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Elena woke up gasping, her hands already at her own throat.
There was nothing there. No fingers digging into her skin. No cold water pressing down on her chest, filling her lungs, pulling her under. Just her own hands, shaking, wrapped around a neck that hadn't been touched by anyone.
She sat up so fast the room spun.
Wrong room.
The walls were the pale yellow she'd painted over years ago no, hadn't painted over yet. The curtains were the ones her mother picked when Elena was twelve, the ones she'd thrown out the week she got married.
There was a stuffed rabbit on the shelf across from her bed, missing one button eye, that she remembered giving away to a cousin's daughter a lifetime ago.
Her hands weren't her hands. Smaller. Softer. No scar across the knuckle where a car door had caught her three years into her marriage.
Elena pressed both palms flat against her face and made herself breathe.
I died.
She remembered it the way you remember falling not gently, not like a dream fading, but all at once, complete.
The dock at night. The smell of diesel and salt. A hand closing around her throat from behind before she'd even heard footsteps. She remembered clawing at the wrist, remembered how strong it was, remembered thinking, absurdly, that she still had laundry to finish when she got home.
And then the water. Black and freezing and endless, filling her mouth, her chest, until there wasn't a which-way-is-up left in the world.
She remembered Matteo's face above the water as she went under. Too far away. Too late.
Now she was in a bed with rabbit sheets, sixteen years old, and the ceiling fan above her spun the same lazy circle it used to spin when she was a girl who still believed her family loved her simply, without any conditions attached.
She got up. Her legs worked. Her legs were young — she noticed the strange, light feeling of a body that hadn't yet spent ten years learning how to stand very still in rooms full of dangerous men.
The mirror over her dresser showed her a face she hadn't seen in a decade. Round in the cheeks still.
No lines at the corners of her eyes. Grey eyes, the same grey they'd always been, except now they didn't look sixteen. They looked like something a lot older was staring out through them.
She pressed her fingers to the glass and the girl in the mirror did the same, and for one long moment Elena didn't know which one of them was real.
Ten years, she thought. I have ten years before it happens again.
Down the hall, she could hear her mother's voice, softer than Elena remembered it ever being again after this year — before the second marriage got arranged, before the family's business swallowed whatever was left of her mother's spine.
Elena could hear pans in the kitchen. Could smell coffee and burnt toast, the same burnt toast her mother made every single morning because she never once learned to work the toaster properly.
Everyone in this house was going to die exactly the way they'd died before, unless Elena did something different this time.
She thought of the ledger.
She hadn't seen it yet — not in this life, not with these eyes — but she remembered the weight of it in her hands the one time Sal had let her hold it, years from now, back when he still trusted her enough to show her where the real power in this family actually lived.
Black leather, corners worn soft from three generations of hands. Names. Dates. Debts written down like promises, like scripture, like nobody in this family had ever once considered that a piece of paper doesn't get to decide who lives.
Somewhere in that book, right now, sat a date. Her death. Already recorded, in ink that hadn't been spilled yet.
Elena had spent the last ten years of her first life letting things happen to her. Letting Vittoria's soft voice steer every decision that mattered.
Letting Dante's easy charm convince her that looking away was the same thing as being safe. Letting Matteo carry his guilt around like a stone in his chest instead of ever once asking him to just say something, do something, before it was too late for both of them.
She wasn't going to do that again.
Her bedroom door opened without a knock — that was normal here, she remembered that much, privacy wasn't something daughters got in this house — and her mother leaned in, dish towel over one shoulder, hair still damp from the shower.
"You're up early," her mother said. "Everything alright, sweetheart?"
Elena looked at this woman who would, in another version of this same year, stand at her daughter's wedding and cry happy tears without knowing what she was crying her daughter into.
"Bad dream," Elena said. Her voice came out steadier than she expected. Older than sixteen, maybe, but her mother didn't seem to notice. Mothers rarely noticed the things that mattered, in this family.
That was sort of the whole problem.
"Come eat something," her mother said, already turning back toward the kitchen, already forgetting to ask a second time.
"Your father wants to talk to you before he leaves. Something about the Marchettis."
Elena's stomach went cold.
Something about the Marchettis.
That was how it started last time too. A conversation at the breakfast table she hadn't been paying attention to.
Her father's voice, careful and proud, telling her what an honor it was, what a good match, how lucky she was that a family like that had noticed a girl like her.
She wondered, standing there in a stranger's version of her own childhood bedroom, whether it was Dante's name her father was about to say.
Whether the wedding was already being arranged somewhere in a room she'd never been allowed into.
Whether Vittoria had already picked the date her new daughter-in-law would die, the way some people picked paint colors.
Elena caught her reflection one more time on her way to the door.
Not this time, she told the girl in the mirror. This time I'm going to be the one holding the pen.
She went downstairs to eat her mother's burnt toast, and to hear her father say a name she already knew was coming, and to start, quietly, the work of making sure it never wrote her death into anyone's book again.
