LOGINI escort Aria downstairs myself.
Not because she needs guarding—
She walks just ahead of me, spine straight, shoulders back, moving like she’s daring the world to test her again. The dress Danika put her in clings in all the wrong ways—wrong because it makes it impossible not to see what her family tried to carve into her.
My eyes trace the lines along her back despite myself.
The scars aren’t chaotic.
Measured. Even.
That’s what twists something sharp in my chest.
This wasn’t rage.
It was ritual.
Vincenzo Moretti didn’t lose control when he marked his daughter.
I feel my jaw tighten as we descend the stairs, each step grinding that truth deeper. I’ve ordered men hurt before. I’ve sanctioned violence. I’ve ended bloodlines without losing sleep.
But this?
This was cruelty disguised as tradition.
He took a child and taught her pain before she learned safety. Took choice away and replaced it with obedience. And then—when she didn’t break the way he wanted—he tried to erase her entirely.
I curl my fingers once at my side, slow and controlled.
If Vincenzo thinks I’ll treat this like business as usual…
He’s already dead. He just doesn’t know it yet.
Aria doesn’t look back.
I make a silent promise as we reach the bottom of the stairs:
No one ever lays a hand on her like that again.
Not in my house.
And when I lead her into the room where everyone is waiting, I make sure they all see it—
She’s with me.
And anyone who forgets that will learn exactly how unforgiving I can be.
Danika is already seated at the table when we enter, one leg crossed over the other, posture relaxed but eyes sharp. Rocco stands near the wall, arms folded. Marco hovers stiffly at the far end like he expects the floor to give out beneath him at any second.
James arrives last.
Quiet. Efficient. No wasted movement. He nods once at me and takes his place without being told. If I needed a body buried, a trail erased, or a city mapped down to its bones—James is who I call.
I don’t sit.
I don’t waste time.
“Here’s what’s happening,” I say.
The room stills.
“Vincenzo Moretti put a public bounty on Aria. Five hundred thousand. Chain hit. Location attached.”
Rocco exhales sharply. Danika’s jaw tightens.
“Dale was executed,” I continue. “By me. His phone confirms the bounty was distributed to multiple contractors.”
James finally speaks. “Meaning this won’t stop.”
“No,” I agree. “It accelerates.”
Danika turns to Aria. “So… honest question.”
Aria looks at her calmly.
“Are you still planning on killing my brother?”
The room holds its breath.
Aria doesn’t answer right away.
Good.
When she does speak, her voice is steady—no dramatics, no bravado.
“I still have the urge to kill everyone in this room,” she says plainly. “That doesn’t disappear overnight.”
Marco stiffens.
She continues, unfazed. “I was trained for that. Conditioned for it. I can’t just flip a switch.”
She meets my eyes briefly, then looks back at the table.
“But I can control myself.”
Silence.
James studies her like a puzzle he respects.
Danika nods slowly. “Fair answer.”
Marco scoffs. “That’s not reassuring.”
I turn my head just enough to look at him.
“Neither is your tone,” I say.
Marco swallows but pushes on. “Why does she have to stay here? Why don’t you leave, go find her father, and end this at the source?”
I don’t raise my voice.
I don’t need to.
“Because that’s exactly what Vincenzo wants,” I say calmly. “He wants her isolated. He wants me distracted. He wants one of us exposed.”
James nods. “Bait.”
“Yes,” I say. “And Aria knows his patterns better than anyone alive.”
Marco looks at her, then back at me. “So she just… stays?”
“She stays,” I confirm. “Because she’s not a liability.”
I look around the table.
“She’s leverage. Intelligence. And the reason we’re not already bleeding worse.”
Danika smirks. “Also because you’re stubborn.”
I ignore that.
James folds his hands. “What’s her status?”
I answer without hesitation.
“Protected. Allied. Under my authority.”
Marco opens his mouth.
I cut him off. “That wasn’t an invitation.”
Aria shifts beside me—not restless, not afraid. Ready.
“This ends one of two ways,” I continue. “Vincenzo backs off. Or we dismantle him piece by piece.”
Danika’s eyes gleam. “I vote for the second.”
James nods. “Already running financial traces.”
Rocco straightens. “Security protocols are updated.”
I look back at Aria.
“And you,” I say quietly, “don’t go anywhere alone. You don’t engage without clearance. And you don’t disappear.”
She meets my gaze.
“I won’t,” she says. “Not without a plan.”
Good answer.
Marco finally exhales. “This is insane.”
I lean forward slightly, palms on the table.
“No,” I say evenly. “This is war.”
And then I add, for everyone to hear:
“Anyone who has a problem with that can leave now.”
