LOGINJames spreads the maps across the table again, this time cleaner—no blood, no alarms, just routes and names.
Aria stands opposite him, hands braced on the edge like she’s already inside the building we’re planning to breach.
“We need more information,” James says. “Confirmed movements. Names. Timelines.”
Aria nods once. “Then I know where to get it.”
I don’t like the way she says that.
“Talk,” I tell her.
She looks up at me. “My father’s club. The one on the south side. If I walk in there—alive—it’ll stun them. My brothers won’t expect it. No one will.”
James’s jaw tightens. “That’s a suicide run.”
“It’s shock,” Aria counters. “And shock makes people sloppy. I’ll get the jump on them before they recover.”
“You’re not going in alone,” I say immediately.
She exhales, already irritated. “I didn’t say—”
“You’re not,” I repeat. “End of discussion.”
James nods. “Agreed.”
The room heats up fast.
“I know that place,” Aria snaps. “Every corner. Every exit.”
“And they know you,” I fire back. “Which is exactly why it’s dangerous.”
Her eyes flash. “That’s exactly why it works.”
We talk over each other for a moment—strategy versus instinct, control versus opportunity. James keeps trying to cut through the noise, but it’s Danika who finally does.
“I’ll go with her.”
The room goes still.
I turn to my sister. “No.”
She meets my gaze without blinking. “Yes.”
“Danika—”
“She needs a second body,” Danika says calmly. “Someone they won’t expect to shoot immediately. Someone who can move and talk.”
James considers it. “She’s right.”
I hate that he’s right.
“I’ll be outside,” I say finally. “James and Rocco with me. The second you’re clear, we move.”
Aria’s shoulders loosen slightly—not relief, but resolve.
James looks at her. “How do you get your brothers to talk?”
A faint smile touches her mouth. “I have a few ideas.”
“Such as?”
“There’s a pill,” she says. “Truth serum. Fast-acting. Slips into a drink easily.”
James nods. “Effective.”
“But unnecessary,” Aria adds. “My youngest brother, Ryan—he worships me. Always has. He’ll talk without pressure.”
“And the older two?” I ask.
Her expression hardens. “If they’re there, it complicates things.”
Danika smirks. “They won’t be a problem.”
I glance between them—Aria, composed and deadly; Danika, smiling like she’s already picturing the chaos.
“Then it’s settled,” I say. “You get in. You get information. You get out.”
I look directly at Aria.
“And if anything goes sideways—”
“I don’t improvise,” she says. “I adapt.”
That earns a thin smile from James.
I don’t smile.
Because the truth is simple:
Walking into her father’s club alive won’t just be a shock.
It’ll be a declaration.
Danika claps her hands once.
“Alright,” she says briskly. “Time to change.”
Before Aria can argue, Danika grabs her by the arm and starts dragging her toward the stairs like she’s late for an appointment instead of headed into a potential bloodbath.
Aria doesn’t resist.
I watch them go, a slow smirk tugging at my mouth.
Only Danika could treat a trained assassin like a fashion emergency and live to tell the story.
I turn back to the table just as Marco appears, face tight, jaw clenched like he’s been holding this in for too long.
“This is a bad idea,” he says flatly.
I don’t respond.
Someone else might mistake that silence for permission.
Marco doesn’t.
He presses anyway.
“Someone’s going to get hurt,” he continues. “And I don’t want you getting killed by some stupid girl trying to play hero.”
That’s when I turn.
Slowly.
The room drops ten degrees.
I take a step toward him. Then another. I stop just close enough that he has to lean back slightly to keep breathing room.
“Say that again,” I tell him quietly.
Marco swallows. “Boss, I just—”
“You just called her stupid,” I interrupt, voice calm, lethal. “And you just implied I can’t handle her.”
His eyes flick around the room, searching for backup.
He won’t find it.
“Let me explain something to you,” I say, lowering my voice even further. “Aria Moretti isn’t playing hero. She’s correcting a mistake.”
I lean in.
“And the only reason she hasn’t killed anyone in this house is because I told her not to.”
Marco’s throat works.
“You’re afraid,” I continue. “I get that. Fear makes men loud.”
I straighten.
“But you don’t get to insult my judgment. You don’t get to insult my ally. And you sure as hell don’t get to question my survival instincts.”
He opens his mouth.
I raise a finger.
“One more word,” I say evenly, “and I’ll pull you off this operation so fast you’ll forget what room you’re standing in.”
Silence.
Marco nods stiffly. “Understood.”
“Good.”
I turn away from him, already done.
Because Marco isn’t wrong about one thing—
But it won’t be because Aria is stupid.
It’ll be because Vincenzo Moretti finally realized his daughter didn’t inherit her danger from him.
She surpassed it.
