LOGINPETER POV
“You sent for me,” I say, stepping into the cold air of the boathouse.
Anna sits behind the wooden table near the water’s edge. The yellow light overhead cuts across the dark room, illuminating the spread of paper files Victor Kane gave us. But right in the center of the table sits another file. A black leather binder. My eyes fixate instantly on the white tab sticking out from the side, bearing my own sharp, architectural handwriting.
I stop walking. My pulse stays flat, but my jaw locks tight.
“Tell me about the asset assessment, Peter,” Anna says quietly, her voice entirely devoid of emotion.
She doesn't raise her voice. She doesn't slam her hands on the table. She simply slides my three-year-old memo across the polished wood until it rests against my belt buckle.
“Tell me about the lesson,” she adds, looking straight up into my eyes.
I don't reach down to touch the paper. I don't flinch. I stand perfectly straight, keeping my posture rigid and my face completely unreadable.
“I knew Richard was looking for leverage against you,” I say, my voice steady and cold. “I knew Morrison was compromised before he ever approached you at that gallery.”
“You knew I was dating a plant,” Anna says.
“I suspected,” I answer.
“And you watched,” she says, her dark eyes locking onto mine.
“Yes,” I say smoothly. “I watched.”
Anna’s breath catches sharply in her throat, her chest rising fast under her sweater before she pulls herself back together.
“You were twenty-two,” I say, stepping closer to the table, letting my glacial tone fill the space between us. “You were reckless with your trust fund, reckless with your mother’s legacy, and reckless with your life. You were sleeping with a man you knew absolutely nothing about. You needed to learn that everyone in this world has a price, Anna. Especially the people who pretend to care about you.”
Anna lets out a laugh—a bitter, sharp sound that echoes off the wooden walls of the boathouse.
“A lesson?” she asks, her voice pitching up with a sudden, razor-thin edge. “You let me fall in love with a paid prostitute because you thought I was spoiled?”
“You weren’t in love,” I state coldly, looking down at her trembling hands. “You were performing love. There is a massive difference. I knew that if you got hurt, if you got burned by someone you thought was safe, you would harden. You would stop being a victim and become useful.”
Anna stands up so fast her wooden chair scrapes violently against the floorboards.
She steps around the table, stopping inches from my chest. The scent of her perfume hits my face, mixed with the damp chill of the lake water outside.
“Useful?” Anna whispers, her voice cracking right down the middle. “Useful like Elena? Useful like Lydia? I trusted you, Peter. In the closet at the gala. In the rain outside the office. I trusted you because I thought you were the only person in this entire cursed family who knew what it felt like to be played.”
She presses her palm against my dark suit jacket, her fingers clutching the fabric right over my heart.
“And all along, you were the dealer,” she chokes out, a single, hot tear finally slipping down her pale cheek.
“If I had warned you three years ago, you would have panicked,” I say, keeping my chest completely still under her hand, refusing to let her feel the rapid thudding of my pulse. “You would have run straight to Richard, demanding answers. You would have told him I was investigating his private accounts, and you would have blown my entire cover before I could secure the Singapore offshore ledgers. It was tactical.”
“It was cruel,” Anna says, her voice dropping into a dangerous, dark pitch.
“Yes,” I say, staring directly into her tear-streaked eyes without a single trace of hesitation. “It was cruel.”
I offer no apology. I make no excuses. I stand inside my own cold cruelty like a fortress of heavy steel, protecting the long-term plan above everything else.
ANNA POV
“We’re done with the pact,” I say, reaching down and pulling my leather bag over my shoulder.
I turn my back on him, stepping toward the heavy boathouse door.
Before my hand can reach the iron handle, Peter moves. His tall frame cuts through the shadows, his large, calloused fingers wrapping tightly around my upper arm to drag me back into the room.
“We need each other,” Peter growls, his voice losing its calm, clinical edge for a fraction of a second. “You can’t take down Richard without my access to the board, and I can’t clear my mother’s name without your mother’s original firm records. We finish this.”
I stop moving. I don't fight his grip.
Instead, I slowly tilt my head down, staring at his bloodied knuckles gripping the soft sleeve of my jacket.
“Let go,” I say, my voice steady, flat, and lethal. “Or I will scream at the top of my lungs right now. The security guards will be here in thirty seconds, and Richard will come running straight down from the main house. Let's see whose cover blows then, stepbrother.”
Peter freezes.
His grey eyes darken, a storm of pure, restrained fury swirling behind his pupils. His fingers twitch against my arm, holding on for one brief, suffocating second longer before he abruptly releases me, stepping back a full pace.
“Get out,” he says softly.
I don't say another word. I turn the handle, push the heavy wooden door open, and walk out into the freezing night air.
I walk up the stone path toward the main estate without looking back once, my heels clicking loudly against the gravel. My chest feels completely hollow, the burning pain of his betrayal turning into a dense, unbreakable layer of ice around my heart. The naive girl who wanted a savior is completely dead.
PETER POV
The boathouse door slams shut, leaving me completely alone in the quiet darkness.
The hum of the lake water slapping against the wooden pilings beneath the floor fills the empty room.
I stand in the exact spot where she left me, staring down at the concrete floor. My chest heaves once, a sharp, jagged breath ripping through my lungs as I try to regain the total, unshakeable control I’ve maintained for five long years.
I walk back over to the table.
My eyes lock onto the three-year-old memo sheet resting beside the open leather binder. My own architectural script stares back at me: Subject is financially compromised. Vulnerable to recruitment.
I reach down and grab the paper.
I crush it inside my fist, squeezing the paper until my knuckles turn white and raw under the bandages Anna wrapped around my hand just hours ago. The urge to destroy it—to burn it, to tear it into a thousand tiny pieces and pretend I was never the monster who let her suffer—burns violently through my veins.
