LOGINGiulia finds me before I find her.
That's how it always goes with us, even the first time around. I'd be somewhere quiet, trying to disappear into a wall, and she'd show up with a tray of something nobody asked for, just so she'd have a reason to stand near me for a minute.
She does it again now, three days after the ledger, while I sit alone on the back steps of the kitchen garden pretending to read a book I'm not seeing a single word of.
"You've been weird," she says, setting a plate down next to me like it's nothing. Lemon cake. My favorite, though I haven't told anyone that yet in this life
. She must have remembered from before I was even born again, some habit that hasn't caught up to the fact that I'm not supposed to know her that well yet.
"Weird how?" I ask, not looking up from my book.
"Quiet weird." She sits down next to me, tucking her apron under her like she's done it a thousand times, because she has.
"You used to talk my ear off. Now you just watch everybody like you're waiting for something bad to happen."
I almost laugh. Not because it's funny. Because she has no idea how right she is.
I look at her properly for the first time since I woke up in this life. Really look, not just the glance I've been giving everyone while I try to keep my head down.
She's twenty-five in my memory, sharp-eyed and tired around the mouth from years of being underestimated. Here, now, she's younger. Nineteen, maybe twenty.
Still has that same watchfulness in her, though. Some things about a person don't wait for age to show up.
She died protecting me. Not right away—not in some dramatic last stand—but slowly, over years, the kind of dying that happens when nobody protects the person doing all the protecting.
She tried to warn me once, quietly, about something she'd overheard near Vittoria's office. I didn't listen closely enough. Three weeks later she was gone from the house, and nobody ever really explained why, and I was too scared and too stupid to ask the right questions.
I'm not going to make that mistake again.
"Giulia." I say her name careful, like I'm testing how much weight it can hold. "If I told you something that sounded crazy, would you actually listen? All the way through, before you decided I'd lost my mind?"
Something shifts behind her eyes. Not fear exactly. Curiosity with fear standing right behind it, waiting its turn.
"Depends how crazy," she says.
"Very."
She looks at me a long moment, then glances back toward the kitchen door like she's checking nobody can hear us. "Try me."
I set my book down. Turn to face her fully. I need her to see my face when I say this.
"I overheard something," I tell her. "About the ledger. About how people who get close to certain secrets in this house don't stay safe for long."
Her face goes pale. "What secrets?"
"I don't know yet. That's the problem." I lean in closer, dropping my voice. "But I need you to be careful, Giulia.
If you ever hear anything strange near Vittoria's study—anything at all—come to me first. Not anybody else. Promise me."
She stares at me. Her hands are trembling slightly, but she doesn't look away.
"Elena, what's going on? You're scaring me."
"Good," I say, and I don't soften it. "You should be scared. This family isn't what it looks like. And I need someone I can trust. Someone who won't just disappear when things get dangerous."
She swallows hard. I can see her working through it, trying to decide if I'm crazy or if I'm telling the truth.
"Okay," she says finally. "Okay, I hear you."
It's not a full promise. But it's enough for now. Trust builds in pieces. I learned that the hard way, in a life I'm not supposed to remember.
"Thank you," I say. "That's all I'm asking. Just be careful."
She nods slowly. "You too, Elena. Whatever you're doing—be careful."
I take a piece of the lemon cake. It's still warm. "I will."
She stands up, brushing off her apron. "I should get back inside before someone notices I'm gone."
I watch her walk back toward the kitchen door. She pauses at the threshold and looks back at me.
"Elena?"
"Yeah?"
"I believe you." Her voice is quiet, barely carrying across the garden. "I don't know why. But I believe you."
She disappears inside before I can answer.
I sit there for a long time after she's gone, holding the lemon cake I'm not eating, feeling the weight of her trust settle on my shoulders like something I need to protect.
---
I see Matteo two days later.
I've been dreading it and wanting it in almost equal amounts, which should tell me something about how much trouble I'm already in.
He's in the east hallway, coming from the direction of his father's study. Dressed plain—dark shirt, sleeves pushed up, nothing about him trying to look like money the way Dante always does.
He's younger than the man I remember. Not as much gray starting at his temples. Fewer lines carved into his face by ten more years of doing jobs nobody else in that family wants their hands on.
