Still doing well?”
“Fuck you.”
“That’s currently happening.”
I laughed against his mouth.
Then his hand slipped between us and I stopped laughing. He found me with his thumb, and I came apart around him. My orgasm arrived hard enough to tear a sound from me I would deny producing in any court with competent legal representation.
He watched me through it.
That should have made me self-conscious. Instead, I dragged him closer.
“Your turn.”
He came seconds later, face buried against my neck.
Neither of us had a name to shout in that moment. That was the best part. Nobody was making love to or simply fucking Celeste Hartwell. Nobody was doing anything to Celeste Hartwell at all.
There was only the mask. Only me, and everything I’d walked in there to take.
Afterward we lay in the dark and promised each other nothing.
He traced one idle line down my spine. I let him. Then I got up, found my dress, and left first, because leaving first was mine too.
Out on the wet street, my phone back in my hand and my real name waiting inside it, I felt something I hadn’t touched in half a year.
Triumph.
For once, no one would turn this into a story about me.
***
The next evening I put on a silver gown and my public face and walked into the Whitmore Foundation gala to remind London I was still standing.
That was the plan. Cameras, society press, a livestream, a careful interview in which I’d be gracious and unbothered and entirely uninterested in my own scandal.
Sienna offered to come. I told her no. This one I did alone.
The interviewer had warm eyes and a cruel job. “Celeste, a lot of people have wondered how you’ve coped this year. Has public humiliation made you stronger?”
“I think it’s made me less tolerant of questions about public humiliation.”
She laughed. The room laughed. I had them. This was my comeback. Controlled. Elegant. Mine.
Then the phones started.
One, then a dozen, then a ripple of light across two hundred faces, all tilting down, all catching the same thing in the same second. I’ve spent my life reading rooms. I know the exact shape a crowd makes when it turns.
Behind the stage, the screens meant for the charity montage went black.
Then they filled with me.
Masked, yet recognisable. Unmistakably me. Bare-shouldered. A man’s hands on me in the gold dark of a room that was supposed to stay sealed forever.
You couldn’t see his face. You could see everything of mine that counted.
Someone gasped. Someone else laughed, and that was worse.
The footage cut. In its place a bank record bloomed across every screen, clean and enormous and impossible to argue with.
£250,000 paid by Vesper Holdings to Celeste Hartwell Consulting.
An account I’d forgotten I owned. A number I had never seen.
The interviewer’s warm eyes flattened into hunger. Before she could speak, a man near the front stood and shouted the question that would follow me for months.
“Celeste, were you with Sebastian Huxley last night?”
The name meant nothing to me. Someone shoved a phone into my sightline, a photograph, a silver-haired man in a tuxedo, handsome and married, smiling at some other gala on some other night.
I had never seen him before.
This was not the man from The Veil. I was certain of it the way I’m certain of my own name.
I opened my mouth to say so.
Then the screens changed one last time.
BREAKING: Vesper Holdings’ Billionaire Financier Sebastian Huxley found dead.
The room went silent. Two hundred people held a single breath.
And through that silence, unhurried, certain, two police officers began walking toward me.
MichaelThe lawyer they sent me was very good, which is how I knew he was Ferrand’s.He arrived with the right credentials and the right manner and a card from a firm with the right kind of name, and he sat across the interview table from me and explained, in the smooth deniable language of compromised legal channels, that my situation was not as hopeless as it looked.“There’s a path,” he said. “For a man willing to be reasonable.”“Go on.”“The evidence against you is substantial. The footage, the historical operations, the Huxley connection. A conviction is, I’d say, all but certain, given how the case has been assembled.”He said it without inflection, a man reading a weather report on a storm he’d helped seed.“But evidence is a fragile thing. Items get excluded. Witnesses reconsider. Footage develops chain-of-custody pro
CelesteThe arrest of Michael Harbinger was global news within the hour, because Ferrand doesn’t do anything without arranging for the world to watch it.I watched it break across every screen I owned, the story arriving fully formed, the way Ferrand’s stories always arrive, no rough edges, no journalistic uncertainty, just a clean narrative sliding into place as if it had always been true.They had a new headline for me, because of course they did. Not the prostitute. Not the blackmailer. Something that folded both old stories into the new one and made all three retroactively inevitable.The disgraced Hartwell sister and the rogue operative. Lovers and conspirators. A woman who’d sold herself and then bled her lover, and a shadow-man who did her killing, the two of us a criminal partnership all along, and Huxley just the first body between us.It was elegant. It made everything I’d suffered this ye
MichaelI want to be precise about why I put my hands out, because the romantic version is a lie and I’ve done enough lying to last me.I could have run. That’s not bravado, it’s inventory.I had three exits from that flat before the officers reached the second floor, a vehicle two streets over, a boat forty minutes from here, four false identities that would survive serious scrutiny and a fifth that would survive anything, and enough money moved to enough places that I could have been a different man on a different continent by morning. Escaping was never the hard part. Escaping is the one thing I have always known how to do.I didn’t run for exactly one reason, and it wasn’t love, or not the kind that looks good in the telling.If I ran, Celeste was finished.She’d just walked out of that building twenty steps ahead of my arrest. If Harbinger vanishes the instant the police arri
CelesteNeither of us spoke for a long time.The file glowed between us. He didn’t move to take it, didn’t reach to explain, didn’t do a single one of the things a guilty man does. He just stood in the doorway and let me hold the worst of him and waited, because he’d decided, somewhere, to stop managing even this.“You didn’t lock it,” I said finally.“No.”“You knew I’d look. You left so I could.”“Yes.”“Why?”“Because you asked me once to stop deciding what you’re allowed to know, and the file is the biggest thing I ever decided you couldn’t handle.”He stayed where he was, keeping the distance, which I understood was a courtesy.“If I’d hidden it, or deleted it, or gotten to it before you did, I’d have been doing the exact thing again, protecting yo
CelesteI’d seen the file. That’s what Anne didn’t know, and it’s what made her parting shot land soft where she’d meant it to cut.Ask to see the file he made about you. I already had.Or I thought I had.What I’d seen, that grey morning that ended us the first time, was the top of it. The fact of it. HARTWELL, C. Assessment, and enough of the contents to understand that he’d modelled me, and then I’d stopped reading and turned on the light and woken him and burned the whole thing down, because I’d seen enough to break, and you don’t keep reading once you’ve broken.I never finished it. That’s the thing Anne’s comment put its finger on, gently, deliberately, the way she does everything.There was more. There was always more.And in the weeks since, I’d told myself I knew what was in it because I knew the shape of it, and I&rs
MichaelShe came back from Anne intact, which was the only thing I’d let myself want while she was gone, and she came back with a location, which was more than I’d dared hope for.“There’s a gathering,” she said, laying it out the moment she was through the door, still wearing the cool composure she puts on for Anne. “Ferrand’s inner circle. The coordinators. A working meeting, not a party, which means it’s where the real machine assembles instead of the decorative version. She gave me the place and the date thinking she was luring me over. She gave us the one thing we’ve never had. A time and a place where Ferrand’s whole operation stands in one room.”It was extraordinary work, and I told her so, and she took the praise the way she takes everything from me now, with a small nod that acknowledges the fact without warming to the source.But she was holding somethin