James spreads the maps across the table again, this time cleaner—no blood, no alarms, just routes and names.Aria stands opposite him, hands braced on the edge like she’s already inside the building we’re planning to breach.“We need more information,” James says. “Confirmed movements. Names. Timelines.”Aria nods once. “Then I know where to get it.”I don’t like the way she says that.“Talk,” I tell her.She looks up at me. “My father’s club. The one on the south side. If I walk in there—alive—it’ll stun them. My brothers won’t expect it. No one will.”James’s jaw tightens. “That’s a suicide run.”“It’s shock,” Aria counters. “And shock makes people sloppy. I’ll get the jump on them before they recover.”“You’re not going in alone,” I say immediately.She exhales, already irritated. “I didn’t say—”“You’re not,” I repeat. “End of discussion.”James nods. “Agreed.”The room heats up fast.“I know that place,” Aria snaps. “Every corner. Every exit.”“And they know you,” I fire back. “W
I escort Aria downstairs myself.Not because she needs guarding—but because it sends a message.She walks just ahead of me, spine straight, shoulders back, moving like she’s daring the world to test her again. The dress Danika put her in clings in all the wrong ways—wrong because it makes it impossible not to see what her family tried to carve into her.My eyes trace the lines along her back despite myself.The scars aren’t chaotic.They’re deliberate.Measured. Even.Placed with intention.That’s what twists something sharp in my chest.This wasn’t rage.It wasn’t punishment gone too far.It was ritual.Vincenzo Moretti didn’t lose control when he marked his daughter.He planned it.I feel my jaw tighten as we descend the stairs, each step grinding that truth deeper. I’ve ordered men hurt before. I’ve sanctioned violence. I’ve ended bloodlines without losing sleep.But this?This was cruelty disguised as tradition.He took a child and taught her pain before she learned safety. Took
Dante doesn’t say anything at first.He just stands there, eyes still dark from whatever passed through him when he walked in and saw me dressed like this—like I belonged in his world.Then his gaze shifts.Not to my face.To my back.I feel it immediately, like a touch that never happens.“The scars,” he says finally. Not accusing. Not gentle either. Just… steady.“What happened?”The question lands heavier coming from him than it did from Danika.I turn slightly, enough that he can see them clearly. There’s no point hiding them. They’re part of me whether I like it or not.I turn just enough to face him. “Which one?”“The scars,” he says. “Who did that to you.”“My brothers,” I answer. “All of them. Together.”His jaw tightens.“It was tradition,” I add. “The girls were marked. Identifying scars. The boys got tattoos instead.”“Tattoos,” he repeats, like the word tastes wrong.“They’re symbols,” I say. “Rank. Loyalty. Ownership.”“And you?” he asks quietly.I hesitate, then lift my
Danika doesn’t ease into it.She goes straight for the bags like she’s about to conduct an experiment—and I’m the subject.“Alright,” she says, already pulling things out and draping them over the bed. “First rule: we figure out what you hate.”I fold my arms. “Most of this.”She snorts. “Good. Honesty saves time.”She holds up a silk blouse the color of blood-red wine.I make a face. “No.”“Why?”“Too delicate,” I say. “I don’t want to worry about ripping something if I have to move fast.”Danika hums thoughtfully and tosses it aside. “Function over form. Got it.”She picks up a fitted black jacket next—stretch fabric, clean lines.I reach for it before I can stop myself. “That.”Her eyes light up. “See? You do have taste.”“Dark colors,” I add. “Black. Charcoal. Deep blue. Nothing loud. Nothing that shows stains.”She pauses. “That’s… grim.”“That’s survival.”Danika studies me for a moment, then nods. “Okay. But you need to understand something.”I glance at her. “What?”“Fashion is
Marco doesn’t jump.That’s the thing.He flinches when he’s shot at. He braces when orders come down hard. He tenses when things go wrong. But he doesn’t jump—not like that.I’m watching the camera feed when it happens.Bathroom corridor. Static angle. Clean line of sight.Aria opens the door, wrapped in a robe, hair twisted up in a towel, calm as a drawn blade.Marco jerks back like she’s pulled a gun.Three steps. Maybe four.Hands half-raised. Eyes wide.My jaw tightens.That reaction doesn’t fit the man I know.Marco’s fear isn’t about her being dangerous—that I expect. It’s sharper than that. Guilty. Startled. Like he wasn’t expecting to be caught standing where he was.I rewind the feed.Marco approaches the door. Stops. Raises his hand.He hesitates.Why hesitate?Aria opens the door.Marco recoils.I pause the frame right there.His pupils are blown. His breathing shallow. That’s not just nerves. That’s adrenaline that didn’t have time to burn off.What were you about to do?
There’s a knock at the door.I’m already facing it when it opens.Rocco steps in first, followed by a woman who immediately changes the temperature of the room—and several of Dante’s men hauling duffel bags. Not small ones. Big, overstuffed, weapons-grade bags.My eyes flick over them automatically.Clothes, I think.Probably.The woman doesn’t wait for introductions.She snaps her fingers once, sharp and decisive. “Out. All of you.”The men hesitate for exactly half a second.Then they’re gone.The door closes behind them, leaving just the three of us and a small mountain of bags.Rocco clears his throat. “I’ll—uh—wait outside.”She waves him off without looking. “Good.”Rocco gives me an apologetic glance and disappears.The woman turns to me and finally smiles.Not fake.Not cruel.Curious.“I’m Danika,” she says. “Dante’s sister.”That explains… a lot.She looks me up and down slowly, thoughtfully—like I’m a project instead of a threat.Then she wrinkles her nose.“Oh,” she says.







