MasukSelene’s POVI stare at Lucian.“Talia said he was dead,” I say. My voice comes out flat, which is what happens when my mind is moving faster than my composure can keep up with. “She said he died a year ago. She said he told her about me on his deathbed.”“I know,” Lucian says. “That is what you told me.”“Then who is at the door.”“A man who says his name is Edrin Calloway.”I set my mug down on the desk with more care than the moment requires, because my hands need something deliberate to do, and I stand up and I look at Lucian and I try to find the bottom of what I am feeling and cannot.“Come with me,” I say.He does not hesitate. “Yes.”We go downstairs together, and Mara is in the entrance hall with the expression of a woman who has absorbed a shock and is managing it through the familiar discipline of standing very straight and very still. She looks at me when I appear and her eyes say something like I do not know what this is and I am here regardless, which is the most Mara th
Selene’s POVWe sit in the study until the light outside the window goes fully dark.Not talking about anything important. That is the thing I notice, and keep noticing, because it is new — we have spent this entire week talking about nothing but important things, crisis stacked on crisis, revelation stacked on revelation, and now we are sitting in two chairs in a quiet study and Lucian is telling me about a dispute between two farming families on Ironveil’s eastern boundary that the council mediated last month, and I am listening, and somehow that is exactly what this hour needed.Ordinary things.I have missed ordinary things.At some point Mara brings tea without being asked, looks at the two of us in our separate chairs with the particular brightness of someone trying very hard to have no visible opinion, leaves the tray, and closes the door behind her with exactly the amount of care that tells me she is very pleased about something and is containing it through sheer willpower.“S
Lucian’s POVI do not move from the window when she turns and sees me.There is no point pretending I was not watching. She knows I was and I know she knows, and the particular honesty this week has built between us means pretending otherwise would be a step backward neither of us can afford.She looks at me for a moment across the distance between the bench and the window.Then she stands and comes inside.I hear her footsteps on the stairs, the familiar sound of them, and I move away from the window and sit in the chair beside the desk — not behind it, the chair I sat in that first kitchen morning when I stopped having the composure to perform and sat at a kitchen table like a man rather than an Alpha. I have developed a preference for chairs that do not put a desk between me and whoever I am talking to. A small change. The kind that probably only matters to me.She comes in without knocking. I notice she has stopped knocking.She sits in the other chair, the one she sat in during t
Selene’s POVI do not say anything for a long moment.The woman in front of me — Talia — stands very still on the path, her travel-dusted boots planted like she is bracing for something, and I look at her and try to find the place in myself that should be reacting and find that it is several seconds behind the rest of me, still catching up to what she just said.A sister.I have spent twenty-three years believing I was alone in the particular way an only child of a dead mother is alone. No siblings. No extended family that ever surfaced. Just me and Mireille Avery and then, after she died, just me.“You have been looking for me,” I say. “For a year.”“Since my father died.” Talia’s voice carries an accent I do not recognise, something from further east than Ironveil, clipped in places where mine is not. “He spoke of Mireille on his deathbed. Of a daughter he never met because she vanished with her mother before he could find them. He gave me a name — Selene — and very little else. A r
Selene’s POVBowen is sitting up in bed when I come in, propped against pillows Edna has clearly insisted on, and he looks better than he did last night — colour back in his face, the dry edge back in his voice — but he is still a man who collapsed twenty hours ago and his hands, folded on the blanket, are not entirely steady.I tell him about the hearing first. The petition dismissed. Dain’s apology. My standing designation, recorded and independent. He listens with his eyes closing briefly at certain points, the specific closing of a man absorbing relief he has been waiting for without letting himself expect it.Then I tell him about the registry.His eyes open.He does not say anything for a long moment, and something in the particular quality of his silence is different from his usual considered pauses. This one has weight in it. This one looks like a man being asked to remember something he has spent years not remembering on purpose.“Bowen,” I say slowly. “You knew.”He does not
Selene’s POVI read the message three times before I show it to Lucian.Ms. Avery — in the course of reviewing your pack governance file for the standing designation, my office cross-referenced your registered lineage against the northern territories’ archive, standard procedure for any formal recognition. A discrepancy surfaced that predates this hearing entirely and has nothing to do with the petition. I think you should see it before it becomes administrative paperwork rather than something explained to you directly. Can you come to the council office this afternoon? — HalseyA discrepancy. Predates this hearing entirely.I stand in the corridor with Mara watching my face and Bowen’s voice still tinny and waiting on the phone in her hand, and I feel the particular vertigo of a week that I thought had found its bottom discovering it has not.“What kind of discrepancy,” Lucian says, reading over my shoulder.“I do not know. She does not say.”Mara lowers the phone from her ear. “Bowe
Selene’s POVHe talks for longer than I expected.Not in a way that drags. In a way that costs him, visibly, sentence by sentence, like a man walking across ground that keeps shifting under his feet and refusing to stop walking anyway. He tells the pack about the clearing. About what he said, almos
Selene’s POVNobody moves for a moment.The slip of paper sits in Lucian’s hand and the word fear is still on his face, which is somehow more unsettling than anything Corrin said in this room ten minutes ago. I have seen Lucian controlled. I have seen him raw, in a kitchen, at five in the morning.
Selene’s POVI am already moving before Lucian fully turns around.The sentinel is at the edge of the tree line, near the path that runs along the outer wall toward the east wing, and he is not doing anything that would look wrong to a casual glance. Standing. Watching the house. The posture of a m
Lucian’s POVMy father looks older.This is the first thing I notice and I notice it without sympathy, just observation, the way you observe something you have been bracing for and find slightly different from what you prepared yourself to see. He is heavier around the jaw and there is more grey in







