LOGINANNA POV
“Where are the 2019 ledgers?” I whisper to myself, sliding another heavy metal drawer open in the sub-basement archive of Voss International.
The fluorescent bulbs overhead flicker with a low, annoying hum. I’m deep beneath the main tower, surrounding myself with dusty banker boxes and cold concrete walls. I’m looking for the physical paper trail connecting my father, Richard, to Victor Kane—the paper records Richard assumed were shredded five years ago.
My fingers stop on a thick black leather portfolio tucked behind a stack of corporate tax audits.
I pull it out into the dim light. Printed across the front cover in silver foil is a single label: J. Morrison—Asset Assessment.
Jack Morrison. My ex-fiancé.
My heart hammers wildly against my ribs as I flip the heavy binder open.
Inside are dozens of high-resolution surveillance photographs of Jack taken at a underground casino in Atlantic City. Below the photos are detailed financial summaries of his personal bank accounts, highlighting three hundred thousand dollars in unpayable gambling debts to offshore lenders.
Then my eyes land on a yellowed memo sheet stapled to the first financial summary.
The handwriting is undeniable. It’s written in Peter’s sharp, precise, architectural script, every letter tilted with flawless mathematical accuracy.
“Subject is financially compromised. Vulnerable to recruitment. Recommend monitoring.”
My blood turns to liquid ice in my veins.
I drop to my knees right on the freezing concrete floor, the rough paper slipping between my trembling fingers. I read the date at the top of Peter’s memo again and again, my brain refusing to process the numbers stamped into the header: April 14th.
April 14th was six full weeks before I met Jack at the gallery opening.
Peter knew.
He knew Jack was completely broke, deeply compromised, and drowning in debt before Jack ever said hello to me. He knew my father was actively searching for a desperate puppet to target me, ruin my mother’s firm, and control my family trust.
Peter didn’t just fail to protect me. He stood on the wall like a cold sentinel, pulled out a notepad, and took detailed notes while my father set the bear trap right in front of my feet.
“You watched,” I choke out into the empty, silent basement, a raw tear burning down my cheek before I angrily wipe it away with the back of my hand. “You sat in your office and watched him wreck my life.”
I pull my phone from my pocket, my fingers suddenly going completely steady, completely cold. I line up the camera lens and photograph every single page, every surveillance shot, and every line of Peter’s handwriting.
This hurts a thousand times worse than Jack’s betrayal. Jack was just a cheap coward bought with a stack of hundred-dollar bills. But Peter was the man I trusted to help me burn Richard to the ground.
I flip to the very back of the portfolio, expecting another set of bank statements, but a loose sheet of ivory paper falls onto my lap.
It’s another handwritten note in Peter’s script, clipped directly to Jack’s debt breakdown:
“Elena Vostok has expressed interest in the Morrison situation. Do not involve her. Too volatile.”
A cruel, bitter laugh escapes my throat.
He protected Elena. Three years ago, when my world was falling apart and Jack was invading my life, Peter took extra precautions to keep his elegant fiancée safe from the ugly, dirty corporate war. He shielded Elena from the mess while throwing me directly into the dark pit to see if I would sink or swim.
I fold the ivory paper, slide it back into the leather binder, and push the portfolio back into its exact position inside the file drawer.
I stand up, walk out of the archives, and head straight into the executive restroom on the lower level.
I collapse over the porcelain sink and throw up everything in my stomach.
I turn the cold water faucet on full blast, cupping my hands and splashing ice-cold water directly over my face. I wipe my skin dry with a paper towel and look up into the illuminated mirror above the vanity.
The weak, heartbroken girl who cried in Peter’s car after Jack’s betrayal is gone. Her eyes are completely dead, her lips set into a sharp, rigid line. Someone cold and unyielding is staring back at me.
I pull my phone back out, opening a direct text thread with Peter.
Found the Kane files. Meet at the boathouse. 10 PM. Alone.
I don't mention Jack’s portfolio. I don't mention his handwriting, his surveillance notes, or Elena’s name.
I want to look straight into his cold grey eyes when he lies to my face.
