Partager

Chapter Five:

last update Date de publication: 2026-06-16 18:55:50

The cedar and sharp, expensive cologne that has become one of the most familiar things about this penthouse hits her first when she walks into the living room. Tom Ford Oud Wood. He is standing at the floor-to-ceiling windows with his back to her, looking out at the city. When he turns and sees the amber silk dress she picked from the wardrobe he provided, the compliment comes out flat and direct the way his compliments always do.

"If I knew you were going to look this beautiful in that color, I would have banned you from wearing anything else inside this penthouse."

No build-up. No performance. Just that.

Her cheeks go red. The intensity in his ice-blue eyes startles her, and she takes a quick step back without meaning to, nearly walking into the corner of the marble console table behind her. He lets out a low, quiet laugh at that.

"You are always watching me so closely," she says.

"You are the only person who can pull my attention away from my work," he says. "So I have to stay on high alert whenever you are in the room."

The back-and-forth settles something in her chest. It always does. She has come to rely on this banter in a way she did not expect when she first arrived.

She looks at him standing there in the morning light. Three weeks ago he was a man with a contract and ice-blue eyes that gave nothing away. Cold. Controlled. A transaction. She wonders if this is who he has always been underneath all of it, the version he keeps private, and the ice sculpture something he wears for the outside world. She hopes so. After what Derek and Marcus put her through in Chicago, she could not have survived being trapped in this penthouse with another version of that for twelve months. 

That night in the kitchen comes back to her. The way he pulled back. Closed her robe with careful fingers. Handed her the tea and sent her to bed when he could have taken what he wanted. She did not know everything about him yet, especially whatever was buried in his South Chicago past, but she felt safe around him. After everything, that was the only thing that mattered.

"Are you ready to head to the gallery opening?" he asks, interrupting her thoughts.

She nods.

"I have the full evening planned. Tonight is our first official public appearance together. I want to make the most of how we present publicly. My instincts tell me the media and the high-society crowd will be watching closely tonight, especially after the mess with your family."

"I am ready," she says.

Thirty minutes later they arrive at the crowded Chelsea gallery. Sophia is not surprised that Alexander looks sharp regardless of what he is wearing. He offers her his arm.

"Ready to face the room?" he asks.

She takes it. "Yes."

Internally she notices she is genuinely excited to be spending the evening next to him. That feeling is new. She had not been this excited for anything in a very long time.

Inside, the space is packed and expensive in the way that makes people speak more quietly than usual. The curators walk guests through a collection of modern abstract paintings. Somewhere in the back, a classical string trio plays soft ambient music. A staff member hands them both white wine. Three society women nearby are talking in the loud whispers of people who want to be overheard.

Then Sophia spots Derek Hale.

He is standing a few feet away with a champagne glass in his hand, staring straight at her. But something is different this time. Instead of feeling the old freeze start in her throat and her chest, she feels her anger kick in fast and hot. A hard desire to stand her ground curls low in her belly.

She steps into Alexander and locks her arm through his, her shoulder pressing against his chest, her body aligning with his dark suit. She is fully aware of how it reads in a public room like this. She does not care.

Alexander leans close. "The board members are watching," he tells her quietly. "Which means there are probably paparazzi somewhere in the room."

She whispers back, "I am not doing this for the cameras."

The air between them shifts instantly. His hand grips her waist, rough and firm through the fabric of her dress.

"You are playing a dangerous game," he says, low enough that only she can hear. "Be very sure you know what you are asking for."

She looks up at him. Holds his stare. "The moment I signed that contract, I sealed my fate. I knew exactly what I was doing."

He turns her around to face him fully. His ice-blue eyes are hard and direct, like a dare. She holds the stare but takes a small step back, and her lower back hits the low iron railing of the gallery balcony. She grips it and keeps her eyes on his, refusing to be the first one to look away.

He says her name. Just that. "Sophia." It sounds strange in a public space. Too personal. Like something that was only supposed to exist between the two of them.

"Do not let yourself get swept up so easily. It makes you easy to manipulate. Only say things you actually mean, or I might misunderstand and cross a line."

He reaches out and touches her cheek lightly as he says it, the slow, careless way you would touch a child. Condescending. 

She slaps his hand away and glares at him, genuinely offended. The words are right on the tip of her tongue; she meant every single word, and she is more than capable of deciding that for herself when her phone vibrates hard inside her clutch.

She opens it. There is an unsigned encrypted message. It has a clear photograph of the Chicago store where she bought her mother's funeral dress. Below the photo, one line of text in Derek's exact style: Did you think his glass tower could keep me out, Sophia? I am closer than you think.

Her face changes completely. Alexander sees it before she can hide it. His grip tightens hard over her hand on the railing.

"Who is messing with your phone, Sophia?"

Continuez à lire ce livre gratuitement
Scanner le code pour télécharger l'application

Dernier chapitre

  • OWNED BY MY EX'S GODFATHER   EPILOGUE:

    Six Months Later: SeptemberShe finds the charcoal on a Tuesday.I have been watching her find things for six months. The specific quality of her attention when something new enters her radius, the stillness before the reach, and the complete focus of someone for whom every object is still a question that requires investigation. She finds things the way her father finds things, which is with the patience of someone who does not need to rush toward what interests them because they are confident it will still be there when they arrive, but this is different.I left the charcoal on the low table beside the couch. Not deliberately. Or not entirely deliberately. The way I leave sketchbooks on the kitchen counter is not quite an accident and not quite intentional but something in between, the specific gesture of a person who wants to see what happens without engineering the outcome.She is on the blanket on the floor in the September afternoon light.She has been sitting up for six weeks wi

  • OWNED BY MY EX'S GODFATHER   Chapter One Hundred:

