LOGINElena Marchetti dies at twenty-six. A hand closes around her throat. Freezing harbor water fills her lungs. The man who should've saved her stands on the dock, just a few seconds too late. Then she wakes up. Sixteen again. Same house, same family, same future waiting to kill her all over. The Marchettis run one of the city's most dangerous crime families, and their power comes from an old leather ledger , a book that records every debt, marriage, and death like it's already decided. Elena's name is inside it. So is the day she dies. She's got ten years now to change that. The ledger belongs to Vittoria Marchetti, the matriarch who ordered Elena's death the first time and believes she's protecting the family by controlling its future. Her nephew Renzo, the one who actually did the killing, is already circling, waiting for another chance. Then there's Matteo — the son who should've inherited everything, until one mistake cost him his father's trust and his belief he's worth saving. He doesn't know Elena remembers his hands on her while she died, her name breaking in his voice as the water took her. She's carried that memory in a sixteen-year-old's body for months. He doesn't trust her. But something about her makes him want to try anyway. Elena has one real choice: trust the man who let her die once, or walk the same road and see if it kills her twice. Every move she makes to save herself puts someone else in danger instead. She's done letting others write her ending. She's going to rewrite it herself -- even if it means burning down everything her family has ever believed in.
View MoreElena woke up gasping, her hands already at her own throat.
There was nothing there. No fingers digging into her skin. No cold water pressing down on her chest, filling her lungs, pulling her under. Just her own hands, shaking, wrapped around a neck that hadn't been touched by anyone.
She sat up so fast the room spun.
Wrong room.
The walls were the pale yellow she'd painted over years ago no, hadn't painted over yet. The curtains were the ones her mother picked when Elena was twelve, the ones she'd thrown out the week she got married.
There was a stuffed rabbit on the shelf across from her bed, missing one button eye, that she remembered giving away to a cousin's daughter a lifetime ago.
Her hands weren't her hands. Smaller. Softer. No scar across the knuckle where a car door had caught her three years into her marriage.
Elena pressed both palms flat against her face and made herself breathe.
I died.
She remembered it the way you remember falling not gently, not like a dream fading, but all at once, complete.
The dock at night. The smell of diesel and salt. A hand closing around her throat from behind before she'd even heard footsteps. She remembered clawing at the wrist, remembered how strong it was, remembered thinking, absurdly, that she still had laundry to finish when she got home.
And then the water. Black and freezing and endless, filling her mouth, her chest, until there wasn't a which-way-is-up left in the world.
She remembered Matteo's face above the water as she went under. Too far away. Too late.
Now she was in a bed with rabbit sheets, sixteen years old, and the ceiling fan above her spun the same lazy circle it used to spin when she was a girl who still believed her family loved her simply, without any conditions attached.
She got up. Her legs worked. Her legs were young — she noticed the strange, light feeling of a body that hadn't yet spent ten years learning how to stand very still in rooms full of dangerous men.
The mirror over her dresser showed her a face she hadn't seen in a decade. Round in the cheeks still.
No lines at the corners of her eyes. Grey eyes, the same grey they'd always been, except now they didn't look sixteen. They looked like something a lot older was staring out through them.
She pressed her fingers to the glass and the girl in the mirror did the same, and for one long moment Elena didn't know which one of them was real.
Ten years, she thought. I have ten years before it happens again.
Down the hall, she could hear her mother's voice, softer than Elena remembered it ever being again after this year — before the second marriage got arranged, before the family's business swallowed whatever was left of her mother's spine.
Elena could hear pans in the kitchen. Could smell coffee and burnt toast, the same burnt toast her mother made every single morning because she never once learned to work the toaster properly.
Everyone in this house was going to die exactly the way they'd died before, unless Elena did something different this time.
She thought of the ledger.
She hadn't seen it yet — not in this life, not with these eyes — but she remembered the weight of it in her hands the one time Sal had let her hold it, years from now, back when he still trusted her enough to show her where the real power in this family actually lived.
Black leather, corners worn soft from three generations of hands. Names. Dates. Debts written down like promises, like scripture, like nobody in this family had ever once considered that a piece of paper doesn't get to decide who lives.
Somewhere in that book, right now, sat a date. Her death. Already recorded, in ink that hadn't been spilled yet.
Elena had spent the last ten years of her first life letting things happen to her. Letting Vittoria's soft voice steer every decision that mattered.
Letting Dante's easy charm convince her that looking away was the same thing as being safe. Letting Matteo carry his guilt around like a stone in his chest instead of ever once asking him to just say something, do something, before it was too late for both of them.
She wasn't going to do that again.
Her bedroom door opened without a knock — that was normal here, she remembered that much, privacy wasn't something daughters got in this house — and her mother leaned in, dish towel over one shoulder, hair still damp from the shower.
