เข้าสู่ระบบMarianna.
I make it all the way back to the guest room before the tears come.
I don't cry pretty. Some girls cry like they're starring in a high-end perfume commercial—single, crystalline tears sliding gracefully down flawless porcelain cheeks, maybe accompanied by an artistic sniffle or a delicate dab of a tissue. Very dignified. Very aesthetic.
I cry like I'm exorcising centuries-old demons.
It hits me the second the heavy bedroom door clicks shut, a full-body wave of humiliation and grief that buckles my knees. I collapse onto the edge of the mattress, my shoulders heaving with violent, guttural sobs that make my chest physically ache. My nose runs. My eyes burn. My face instantly turns that specific, blotchy shade of red that takes approximately forty-seven hours to fade. It's disgusting. It's primal. It's the kind of crying that comes from somewhere deeper than temporary sadness, welling up from a subterranean cavern of inadequacy that doesn't even have a proper name.
I bury my face in the grey pillow—his pillow, in his guest room, in his impossibly expensive apartment where I'm apparently living as his pathetic little charity case—and let myself completely fall apart.
You're not my type.
That letter you wrote? I felt sorry for you.
That's all.
The words bounce around the inside of my skull, sharp and jagged. It's not like I didn't know this. Some rational, self-preserving part of my brain has always known this.
The fourteen-year-old girl who writes sparkly gel-pen love letters to her brother's untouchable best friend isn't the girl who ends up with the three-time Formula 1 world champion. She's the punchline. The comedic relief. The cautionary tale. The "before" picture in someone else's glamorous transformation story.
I'm not Alina Lindqvist. I'm not six feet tall with cheekbones that could cut glass and legs that belong on a Parisian runway. I'm not beautiful in the heart-stopping way that makes powerful men cross crowded rooms.
I'm cute, maybe, on a good day. Approachable. The kind of face you forget five minutes after meeting. I'm the girl that guys settle for when they can't get the girl they actually want, and the one they leave when someone better inevitably comes along.
But hearing him say it—You're not my type, you never have been—is so much worse than just knowing it. It’s a confirmation of every terrifying fear I've ever harbored about myself.
And the worst part? The absolute, most humiliating part of this entire disaster? I let him do this to me. Twice. Three times now.
My mind violently drags me back to those two catastrophic confessions, playing them side-by-side on a split screen of regret.
At fourteen, when Marco found that stupid, mortifying letter and handed it over to Duane like a joke, I was devastated. When Duane told me to focus on passing algebra before romance, I thought I would literally die of shame.
But I survived it by comforting myself with lies. I spent weeks staring at my ceiling, rationalizing the humiliation away. I’m just a kid, I told myself. It’s just puberty. Hormones. It’s a total cliché to fall for your brother’s older, brooding best friend. He’s just protecting me. Someday, when I’m in my twenties, we’ll laugh about this over drinks.
I forgave him, and more importantly, I forgave myself, because fourteen-year-olds are allowed to be absolute idiots.
But I have no excuse for what I did at eighteen.
The memory of the dock, the smell of the rum, the pulsing bass of the party next door—it makes me want to rip my own skin off. I wasn’t a naive child anymore. I was a legal adult. And yet, I still laid my heart bare on those wooden planks. I spilled my guts to him, telling him I had loved him my whole life, begging the universe for a movie moment that was never going to happen.
You’re Marco’s sister. That’s all. That’s all it will ever be.
The morning after that rejection, nursing a vicious hangover and a shattered ego, I had desperately tried to comfort myself again. I wrapped myself in a blanket of delusional justifications. I was just drunk, I whispered to the bathroom mirror. It was the rum talking. Or no—I was being brave. I was being the bold protagonist of my own life.
God, I was so pathetic.
I cry harder into the pillow, my fingers twisting into the expensive grey fabric. The truth is, he didn’t reject me because of Marco, or his career, or his noble sense of duty. He rejected me because he didn't want me. He has never wanted me.
Why did I give him the power to break me over and over again? Why did I allow myself to get tangled back up in his orbit, letting his scent and his proximity and his stupid, bruised shoulders trick my body into hoping for something impossible?
Suddenly, the grief curdles into something else. Something hot and sharp and bright.
Anger.
I sit up, throwing the tear-soaked pillow across the room where it hits the wall with a satisfying, muffled thump. I wipe the back of my trembling hand across my running nose, my chest heaving as I glare at the closed bedroom door.