PETER POV“You sent for me,” I say, stepping into the cold air of the boathouse.Anna sits behind the wooden table near the water’s edge. The yellow light overhead cuts across the dark room, illuminating the spread of paper files Victor Kane gave us. But right in the center of the table sits another file. A black leather binder. My eyes fixate instantly on the white tab sticking out from the side, bearing my own sharp, architectural handwriting.I stop walking. My pulse stays flat, but my jaw locks tight.“Tell me about the asset assessment, Peter,” Anna says quietly, her voice entirely devoid of emotion.She doesn't raise her voice. She doesn't slam her hands on the table. She simply slides my three-year-old memo across the polished wood until it rests against my belt buckle.“Tell me about the lesson,” she adds, looking straight up into my eyes.I don't reach down to touch the paper. I don't flinch. I stand perfectly straight, keeping my posture rigid and my face completely unreadab
ANNA POV“Where are the 2019 ledgers?” I whisper to myself, sliding another heavy metal drawer open in the sub-basement archive of Voss International.The fluorescent bulbs overhead flicker with a low, annoying hum. I’m deep beneath the main tower, surrounding myself with dusty banker boxes and cold concrete walls. I’m looking for the physical paper trail connecting my father, Richard, to Victor Kane—the paper records Richard assumed were shredded five years ago.My fingers stop on a thick black leather portfolio tucked behind a stack of corporate tax audits.I pull it out into the dim light. Printed across the front cover in silver foil is a single label: J. Morrison—Asset Assessment.Jack Morrison. My ex-fiancé.My heart hammers wildly against my ribs as I flip the heavy binder open.Inside are dozens of high-resolution surveillance photographs of Jack taken at a underground casino in Atlantic City. Below the photos are detailed financial summaries of his personal bank accounts, hig
ANNA POV“I’m Elena,” the woman says, standing up the second I open my office door. “Peter’s fiancée.”She’s tall, blonde, and wearing a tailored European-cut suit that screams old money. She holds a sleek leather clutch in her hand, smiling at me with a polite, razor-thin expression that doesn't reach her bright blue eyes.My chest tightens so hard I forget how to draw air into my lungs.“He didn't mention you were coming,” I say, holding the door handle tight to keep my fingers from trembling.“So you’re the sister,” Elena says, stepping forward and taking her time looking me up and down like I’m a piece of cheap furniture. “Peter mentioned you when Richard married your mother. Though he didn't mention you were still living under his roof.”The word sister hangs heavy in the quiet office, spoken with a sharp emphasis that feels like an intentional stake in the ground.“I’m his business partner,” I correct her, walking past her to slide into the chair behind my oak desk. “Is there so
ANNA POV“How long were you planning to hide out down here?” I ask, pushing the heavy wooden door of the boathouse open.Three full days of dead silence. Three days of Peter hiding behind back-to-back corporate meetings, late-night office hours, and closed bedroom doors. He’s been systematically avoiding me ever since he punched Jack at the hotel bar.He sits on an overturned wooden crate near the edge of the dock, staring down at a faded photograph in his hand. The dim moonlight reflects off the dark water beside him, cutting harsh shadows across his sharp jawline.“I’m not hiding,” Peter says, his voice flat, dead, and entirely drained of emotion.“You haven’t looked at me in seventy-two hours, Peter,” I say, stepping across the dusty wooden floorboards until I’m standing right in front of him. “What is that?”He doesn’t answer with words. He simply holds up the photo Victor Kane gave him at the gala.I take the glossy photo, tilting it toward the pale moonlight. I trace the red tim
ANNA POV“Put the camera pen in the left side of your purse,” Peter says, his voice flat and clinical as he leans over my shoulder.We’re sitting in the back of his black utility van, parked two blocks down from the high-end hotel bar where Jack drinks every Thursday night. The plan is mine. I’m meeting Jack under the guise of an emotional breakdown. I’m going to pretend I’m considering taking him back, play the heartbroken ex, and push him until he admits on tape that Richard paid him to target me from the very beginning.Peter reaches out, his cold fingers brushing against my collarbone as he adjusts the micro-microphone clipped to my dress lining. His touch sends a sharp shiver straight down my spine, but his grey eyes remain totally detached, like he’s fitting a wire on a total stranger.“If he touches you, give the signal,” Peter says, his thumb lingering for a fraction of a second against my skin before he pulls back. “I’ll come in.”“You’ll blow our cover,” I say, taking a slow
ANNA POV“We aren't going to that gala,” Peter says, his voice flat, razor-sharp, and cutting through the quiet living room of his apartment.It's three in the morning. He sits behind his glass desk, papers and digital tablets spreading around him like a battle plan. He’s been digging into Victor Kane for six hours straight, his face pale and drained under the dim desk lamp. On the corner of his desk lies an old framed photo of him at seven years old—standing stiffly beside a smiling woman right before his mother disappeared from his life forever.“Victor knows something about my mother,” I say, stepping closer to his desk and folding my arms over my chest. “About why she really died five years ago.”“Your mother died in a car crash on Route 9,” Peter says, not even looking up from his laptop screen. “It’s a police record.”“So did Princess Diana,” I shoot back, my heart hammering against my ribs. “Doesn’t mean it was an accident.”Peter slams his laptop shut with a sudden, sharp crac