"You're up early," her mother said. "Everything alright, sweetheart?"
Elena looked at this woman who would, in another version of this same year, stand at her daughter's wedding and cry happy tears without knowing what she was crying her daughter into.
"Bad dream," Elena said. Her voice came out steadier than she expected. Older than sixteen, maybe, but her mother didn't seem to notice. Mothers rarely noticed the things that mattered, in this family.
That was sort of the whole problem.
"Come eat something," her mother said, already turning back toward the kitchen, already forgetting to ask a second time.
"Your father wants to talk to you before he leaves. Something about the Marchettis."
Elena's stomach went cold.
Something about the Marchettis.
That was how it started last time too. A conversation at the breakfast table she hadn't been paying attention to.
Her father's voice, careful and proud, telling her what an honor it was, what a good match, how lucky she was that a family like that had noticed a girl like her.
She wondered, standing there in a stranger's version of her own childhood bedroom, whether it was Dante's name her father was about to say.
Whether the wedding was already being arranged somewhere in a room she'd never been allowed into.
Whether Vittoria had already picked the date her new daughter-in-law would die, the way some people picked paint colors.
Elena caught her reflection one more time on her way to the door.
Not this time, she told the girl in the mirror. This time I'm going to be the one holding the pen.
She went downstairs to eat her mother's burnt toast, and to hear her father say a name she already knew was coming, and to start, quietly, the work of making sure it never wrote her death into anyone's book again.
Father Alessio's archive gives us nothing new. We spend three hours going through the same old registers we already checked before, and by the time the light through the small windows turns gray with afternoon, my eyes ache and my hands are covered in dust."There's nothing else here," Father Alessio says finally, closing the last box. "I've shown you everything this church has on the Vane family. If Sal's right about them favoring churches, you'll need to look somewhere else.""Somewhere else where," Matteo asks, frustration creeping into his voice.Father Alessio thinks a long moment. "There are two other old churches in this city that came before mine.St. Agnes, where you're meeting her tomorrow night." He pauses. "And Our Lady of Sorrows, out near the old quarter, closer to where the first families settled here, long before the docks even existed."Isabella, who came with us despite Dante telling her to rest, looks up from the register she's paging through. "That's a two-hour rid
Sal's eyes are open when we walk into his hospital room the next morning, pale and thin against the white pillows, but alive.Awake. Watching the door like he already knew we were coming before we ever knocked."You look terrible," I say, my voice breaking with relief the second I see him sitting up on his own, without the tubes and machines crowding quite so close as they did three nights ago."You should see the other guy," he rasps, and it's such a strange, ordinary joke coming from a man who nearly bled out on his own study floor that I laugh despite everything, a wet, shaky sound that's half a sob.Matteo pulls two chairs close to the bed, and I sit, taking Sal's hand carefully, mindful of the IV line still running from his arm."How are you feeling," I ask."Old," Sal says. "Older than yesterday, anyway. The doctors keep telling me I'm lucky.I keep telling them luck had very little to do with it, considering Isabella's the one who pulled me through the worst of it, sitting righ
We find her two streets over, standing perfectly still outside a shuttered bookshop, like she's been waiting for us the entire time and knew exactly which street we'd choose to walk down."Don't run," Matteo says quietly, gripping my hand tighter than before."If she wanted to hurt us, she'd have done it already, back there in the fog, when neither of us was looking.""That's not exactly comforting, Matteo.""It's not meant to be. It's meant to be true."We walk toward her slowly, our footsteps loud against the wet cobblestones in the early morning quiet.Up close, she's younger than I expected from a distance — maybe thirty, with sharp gray eyes that seem to catch and hold what little light the morning offers, and a stillness about her that makes the fog itself feel colder for standing so near it."You've been following us," Matteo says, stopping a few feet away."I've been waiting for you," she corrects, her voice calm, unhurried, like she has all the time in the world and has simpl
I don't tell anyone. Not right away.The dining hall is still full of shaken relatives when I slide the page into my sleeve, my hands trembling so badly I nearly drop it twice before it's finally hidden against my skin.Police officers move through the wreckage taking statements.A nurse fusses over Isabella's sling, insisting she needs to sit down, needs to rest, needs to stop arguing about it.Nobody notices me at all. Nobody's looking for a scrap of paper when there's a matriarch being led out in handcuffs and a confessed murderer walking calmly beside her, hands out in front of him like he's finally set something down after carrying it far too long.I don't breathe easy until Matteo and I are alone in the hallway outside, the noise of everything falling apart fading behind the closed door."Elena." He catches my arm, and something in my face must give me away completely, because his whole expression shifts from relief to alarm in an instant."You've gone pale. What is it?"I pull






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