But it's him. Same stillness in the way he moves, like he's always half-expecting to need to disappear into a room at a second's notice. Same dark eyes that don't rush to look at anything, like looking too fast might give away more than he means to.
I stop walking. I can't help it.
He notices. Of course he notices—that's the whole point of him, noticing things before anyone else catches up. He slows down too, just slightly, and for one second we stand in that hallway looking at each other, and I feel every year of the ten I lived without him rush up into my throat at once.
You couldn't reach me in time, I think. You held me while I died and you never even knew my name broke apart in your voice, because I never told you. Because I never got the chance.
None of that shows on my face. I make sure of it.
"You're the Rossi girl's daughter," he says. It's not quite a question. "Elena."
"That's right." My voice comes out steadier than I expect, given how hard my heart is working.
He nods, the kind of nod that ends a conversation before it's really started. He doesn't know me yet. Not in this life. To him I'm just another name attached to another family the Marchettis do business with, a girl he has no particular reason to remember.
But he doesn't walk away either. Not right away. He stands there a second longer than he needs to, like something about me has snagged on him without his permission, and he doesn't understand why, and it bothers him that he doesn't understand.
"You're staring," he says. Not unkind. Just observing it, the way he seems to observe everything.
"Sorry." I make myself look down at my shoes, playing the part I need to play. Shy. Harmless. Sixteen. "You just look like someone I used to know."
That's not even a lie. Just not the whole truth.
Something flickers across his face. Confusion, maybe, or the faintest edge of something else I don't have a name for yet. Then it's gone, tucked back behind that careful stillness he wears like a second skin.
"Someone you used to know," he repeats. "From where?"
I look up at him. Meet his eyes. "From a long time ago."
He doesn't smile. But something in his face shifts, just barely.
"That's an interesting answer," he says.
"I'm an interesting person."
His mouth twitches. Almost a smile. Almost.
"I've heard that about you," he says. "The Rossi girl's daughter. Different from the rest."
I feel a jolt of surprise. He's heard things about me. Someone's been talking.
"Different how?" I ask.
He's quiet for a moment. Then: "I don't know yet. But I'm curious."
I feel that word land somewhere deep in my chest. Curious. That's not nothing. That's the beginning of something.
"Be careful what you're curious about," I say, echoing Giulia's words from yesterday. "Some things are better left alone."
His eyes hold mine. "I've never been very good at leaving things alone."
"I know," I say, before I can stop myself.
His eyebrows lift. "You know?"
I realize my mistake. I've said too much. Shown too much.
"Lucky guess," I say quickly. "You seem like the type."
He studies me for a long moment. I feel him weighing my words, trying to decide if I'm lying.
"Have a good evening," he says finally.
He walks on down the hallway. I stand there and watch him go.
"Have a good evening," I echo, too quiet for him to hear.
---
I think about him that night.
I lie in my bed with the rabbit sheets and stare at the ceiling, and I think about the way he looked at me in the hallway. The way his voice softened, just slightly, when he said he was curious.
In my first life, we never had this. We were always circling each other, always avoiding the real conversation.
He held me while I died and he never even knew my name. I carried that guilt for him for ten years, and he never once knew it.
But this time is different. This time I'm going to give him a reason to actuall
y save me. And I'm going to give myself a reason not to need saving at all.
I don't know yet how much that promise is going to cost. I only know I mean it.
