MasukThe door shatters under me, splinters flying like snow. The world outside is knives of cold and blue, the air so sharp it hurts to breathe, but my lungs are built for it now—wide and empty, built to drink down all the night at once. I stumble on the steps, legs unfamiliar, claws skittering on the cracked cement. For a heartbeat, I am lost, legs tangling, the weight of a new body making me stupid. Then I find my footing, drop to all fours, and the rest of me falls into line.
Movement is everything. The sidewalk is rough, patches of ice and grit, but I skim over it, paws catching the pattern. Every stone, every flake, every crumbling cigarette stub left by a hundred winter drunks. My body runs itself; all I have to do is let it. The world is so much louder, the sky so much closer. The moon is a coin stabbed through black velvet, fat and ugly and perfect. I want to eat it.
I crash through the alley behind the bar, my bar, but the place means nothing now. The smells are overwhelming—a week of spilled beer, garbage, rusted metal, piss and antifreeze, but above it all: the sweet rot of something small, dead for days. I lap at the air, tongue catching the layers, cataloguing without effort. It should disgust me. Instead, it makes me salivate. I catch myself gnawing the edge of a Dumpster, teeth craving the taste of iron.
Noise above—shutters slamming. Someone screams, high and thin, a woman’s voice cut short. I know the taste of her fear, the way it blooms through old wood and glass, a signal that makes my hackles stand straight. I want to go to her, want to see the face, want to feel the panic break open, but the body has other plans.
I leap the chain-link fence, bending it almost flat. Muscles coil and spring with a precision I never had in human skin. The landing jars but does not hurt; the pads of my feet are shock absorbers, the joints elastic. I run, faster now, finding a rhythm: back leg, front, back, front, each stride a little longer, a little smoother.
The forest waits at the edge of town. The pines gather like a mob, branches scritching at the sky, the scent of sap and bark so thick it drowns the stink of humanity behind me. I slow, sniff, hesitate. There are other things out here—foxes, cats, rodents, each note distinct and raw. Somewhere a buck pisses on the snow, and I know exactly where to find him, but hunger is not the thing driving me tonight.
I move between the trees, each step less conscious, more true. The world is a current and I ride it, surfing scent and sound. A chorus of mice scatter underfoot, tails thrumming; a screech-owl cuts the night with a single perfect cry, then falls silent as I pass. The moss is slick on the rocks, but I know it before I touch it. The mud squelches between my toes and freezes there, a weird, living glove.
The moon follows. The moon leads. The moon owns me. I tilt my head and see its ghost in every puddle, every shimmer of frost, every bead of dew on the bare branches. It’s in my eyes, behind my skull, a pressure that wants out.
Something inside me flickers. Human memory: the taste of whiskey, the echo of laughter, a girl’s name I almost remember. I try to hold it, but the claws tear it apart. There’s only now, only run, only want.
I break into a clearing, paws flinging up clods of frozen grass. The night creatures have all gone to ground, burrowed or burrowed into themselves, but I am the only thing above the snow. I stand panting, steam billowing from my jaws, and for a second I am king of the fucking world.
Then I smell them.
At the edge of the woods, far but not far enough, is the scent of others. Like me but not. Stronger, older, layered with a thousand stories I don’t know. My muscles lock, tail rigid, a growl hissing between my teeth before I even think to stop it. Instinct wants to bolt, wants to submit and slink away, but something else rises up—a bristling challenge, a question of who gets to own the air tonight.
I throw back my head. The howl is not a sound, it’s a wound in the fabric of the dark, a ripple that shakes the frost off every branch in a mile radius. It hurts to make it, but it’s a beautiful hurt, a hurt that proves I exist.
I listen for an answer. There is none. The world is silent, shivering, waiting.
That’s when the real panic sets in.
I am not prey, but I am not pack. I am alone.
I launch myself into the trees, speed doubling, tripling, smashing through undergrowth and not caring what I break. I run because there’s nothing else, run until my lungs ache, until my claws wear grooves in the frozen mud.
The moon keeps pace, cold and relentless.
I run until I disappear.
I run until the night swallows me whole.
The stew and the eyes and the tension still coil in my gut when the guards ease up their watch. The dining hall’s emptied of everyone but the cleanup crews—omegas sweeping up crusts, kitchen staff stacking the benches, warriors trickling out in pairs to the next ritual or shift or petty violence of the day. I make myself count to five after the last clatter of bowl, then rise to clear my place.The act is automatic, muscle memory from a dozen dead-end jobs, but here it’s loaded. I pick up my bowl and spoon, move to the tray station by the kitchen door, and sense the sudden shift in air pressure as every remaining body in the hall turns my way. At first, I think I’ve misread the code. Then a shape blocks my path: Scarface, flanked by the same two betas from before, all three grinning as if they’ve caught a fox in the henhouse.“Strays don’t serve themselves here,” Scarface says, loud enough to echo. The silence that falls is dense as concrete. I pause, bowl in hand, and look up at him.