    The city is doing its 4 in the morning version of itself. I have been awake since Claire woke at three for feeding and went back down with the specific completeness of someone who has registered what she needed and filed the rest. She sleeps the way Sophia sleeps, fully, without reservation, with the specific quality of someone who has decided the room is safe and has therefore released every other concern.I should be asleep.I am on the couch in the dark with the lamp on its lowest setting and the city below doing what it does and the paintings on the wall doing what they do in low light, which have become suggestions of themselves, the shapes present without the detail, and CB in every corner just visible if you know where to look.Sophia comes out of the bedroom at 4:12. She does not say anything. She looks at me on the couch, registers that I am awake, and goes to the kitchen. The sound of water. The kettle. She comes back with two cups and sits beside me with the specific unhurr

  • OWNED BY MY EX'S GODFATHER   Chapter Ninety-Nine:

    We brought her home on Thursday.The penthouse receives us back in the specific way that spaces receive people who have been somewhere significant and have returned changed. The same floor-to-ceiling windows. The same city below is doing what it always does. The paintings on the wall. CB in every corner.All of it is the same.All of it is different.Thomas drives carefully, which he always does, but today with the additional care of someone who understands what is in the back seat. Alexander beside me. Claire is in the carrier between us, which I insisted on rather than the seat because I cannot yet be three feet from her without my body registering it as incorrect. She sleeps the whole way.The specific quality of newborn sleep, which is total and without reservation, is the sleep of someone who has no reason yet to be anything other than completely at rest. She makes small sounds occasionally, the sounds of someone dreaming without yet having material for dreams, just the interior

  • OWNED BY MY EX'S GODFATHER   Chapter Ninety-Eight:

    She wakes me at three seventeen on a Tuesday morning, not dramatically. She puts her hand on my arm in the dark and says my name once, quietly, with the specific quality of someone who has been awake for a while and has been deciding the right moment to say it.I am awake immediately and completely. The specific alertness of someone whose body has been waiting for this moment for weeks and recognizes it without needing to be told. "Yes," I say."It is time," she says. Two words. The simplest possible sentence. The most significant thing said in this room since June fourteenth.I sit up. Look at her in the dark. She is sitting on the edge of the bed with the specific composed quality she brings to things that require her full self, not afraid and present. The specific quality of someone who has been preparing for this and is now simply in it. "How long?" I say."An hour," she says. "I was timing before I woke you. Eight minutes apart." She pauses. "I wanted to be certain before I said

  • OWNED BY MY EX'S GODFATHER   Chapter Ninety-Seven:

    March fourteenth arrives without me.I know it is happening. I feel it the way you feel things that matter even when you are not in the room where they are happening. The Whitney opening. My mother's work on the fourth floor in a room that can hold it. The staircase with the two window drawings. The handwriting series on the fifth floor. CB in the corner of everything.I am in the penthouse.Alexander left at five for the pre-opening setup, which Clara required him to attend because he is, as she put it, the reason the foundation exists and the reason the fourth floor has anything in it and the least he can do is be present when it opens. He kissed my forehead before he left. He did not say anything. He has learned when words are the wrong tool.I am on the couch with my sketchbook and Edmund's poem in my hand, the one for the child, which I took from the desk drawer this morning and have been holding since six.You are not the beginning.You are what all the beginning was for.The Ma

  • OWNED BY MY EX'S GODFATHER   Chapter Ninety-Six:

    March arrives on a Sunday.I wake before Sophia. This is not unusual. What is unusual is the specific quality of the waking, the particular alertness of someone whose body knows something significant is close and has decided to be ready for it. I lie still.The March light came through the curtains. Different from February. More confident. The specific quality of a month that has decided to stop being winter and has not yet fully committed to being spring but is moving in that direction with increasing certainty.Sophia breathes beside me. Twenty-eight weeks. Three weeks from the due date. The specific quality of these final weeks that is different from everything before them is the waiting with the particular texture of something that is both imminent and unhurried, time moving at its own pace regardless of how you feel about it.I look at the ceiling. March fourteenth is in thirteen days. The Whitney opening. The due date is the twenty-first. Twenty days, both things in twenty days.

  • OWNED BY MY EX'S GODFATHER   Chapter Four:

    I cannot sleep. Again. It is becoming a pattern, and I do not know how to break it. Midnight comes, and I am wide awake, staring at the ceiling, thinking about Derek and the gallery and the way Alexander held his hand at my back like he was holding me in place. Like he wanted me there. Not because

  • OWNED BY MY EX'S GODFATHER   Chapter Three:

    I wake to sun streaming through the floor-to-ceiling windows and have no idea what time it is. I reach for my phone. Ten thirty. I have not slept past eight in years. I sit up and look around the room. My room. In Alexander Kane's penthouse. This is real. This is actually happening.I get out of be

  • OWNED BY MY EX'S GODFATHER   Chapter Two:

    The penthouse is silent. I stand in the entrance hall with my suitcase at my feet and Alexander three steps behind me, and I try to catalogue what I am seeing. Floor-to-ceiling windows. Grey walls. Charcoal furniture. Everything clean and expensive and impersonal except for a single photograph on t

  • OWNED BY MY EX'S GODFATHER   Chapter One:

    "Miss Bennett," he says. "Mr. Kane is waiting for confirmation."I look at the contract. One year. Total compliance. My body, my time, my obedience written out in clean legal language that makes it sound reasonable. The clock on Alexander Kane's kitchen wall reads 2:17 a.m., and I have been sitting

Plus de chapitres
Découvrez et lisez de bons romans gratuitement
Accédez gratuitement à un grand nombre de bons romans sur GoodNovel. Téléchargez les livres que vous aimez et lisez où et quand vous voulez.
Lisez des livres gratuitement sur l'APP
Scanner le code pour lire sur l'application
DMCA.com Protection Status