I am done.
I am so completely, fundamentally done with Duane Richter. I don't want his pity. I don't want his charity. And I sure as hell don't want him.
I make a vow right then and there, my nails digging into the mattress. I am going to excise this man from my life like a tumor. I want him gone. Out of my head, out of my heart, out of my orbit entirely.
Get away from me, I project the thought at the bedroom door, imagining it piercing straight through the walls to wherever he is standing. Get as far away from me as humanly possible. Stay in your Bugattis and your penthouses and your toxic, exhausting relationships with Swedish supermodels. I am evicting you from my mind.
I will build a wall so high he will never be able to look down on me again. I will scrub my very DNA of this nine-year pathetic crush until there is absolutely nothing left but cold, hard indifference.
I take a deep, shuddering breath. My eyes are swollen shut and my throat feels like it’s been lined with sandpaper, but the suffocating weight in my chest has fractured, letting in a sliver of oxygen.
What now?
I can't stay here. That much is obvious. I can't spend two more days breathing the same recycled air as Duane Richter, eating his food, wearing his overpriced hoodies, pretending I don't feel anything when clearly I feel way too much.
But I have exactly fourteen dollars and twenty-seven cents in my bank account. A credit card that's practically smoking from being maxed out. No job, no luggage, and a cracked iPhone that belongs to the man I just swore to cut out of my life.
I reach for the phone on the nightstand. I open my email app, staring blankly at the screen.
Nothing from Kinetic Performance Institute. Of course. Why would there be? I probably bombed the entire interview by sprinting out of the conference room mid-sentence, looking like a deranged lunatic just to chase after the news of a man who ultimately couldn't care less about me.
But wait—
My thumb hovers over the screen. There's something else. An email I missed earlier, buried under a pile of promotional garbage and spam.
From: careers@kineticperformance.com
Subject: RE: Interview Follow-Up - Sports Performance Specialist Position
Date: Sunday, May 5th, 2024, 6:47 PM
Dear Ms. Reyes,
Thank you for taking the time to interview with us today. We understand that circumstances required you to leave early, and we appreciate the unique pressures of race week.
After reviewing your qualifications and our conversation, we would like to invite you for a second interview with our clinical team. Please contact our office at your earliest convenience to schedule.
Best regards,
Dr. Margot Lindholm
Clinical Director
Kinetic Performance Institute
I read it three times.
Then a fourth, just to make sure the words aren't hallucinating themselves onto the cracked glass.
A second interview. They want to see me again. Despite my disastrous, unprofessional exit. Despite the cheap Target blazer and the bleeding blisters and the absolute chaos of my existence.
Something profound shifts in my chest. It isn't hope, exactly—I've learned the hard way not to trust hope—but it’s something adjacent to it. A fierce, tiny flame igniting in all that suffocating darkness. A lifeline.
Okay, I think, my grip tightening on the phone. Okay.
This is how I survive Miami. This is how I survive him.
Not by relying on Duane Richter, or his reluctant charity, or his grey apartment full of emotional landmines. I am going to survive by building something of my own. Something he can't touch. Something that belongs entirely to me.
I stand up on shaking legs. I walk over to the mirror hanging above the dresser. I look at myself—blotchy, swollen, wearing a t-shirt that drowns my frame, looking absolutely wrecked by a man who isn't even in the room.
I stare into my own bloodshot eyes.
"You're not his type?" I whisper to my reflection, the words raspy and hard. "Fine. He's not yours either."
I wipe the last tear off my cheek.
"Now get to work."