For three full minutes, no one comes near me. The dining hall resets, benches scraping, bowls being refilled, conversations rising and falling in wavelets that skirt the edges of real violence. My isolation is so complete it’s almost a physical thing—a moat of open air, a buffer of untouchability. I imagine the boundary as a circle of salt poured around my bench, every grain a warning: Here lies the Stray Moon. Do not approach.Then the kitchen girl breaks the circle.She carries a tray loaded with bowls—some destined for the warriors, some for the children, but one unmistakably for me. She threads her way through the crowd with the same self-erasing gait as before: shoulders rounded, gaze cast slightly down, movements careful and soft, the opposite of the brash, elbow-throwing betas who muscle their way to the food line. Even so, I see the way she scans the room, the way she counts threats, the way her hand drifts unconsciously to the scar on her wrist whenever a raised voice pierces
The morning routine is a slaughterhouse parade: open the cell, drag out the stray, march her down the hall like a side of beef for display. The guards arrive right at dawn, boots silent but their intent loud as a gunshot. They don’t speak, don’t meet my eyes, just unlock the door in three practiced moves and jerk their chins to let me know it’s time. The silver cuffs go back on—today a newer set, thinner, polished so bright the reflection burns. I give them my wrists with a little extra flair, flexing my hands so they don’t have to fight me for it. They want a scene, or maybe just a hint of desperation. I give them neither.The escort is two deep: the first, a woman built like a fencepost, her buzz-cut scalp catching every scrap of torchlight; the second, a man so wide he has to angle his shoulders to clear the stairwell. They flank me, one step ahead and one behind, so close I can feel the heat of their skin and the faint, contemptuous thrum of their pulse. I try to walk loose, casua
I step into the final cell with my face as blank as I can make it. The instinct is to bare my teeth and glare, to let the whole world know it can’t rattle me, but my jaw’s so tight it feels wired shut and there’s no way I’m giving Nightwind the show it wants. The air is heavy, seasoned with a thousand years of old secrets and fresh sweat, and the dimensions are so mean that even standing up straight, my elbows brush stone on either side.The cot’s less a bed than a threat—thin wool over hard wooden slats, one of which is snapped at the edge so it juts up like a splinter with ambitions. The blanket is exactly what you’d expect: threadbare, stained in places, and so rich with the scent of former occupants that I wonder how many ghosts I’ll be sleeping with. I run my fingers along the underside, find a crust of something that could be blood or mildew, and make a mental note to never, ever get desperate enough to use it as a pillow.Jace stands in the doorway, half-shadowed. He’s watching
Time is subjective in the guts of Nightwind Manor—elastic, ugly, wound so tight it could snap at any moment. The cell’s nothing but a holding pattern, a way to kill the first hour of my new half-life, so when the door creaks open again I’m not surprised to see Jace’s silhouette backlit by a flicker of torchlight and a shadow that doesn’t belong to him.He doesn’t speak right away. Just stands there, holding the knob with one hand, eyes roving over my posture on the cot: knees up, arms wrapped tight, hands ghosting the silver cuffs as if I could somehow warm them into surrender. The coat’s balled up beneath my skull, a bad pillow, and I’ve used the time to memorize every crack in the wall, every odd echo of sound that makes it through the stone.He clears his throat. “You’re not sleeping,” he says, and it’s not a question.“Didn’t think I was allowed.” My voice rasps, the words burning on the way out. The air in here tastes of dust and slow death, laced with the sweat of every prisoner
The doors to Nightwind pack house are not doors so much as jaws—two slabs of blackened oak, studded with enough iron to anchor a ship, parted just wide enough to admit the condemned. They swing open on silent hinges, sucking in a coil of frigid air that raises the hair on my arms and scours the sweat from my collarbone. I step through, the silver cuffs already burning fissures into my skin, and the borrowed coat—three sizes too large, because nothing here is meant to fit—sags off my right shoulder, advertising the bones underneath.Jace stands at my left, hands clasped behind his back, posture so correct it could be a warning label for spinal injuries. His eyes—too pale, too quick—flick over me and away. The professional mask is flawless, but underneath it there’s a seam of something else, a hairline crack of regret that he covers by blinking more than he needs to. He doesn’t touch me. Doesn’t even stand close enough for our arms to brush. He just waits for the guards to take up posit