I bring my hand to the edge of the trash bin beside the desk.
My fingers loosen, but I can't let go.
I bring my fist back, slowly uncurling my fingers. I carefully smooth out the crushed, wrinkled paper against the flat wooden surface of the desk, pressing my palm down until every crease is flattened back out.
I can't destroy it.
I fold the wrinkled paper carefully along its original lines and slide it into the inside pocket of my suit jacket, resting it directly against my ribs.
I can't destroy anything that touched her.
PETER POV“You sent for me,” I say, stepping into the cold air of the boathouse.Anna sits behind the wooden table near the water’s edge. The yellow light overhead cuts across the dark room, illuminating the spread of paper files Victor Kane gave us. But right in the center of the table sits another file. A black leather binder. My eyes fixate instantly on the white tab sticking out from the side, bearing my own sharp, architectural handwriting.I stop walking. My pulse stays flat, but my jaw locks tight.“Tell me about the asset assessment, Peter,” Anna says quietly, her voice entirely devoid of emotion.She doesn't raise her voice. She doesn't slam her hands on the table. She simply slides my three-year-old memo across the polished wood until it rests against my belt buckle.“Tell me about the lesson,” she adds, looking straight up into my eyes.I don't reach down to touch the paper. I don't flinch. I stand perfectly straight, keeping my posture rigid and my face completely unreadab
ANNA POV“Where are the 2019 ledgers?” I whisper to myself, sliding another heavy metal drawer open in the sub-basement archive of Voss International.The fluorescent bulbs overhead flicker with a low, annoying hum. I’m deep beneath the main tower, surrounding myself with dusty banker boxes and cold concrete walls. I’m looking for the physical paper trail connecting my father, Richard, to Victor Kane—the paper records Richard assumed were shredded five years ago.My fingers stop on a thick black leather portfolio tucked behind a stack of corporate tax audits.I pull it out into the dim light. Printed across the front cover in silver foil is a single label: J. Morrison—Asset Assessment.Jack Morrison. My ex-fiancé.My heart hammers wildly against my ribs as I flip the heavy binder open.Inside are dozens of high-resolution surveillance photographs of Jack taken at a underground casino in Atlantic City. Below the photos are detailed financial summaries of his personal bank accounts, hig
ANNA POV“I’m Elena,” the woman says, standing up the second I open my office door. “Peter’s fiancée.”She’s tall, blonde, and wearing a tailored European-cut suit that screams old money. She holds a sleek leather clutch in her hand, smiling at me with a polite, razor-thin expression that doesn't reach her bright blue eyes.My chest tightens so hard I forget how to draw air into my lungs.“He didn't mention you were coming,” I say, holding the door handle tight to keep my fingers from trembling.“So you’re the sister,” Elena says, stepping forward and taking her time looking me up and down like I’m a piece of cheap furniture. “Peter mentioned you when Richard married your mother. Though he didn't mention you were still living under his roof.”The word sister hangs heavy in the quiet office, spoken with a sharp emphasis that feels like an intentional stake in the ground.“I’m his business partner,” I correct her, walking past her to slide into the chair behind my oak desk. “Is there so
ANNA POV“How long were you planning to hide out down here?” I ask, pushing the heavy wooden door of the boathouse open.Three full days of dead silence. Three days of Peter hiding behind back-to-back corporate meetings, late-night office hours, and closed bedroom doors. He’s been systematically avoiding me ever since he punched Jack at the hotel bar.He sits on an overturned wooden crate near the edge of the dock, staring down at a faded photograph in his hand. The dim moonlight reflects off the dark water beside him, cutting harsh shadows across his sharp jawline.“I’m not hiding,” Peter says, his voice flat, dead, and entirely drained of emotion.“You haven’t looked at me in seventy-two hours, Peter,” I say, stepping across the dusty wooden floorboards until I’m standing right in front of him. “What is that?”He doesn’t answer with words. He simply holds up the photo Victor Kane gave him at the gala.I take the glossy photo, tilting it toward the pale moonlight. I trace the red tim
ANNA POV“Put the camera pen in the left side of your purse,” Peter says, his voice flat and clinical as he leans over my shoulder.We’re sitting in the back of his black utility van, parked two blocks down from the high-end hotel bar where Jack drinks every Thursday night. The plan is mine. I’m meeting Jack under the guise of an emotional breakdown. I’m going to pretend I’m considering taking him back, play the heartbroken ex, and push him until he admits on tape that Richard paid him to target me from the very beginning.Peter reaches out, his cold fingers brushing against my collarbone as he adjusts the micro-microphone clipped to my dress lining. His touch sends a sharp shiver straight down my spine, but his grey eyes remain totally detached, like he’s fitting a wire on a total stranger.“If he touches you, give the signal,” Peter says, his thumb lingering for a fraction of a second against my skin before he pulls back. “I’ll come in.”“You’ll blow our cover,” I say, taking a slow
ANNA POV“We aren't going to that gala,” Peter says, his voice flat, razor-sharp, and cutting through the quiet living room of his apartment.It's three in the morning. He sits behind his glass desk, papers and digital tablets spreading around him like a battle plan. He’s been digging into Victor Kane for six hours straight, his face pale and drained under the dim desk lamp. On the corner of his desk lies an old framed photo of him at seven years old—standing stiffly beside a smiling woman right before his mother disappeared from his life forever.“Victor knows something about my mother,” I say, stepping closer to his desk and folding my arms over my chest. “About why she really died five years ago.”“Your mother died in a car crash on Route 9,” Peter says, not even looking up from his laptop screen. “It’s a police record.”“So did Princess Diana,” I shoot back, my heart hammering against my ribs. “Doesn’t mean it was an accident.”Peter slams his laptop shut with a sudden, sharp crac