Marianna POVDuane: Actually fine. McCartney checked it post-race. Eighty-six. The Parabolica exit was a six.I file the six. Add a note about the Parabolica exit load for the Suzuka call.Me: Get some sleep.Duane: You too.Then, after a pause that's longer than usual:Duane: You were right. About what you said last night. About deciding.I read this three times.Me: So were you. About okay being enough.No response for a few minutes. Then:Duane: Goodnight, Marianna.Me: Goodnight.Monday. The paddock dismantles itself with the efficiency of an operation that has done this seventy-odd times a year for decades. Trucks. Crates. The organized reverse of everything that took days to build.I'm packing the Kinetic kit when Oliver appears in the doorway with two espressos and the expression of someone who has been waiting for a reasonable hour to have a conversation and has decided this is it."Sit," I tell him. "The client chair."He sits. Hands me one of the espressos. "How are you?""B
Marianna POVI sit on Table 3 in the empty treatment room and let that land for a while.Sunday. Race day.The shoulder tape goes on at six fifty AM, seventeen minutes earlier than Thursday because Duane's pre-race focus sharpens the schedule—he arrives earlier, moves through preparation faster, the entire system of him calibrating toward the start lights. McCartney does the primary work; I assist with the AC anchor strip, which requires a specific angle that's easier with two sets of hands.We work in the efficient silence we've developed. McCartney assesses, I apply, Duane sits on the table and occasionally reports a sensation with the accuracy that has been consistent since Zandvoort. Eighty-seven percent today—he offers it unprompted when he comes in, before McCartney asks, which she notes in the file with what I've come to recognize as her version of being pleased."The 130R equivalent here is Parabolica," I tell him, while McCartney does the neck work. "Sustained lateral load in
Marianna POVHe arrives at the Kinetic space, still in team kit, hair slightly damp from the post-qualifying shower. He closes the door behind him and reads the room in approximately two seconds—me sitting on the edge of Table 3, hands in my lap, the specific quality of someone who has been waiting and has used the waiting time to organize her thoughts rather than spiral through them.He sits in the chair across from me. Oliver's sprawling chair. Alina's chair, from this afternoon."Tell me," he says.So I do.I keep it clean, the way McCartney delivers information. Alina's visit. What Luca has been saying. The word that's been circulating through paddock conversations. The probable chain of transmission from his apartment hallway to Alina's careless dinner conversation to Luca's deliberate distribution of something that was never his to touch.He listens without interrupting. His face does the controlled thing, the mask settling into place, but underneath it something is happening—I
Marianna POVThe thing about Alina Lindqvist is that she's very good at waiting.I don't fully understand this until Friday morning, when she doesn't do anything. She's just—present. In the paddock, which she has credentials for because she's been a Veloce brand ambassador for two years, a fact I learn from Oliver's comprehensive source network at approximately 9 AM.In the hospitality unit, talking to team partners with the easy fluency of someone who has been navigating these spaces since before I knew what a paddock was. Near the garage during FP1, standing with a group of sponsors in a way that puts her in Duane's sightline every time he comes off the pit wall.Not doing anything. Just being there.It's actually impressive. As a strategy, I mean. Clinically speaking.I treat Luca at eight, Oliver at ten, spend the lunch hour writing up the Suzuka preparation notes for Patrick's Wednesday call. McCartney finds me at two with an update on Duane's shoulder—AC joint down to minimal in
Marianna POVThe trattoria is exactly what Oliver described and also completely beyond what Oliver described, because Oliver's descriptions are enthusiastic but his sensory vocabulary is primarily sports-based, so the owner has been making it for forty years doesn't quite capture the specific atmosphere of a room with six tables and a ceiling that has absorbed forty years of good cooking, a woman in her sixties who assesses us when we walk in with the calm authority of someone whose cacio e pepe doesn't need our approval, and candles that are the working kind rather than the decorative kind.We're given a table in the back. The kind of table that a restaurant like this gives people it has decided to accommodate—tucked away, good light, slightly separate from the room's main current of activity.Duane orders in Italian, which I was not prepared for. Not tourist Italian, not the careful pronunciation of someone working through a phrase from their phone—actual Italian, easy and unaccente
Marianna POVMonza in September is everything Zandvoort is not.Where Zandvoort is compact and coastal and smells like the sea, Monza sprawls through a royal park north of Milan with the unhurried confidence of a circuit that has been here since 1922 and has no particular interest in impressing you. The trees are enormous. The tarmac is old in a way you can feel through your shoes. The main straight is so long that watching cars accelerate down it feels less like motorsport and more like witnessing something that should probably be illegal on principle.The espresso is extraordinary. Italy is doing this on purpose.My hotel is a twenty-minute bus ride from the circuit, in a part of Monza that is regular-city rather than race-weekend-city—a pharmacy, a bakery, a woman who yells something at a cat from a third-floor window every morning at seven, a specific kind of narrow street that seems designed to fit exactly one Fiat Punto and the memory of a Fiat Punto. My room has a window that l







