LOGINThe morning after, I wake up in Alexander Kane’s guest wing at 6:14 a.m. The bed is arctic-white, ten-thousand-thread-count, and feels like a crime scene because I actually slept.
There’s a single white rose on the pillow beside me. No note. Just the flower, dewy and perfect, like it grew there overnight.
I’m still staring at it when my phone buzzes on the nightstand.
Unknown number. San Francisco prefix.
I answer.
“Mrs. Whitford?” A nervous male voice, Theo’s lawyer. “Mr. Whitford would like to finalise the divorce today. He’s at the penthouse if you’re available to sign.”
I hang up without replying and text Alexander one word: Now.
He’s in the kitchen thirty seconds later, hair wet from his own shower, black T-shirt clinging to places I refuse to catalogue. He reads my face and doesn’t ask questions.
“Want me to come up?”
“No. I want you to wait in the car. If I’m not down in twenty minutes, come get me.”
He nods once. “Take the obsidian letter-opener. Just in case.”
I almost smile.
Twenty-three minutes later I’m walking back into the penthouse I haven’t slept in for thirty-six hours. The air is thick with burnt coffee and desperation.
Theo is at the island in the same clothes he wore yesterday. Eyes bloodshot, hands shaking around a mug. Amara is nowhere, probably still asleep… in my bed.
He startles when he sees me.
“Livia…”
I drop my clutch on the counter and pull out the revised divorce packet Alexander’s team rewrote overnight.
“New terms,” I say, voice flat. “Sign, or I let the world know exactly how infertile you are and how many lies you sold to get here.”
He flinches like I slapped him.
I slide the papers across the marble with one finger. A black Montblanc rolls beside them like a bullet.
He stares at the cover page. “How did you get married again in less than twenty-four hours?”
“Jealousy doesn’t look good on you, Theo.”
His laugh is broken glass. “I didn’t think you’d…”
“You didn’t think. Period.”
He opens the packet with shaking fingers. Page after page of clauses designed to skin him alive financially and emotionally. When he reaches the parental-rights section, his breath hitches.
I reach into my clutch and pull out the ultrasound photo (the original, still edged with dried blood from the night everything shattered).
I set it on top of the papers, right under his nose.
Theo stares at it like it’s radioactive.
Eight weeks. Tiny bean. Heartbeat flickering like a star.
My future.
His future that will never be his.
“That’s yours,” I say quietly. “Or it was. Now it’s mine. Biologically yours. Legally, socially, emotionally… not even a bit. Sign the termination clause and you never have to wonder again.”
The colour drains from his face so fast I’m surprised he doesn’t pass out.
He makes a sound like a wounded animal.
I wait.
He signs every page. Hands trembling so badly the ink bleeds in places.
When he’s done he tries to hand me the pen back like an offering.
I don’t take it.
Instead I pick up the ultrasound, fold it once, and slide it into my clutch.
“Congratulations,” I say quietly. “You’re free. Try not to choke on it.”
I turn to leave.
At the elevator I pause.
“Oh, and Theo?” He looks up, eyes swollen, desperate.
“The next time you or your lawyers call me Mrs. Whitford, I’ll have Alexander buy your childhood home and burn it down with you in it.”
The doors close on his face.
Downstairs, Alexander is leaning against the Maybach in the morning sun.
He straightens when he sees me.
He doesn’t ask how it went.
I walk straight past him and open the passenger door myself.
Only when we’re moving does he speak.
“Everything you wanted?”
“Everything and more.”
He nods, eyes on the road.
Then, so quietly I almost miss it: “I put the white rose on your pillow this morning.”
I look at him.
He keeps his gaze forward, jaw tight.
“I know,” I say.
I lean my head against the cool window and watch the city blur past.
For the first time in seventy-two hours, I don’t feel like I’m bleeding.
I feel like I just cauterised the wound myself.
Neither of us says another word the entire drive.
The morning after, I wake up in Alexander Kane’s guest wing at 6:14 a.m. The bed is arctic-white, ten-thousand-thread-count, and feels like a crime scene because I actually slept.There’s a single white rose on the pillow beside me. No note. Just the flower, dewy and perfect, like it grew there overnight.I’m still staring at it when my phone buzzes on the nightstand.Unknown number. San Francisco prefix.I answer.“Mrs. Whitford?” A nervous male voice, Theo’s lawyer. “Mr. Whitford would like to finalise the divorce today. He’s at the penthouse if you’re available to sign.”I hang up without replying and text Alexander one word: Now.He’s in the kitchen thirty seconds later, hair wet from his own shower, black T-shirt clinging to places I refuse to catalogue. He reads my face and doesn’t ask questions.“Want me to come up?”“No. I want you to wait in the car. If I’m not down in twenty minutes, come get me.”He nods once. “Take the obsidian letter-opener. Just in case.”I almost smile.