James spreads the maps across the table again, this time cleaner—no blood, no alarms, just routes and names.Aria stands opposite him, hands braced on the edge like she’s already inside the building we’re planning to breach.“We need more information,” James says. “Confirmed movements. Names. Timelines.”Aria nods once. “Then I know where to get it.”I don’t like the way she says that.“Talk,” I tell her.She looks up at me. “My father’s club. The one on the south side. If I walk in there—alive—it’ll stun them. My brothers won’t expect it. No one will.”James’s jaw tightens. “That’s a suicide run.”“It’s shock,” Aria counters. “And shock makes people sloppy. I’ll get the jump on them before they recover.”“You’re not going in alone,” I say immediately.She exhales, already irritated. “I didn’t say—”“You’re not,” I repeat. “End of discussion.”James nods. “Agreed.”The room heats up fast.“I know that place,” Aria snaps. “Every corner. Every exit.”“And they know you,” I fire back. “W
I escort Aria downstairs myself.Not because she needs guarding—but because it sends a message.She walks just ahead of me, spine straight, shoulders back, moving like she’s daring the world to test her again. The dress Danika put her in clings in all the wrong ways—wrong because it makes it impossible not to see what her family tried to carve into her.My eyes trace the lines along her back despite myself.The scars aren’t chaotic.They’re deliberate.Measured. Even.Placed with intention.That’s what twists something sharp in my chest.This wasn’t rage.It wasn’t punishment gone too far.It was ritual.Vincenzo Moretti didn’t lose control when he marked his daughter.He planned it.I feel my jaw tighten as we descend the stairs, each step grinding that truth deeper. I’ve ordered men hurt before. I’ve sanctioned violence. I’ve ended bloodlines without losing sleep.But this?This was cruelty disguised as tradition.He took a child and taught her pain before she learned safety. Took
Dante doesn’t say anything at first.He just stands there, eyes still dark from whatever passed through him when he walked in and saw me dressed like this—like I belonged in his world.Then his gaze shifts.Not to my face.To my back.I feel it immediately, like a touch that never happens.“The scars,” he says finally. Not accusing. Not gentle either. Just… steady.“What happened?”The question lands heavier coming from him than it did from Danika.I turn slightly, enough that he can see them clearly. There’s no point hiding them. They’re part of me whether I like it or not.I turn just enough to face him. “Which one?”“The scars,” he says. “Who did that to you.”“My brothers,” I answer. “All of them. Together.”His jaw tightens.“It was tradition,” I add. “The girls were marked. Identifying scars. The boys got tattoos instead.”“Tattoos,” he repeats, like the word tastes wrong.“They’re symbols,” I say. “Rank. Loyalty. Ownership.”“And you?” he asks quietly.I hesitate, then lift my
Danika doesn’t ease into it.She goes straight for the bags like she’s about to conduct an experiment—and I’m the subject.“Alright,” she says, already pulling things out and draping them over the bed. “First rule: we figure out what you hate.”I fold my arms. “Most of this.”She snorts. “Good. Honesty saves time.”She holds up a silk blouse the color of blood-red wine.I make a face. “No.”“Why?”“Too delicate,” I say. “I don’t want to worry about ripping something if I have to move fast.”Danika hums thoughtfully and tosses it aside. “Function over form. Got it.”She picks up a fitted black jacket next—stretch fabric, clean lines.I reach for it before I can stop myself. “That.”Her eyes light up. “See? You do have taste.”“Dark colors,” I add. “Black. Charcoal. Deep blue. Nothing loud. Nothing that shows stains.”She pauses. “That’s… grim.”“That’s survival.”Danika studies me for a moment, then nods. “Okay. But you need to understand something.”I glance at her. “What?”“Fashion is
Marco doesn’t jump.That’s the thing.He flinches when he’s shot at. He braces when orders come down hard. He tenses when things go wrong. But he doesn’t jump—not like that.I’m watching the camera feed when it happens.Bathroom corridor. Static angle. Clean line of sight.Aria opens the door, wrapped in a robe, hair twisted up in a towel, calm as a drawn blade.Marco jerks back like she’s pulled a gun.Three steps. Maybe four.Hands half-raised. Eyes wide.My jaw tightens.That reaction doesn’t fit the man I know.Marco’s fear isn’t about her being dangerous—that I expect. It’s sharper than that. Guilty. Startled. Like he wasn’t expecting to be caught standing where he was.I rewind the feed.Marco approaches the door. Stops. Raises his hand.He hesitates.Why hesitate?Aria opens the door.Marco recoils.I pause the frame right there.His pupils are blown. His breathing shallow. That’s not just nerves. That’s adrenaline that didn’t have time to burn off.What were you about to do?
There’s a knock at the door.I’m already facing it when it opens.Rocco steps in first, followed by a woman who immediately changes the temperature of the room—and several of Dante’s men hauling duffel bags. Not small ones. Big, overstuffed, weapons-grade bags.My eyes flick over them automatically.Clothes, I think.Probably.The woman doesn’t wait for introductions.She snaps her fingers once, sharp and decisive. “Out. All of you.”The men hesitate for exactly half a second.Then they’re gone.The door closes behind them, leaving just the three of us and a small mountain of bags.Rocco clears his throat. “I’ll—uh—wait outside.”She waves him off without looking. “Good.”Rocco gives me an apologetic glance and disappears.The woman turns to me and finally smiles.Not fake.Not cruel.Curious.“I’m Danika,” she says. “Dante’s sister.”That explains… a lot.She looks me up and down slowly, thoughtfully—like I’m a project instead of a threat.Then she wrinkles her nose.“Oh,” she says.