We tell Sal everything the next morning, gathered around his hospital bed for what the doctors have finally agreed will be his last week there before he's allowed home.He listens in silence, his face growing graver with every new revelation — Vittoria's release, the binding ritual, Elena Vane, Giulia's hidden bloodline, the full moon deadline drawing closer with each passing day."You're all insane," he says finally, when Matteo finishes. "You understand that. Every single one of you, walking willingly toward something none of you understand, based on the words of a woman who's spent fifty-eight years lying for a living.""We don't have another option," I say. "Matteo's name is already written. If we do nothing—""If you do nothing, you buy time," Sal snaps, more forceful than I've heard him since before the shooting. "Time to actually understand what you're agreeing to, instead of racing toward a ritual because a full moon happens to be convenient.""Sal—""No, listen to me." He str
I find her in the kitchen again, three nights later, exactly where I always seem to find her when something's wrong."You've been avoiding me," I say, sitting across from her without waiting for an invitation.Giulia doesn't look up from the bread dough she's kneading, though her hands slow noticeably. "I've been busy. This house doesn't run itself, especially not with half the family still recovering.""Giulia.""Elena, please.""I saw you at the window," I say quietly. "Two nights ago, when we came back from the churchyard. You looked like you'd seen a ghost."Her hands are finally still completely. Flour dusts her wrists, and for a long moment she just stares down at the dough like it might offer her an escape route if she looks hard enough."I have something to tell you," she says finally, her voice small. "I should have told you weeks ago. I've been a coward about it, and I'm sorry."My stomach tightens. "Tell me now."She wipes her hands on her apron, sits down across from me, a
I stare at the words until they blur.*Elena Vane.*"That's not possible," I whisper, though I've said that sentence so many times in the past week it barely means anything anymore. "My parents were Marchetti. My whole life, in both lifetimes, I've been a Marchetti.""Your father may have believed that too," Vittoria says quietly, stepping closer, studying the ink with something almost like fascination. "Blood doesn't always follow the name a person carries, Elena. It follows the line it actually came from.""Explain it," Matteo says, his voice tight, his hand not leaving mine. "Now. All of it."Vittoria's eyes move to Cassia, a silent question passing between two women who, until tonight, considered each other enemies across two centuries of buried history."There's only one way this makes sense," Cassia says slowly, working through it out loud. "If somewhere back along your father's line, a Vane married into the Marchetti family and the connection was hidden. Deliberately, probably.
Nobody speaks for a long moment. The wind keeps turning the pages of the little book on its own, faster now, like something inside it is growing impatient with all of us."No," Dante says finally, stepping fully into the churchyard, putting himself between Vittoria and the rest of us. "Absolutely not. We are not discussing rituals with the woman who ordered Elena's murder.""I understand your anger," Vittoria says calmly. "I don't expect it to fade quickly. But anger won't save Matteo if the pattern repeats itself the way it has every generation before this one.""You don't get to use fear as leverage," Matteo says, his voice shaking with barely controlled fury. "Not after everything. Not after Renzo. Not after Isabella nearly died in that dining hall because of you.""I'm not asking you to forgive me," Vittoria says. "I'm asking you to survive."Cassia, who has been silent since Vittoria mentioned her mother, finally looks up. Her eyes are red, but her voice comes out steady. "How do
For one long, terrible second, nobody moves.Vittoria stands in the chapel doorway like she's simply stepped out for evening air, not like a woman who was led away in handcuffs three nights ago, in front of her entire family, in front of the police, in front of everyone."That's not possible," I whisper. "You're supposed to be in custody.""I was," Vittoria says calmly, stepping down into the churchyard, moonlight sliding pale across her face. "For approximately six hours. Then a very old friend of mine reminded certain people at the station that favors, once given, are meant to be remembered.""You bribed your way out," Matteo says, disbelief and fury warring in his voice."I persuaded my way out," Vittoria corrects. "There's a difference, though I don't expect either of you to appreciate it tonight."Cassia hasn't moved from the bench, her whole body rigid, the small leather book still clutched tight in both hands. "You shouldn't be able to find this place," she says, her voice unst
None of us sleep.We ride back to the estate in silence, the graveyard names still burning behind my eyes every time I close them. Elena Vane. Matteo Vane. Taken too soon.I keep turning the words over, trying to make them mean something less frightening, and failing every single time."We should tell Dante everything," Isabella says, the moment we're inside. "All of it. The graves. What the priest said. What Cassia admitted before she stopped herself.""He'll want to come with us tomorrow night," Matteo says."Good," Isabella says fiercely. "He should.""She said come alone, or bring Elena." Matteo rubs his eyes, exhausted. "I don't know what happens if we show up with half the family standing behind us.""Then we don't tell him where," I say slowly. "We tell him everything else. Just not the exact place, not the exact hour. If something happens to us tomorrow night, someone in this family needs to know the truth. Someone needs to keep looking, even if we can't."The room goes quiet.