Father Alessio's archive gives us nothing new. We spend three hours going through the same old registers we already checked before, and by the time the light through the small windows turns gray with afternoon, my eyes ache and my hands are covered in dust."There's nothing else here," Father Alessio says finally, closing the last box. "I've shown you everything this church has on the Vane family. If Sal's right about them favoring churches, you'll need to look somewhere else.""Somewhere else where," Matteo asks, frustration creeping into his voice.Father Alessio thinks a long moment. "There are two other old churches in this city that came before mine.St. Agnes, where you're meeting her tomorrow night." He pauses. "And Our Lady of Sorrows, out near the old quarter, closer to where the first families settled here, long before the docks even existed."Isabella, who came with us despite Dante telling her to rest, looks up from the register she's paging through. "That's a two-hour rid
Sal's eyes are open when we walk into his hospital room the next morning, pale and thin against the white pillows, but alive.Awake. Watching the door like he already knew we were coming before we ever knocked."You look terrible," I say, my voice breaking with relief the second I see him sitting up on his own, without the tubes and machines crowding quite so close as they did three nights ago."You should see the other guy," he rasps, and it's such a strange, ordinary joke coming from a man who nearly bled out on his own study floor that I laugh despite everything, a wet, shaky sound that's half a sob.Matteo pulls two chairs close to the bed, and I sit, taking Sal's hand carefully, mindful of the IV line still running from his arm."How are you feeling," I ask."Old," Sal says. "Older than yesterday, anyway. The doctors keep telling me I'm lucky.I keep telling them luck had very little to do with it, considering Isabella's the one who pulled me through the worst of it, sitting righ
We find her two streets over, standing perfectly still outside a shuttered bookshop, like she's been waiting for us the entire time and knew exactly which street we'd choose to walk down."Don't run," Matteo says quietly, gripping my hand tighter than before."If she wanted to hurt us, she'd have done it already, back there in the fog, when neither of us was looking.""That's not exactly comforting, Matteo.""It's not meant to be. It's meant to be true."We walk toward her slowly, our footsteps loud against the wet cobblestones in the early morning quiet.Up close, she's younger than I expected from a distance — maybe thirty, with sharp gray eyes that seem to catch and hold what little light the morning offers, and a stillness about her that makes the fog itself feel colder for standing so near it."You've been following us," Matteo says, stopping a few feet away."I've been waiting for you," she corrects, her voice calm, unhurried, like she has all the time in the world and has simpl
I don't tell anyone. Not right away.The dining hall is still full of shaken relatives when I slide the page into my sleeve, my hands trembling so badly I nearly drop it twice before it's finally hidden against my skin.Police officers move through the wreckage taking statements.A nurse fusses over Isabella's sling, insisting she needs to sit down, needs to rest, needs to stop arguing about it.Nobody notices me at all. Nobody's looking for a scrap of paper when there's a matriarch being led out in handcuffs and a confessed murderer walking calmly beside her, hands out in front of him like he's finally set something down after carrying it far too long.I don't breathe easy until Matteo and I are alone in the hallway outside, the noise of everything falling apart fading behind the closed door."Elena." He catches my arm, and something in my face must give me away completely, because his whole expression shifts from relief to alarm in an instant."You've gone pale. What is it?"I pull
Someone screams.The dark swallows the whole room at once, thick and total, and for one horrible second I can't tell which direction is up, which way is the door, whether the hand gripping my arm belongs to Matteo or to someone else entirely."Elena." Matteo's voice, close, steady. His hand finds mine in the black and holds on hard."Don't move. Stay with me.""I'm here." My heart slams so hard I can feel it in my throat. "I'm right here."Chairs scrape against the floor. Someone knocks over a glass, and it shatters sharp against the wood.A woman's voice — one of the aunts — cries out, frightened, calling a name I don't recognize into the dark."Everyone stay calm." Vittoria's voice cuts through the chaos, but even she sounds shaken now, a crack in her tone I've never once heard before tonight."The candles were blown out by a draft. Nothing more.""There's no draft in here," Dante says. "The windows are shut, Grandmother."Silence, heavy and suffocating, presses down on all of us at
The dining hall is lit with too many candles, warm gold light everywhere, the kind of light that has no business existing in a house that still smells faintly of blood two floors down.Matteo's hand finds mine at the doorway. He squeezes once, hard, before we step inside together.The table is long, dark wood polished so smooth it throws back the candlelight like a mirror.Twelve chairs, only eight of them filled. Vittoria sits at the head, perfectly composed, a glass of red wine untouched in front of her, like nothing at all happened in this house tonight.Renzo sits to her right, jaw tight, staring at his plate, refusing to meet my eyes when we walk in. Isabella's chair sits empty — still upstairs, still recovering, still safe, and I hold onto that thought like a rope.Dante sits near the middle of the table, and when his eyes find mine, something steady passes between us. A promise from the garden two days ago. Still holding."Elena. Matteo." Vittoria's voice comes out warm, pleasa