The Maybach glides to a stop in front of the Pacific Heights penthouse at exactly 11:12 a.m. The building still has my name on the deed. For now.Alexander kills the engine himself. No driver today. He wanted this moment private.He doesn’t open my door. He waits until I do it myself, like he’s testing whether I still can.I step onto the sidewalk in the nineteen-thousand-dollar white silk slip dress and the black diamond ring that feels like a loaded gun on my finger. My hair is blown out, makeup armor-grade. I look like a bride who just murdered the groom and wore the blood as highlighter.Cameras are already across the street (paparazzi spawned the second the marriage certificate hit the wires). Phones rise like rifles.Alexander rounds the car, two steps behind me, close enough that his shadow swallows mine. He’s in head-to-toe black, no tie, the white rose pinned to his lapel the only color on him. He doesn’t touch me. Not yet.The doorman (Marco, been here six years) sees me and
The bar is almost empty. Just low amber lights, a jazz trio packing up, and Alexander Kane at the far corner table like he owns the concept of dawn itself.He’s ditched the jacket. White shirt rolled to the elbows, exposing forearms corded with ink (black lines, Cyrillic letters, one thin white scar shaped like a crescent moon). He’s nursing something dark in a heavy crystal glass and watching the door like he already knows I’m coming.I walk straight to his table like I’m being pulled by a wire. No heels, wet hair twisted into a knot, wearing the black hoodie the concierge handed over with a whispered “Mr. Kane said you might need this.” My eyes are swollen, lips cracked from biting them bloody. I look like a crime scene.Alexander doesn’t stand. Just watches me with that unreadable stare and nudges the second glass forward (orange juice, two ice cubes, a single mint leaf floating like it’s mocking me).“Sit, Livia.”I sit.For a solid minute we do nothing but breathe the same air. H
The Maybach smells like money and something darker. Sandalwood, maybe. Or just predator.I’m shivering in my fourteen-thousand-dollar dress, barefoot, mascara crusty, clutching the broken heel like a weapon. Alexander Kane doesn’t speak until we’re three blocks from the Rosewood and I still haven’t looked at him.“You’re bleeding,” he says.I glance down. My palm is sliced open from the ultrasound photo edges. Blood smears across the cream leather seat. I don’t move to wipe it.“Good,” I mutter.He exhales through his nose (half laugh, half something else) and reaches forward to tap the privacy glass. It lowers an inch.“Hotel Vitale. Penthouse,” he tells the driver. “And kill the location tracking.”The glass rises again.I finally turn my head.Alexander Kane in person is worse than memory. Black suit, no tie, top button undone like he never finished getting dressed. Or like he’s always ready to ruin someone’s night. The streetlights stripe across his face, sharp cheekbones, the kin
I don’t remember leaving the stage.One second I’m staring at Theo’s mouth on hers, the next I’m shoving through bodies, past trays of champagne, past people calling my name like it still belongs to me.I need a bathroom. Any bathroom. Somewhere I can lock the door and scream without two hundred phones recording it.I find the private one behind the ballroom (meant for brides and VIPs), slam the lock, and fall against the door.Then I throw up.Not dramatic little heaves. Full-body, soul-ripping vomit. Ginger ale and the three bites of toast I managed this morning splatter the floor. My knees hit the tiles so hard the pain shoots up my thighs, but I don’t care. I’m shaking too hard to stand.The baby. Oh God, the baby.I curl over the toilet like I can protect it from what just happened.My phone is blowing up in my clutch (buzzing against my hip like a trapped wasp). I yank it out with wet fingers.312 new notifications.The top one is a push alert:BREAKING: Whitford Tech CEO Theo W
I’m halfway across the ballroom when the lights dim for the first speech of the night. Some senator drones on about innovation and job creation while I weave through the crowd, smile glued on, heart hammering so loud I’m scared people can hear it.I just need to find Theo. Touch him. Feel his hand on my back the way he used to do when these events made me want to hide under a table. One squeeze and everything will settle.But he’s still at the bar with Red Dress. She’s leaning in now, saying something against his ear. He throws his head back and laughs, the same laugh he used to give me when I did something ridiculous like try to cook him dinner and set off the smoke alarm.I stop walking. People bump into me, murmur apologies, keep moving. I’m frozen, staring like some pathetic stalker.Get it together, Livia.I force my feet forward. The senator finishes. Applause. Then an editor who once called me “Theo Whitford’s brilliant accessory” in print takes the stage.“And now, the woman w







