Mag-log inThe moon breaks over the ridge, bleaching the pines into pale toothpicks and turning the packed snow to mirror glass. I stand at the edge of the forest and fill my lungs with the cold—let it burn all the way down, freeze out what’s left of doubt or softness inside me. The patrol forms up behind, boots crunching in synchronized rhythm, a sound as crisp as bone underfoot.
We are six tonight, counting me. Four betas, muscle and hunger layered in quilted black and the kind of nervous energy that only comes when the moon is full and the law is at stake. Two scouts, lean and silent, both with scars that speak for them. I hand-picked every one for what happens next.
“Eyes up,” I say, not raising my voice. I don’t need to.
They snap to attention anyway, all but Erik—the youngest, barely into his twenties, wolf lineage stretched thin but compensated for with raw, dumb loyalty. He stares at the woods with a look I recognize from the first time I held a man’s throat in my hands: horror spiked with anticipation. He wants to be the one to finish it, to come back with a story for the others.
I ignore him for now, sweep the rest of the faces. Tessa, my left hand, stands with her arms crossed, jaw set. Her hair’s tied tight, eyes blacker than the tree line. She’s never questioned an order in her life, but I see the way her fingers flex, measuring the distance to the forest’s shadow. She wants it over, wants blood on the snow so she can relax. She’s reliable that way.
“Wren Cade,” I say. The name hangs in the air, fogs, then vanishes. “Turned last night. First transformation tonight.”
The group doesn’t flinch, but I feel the ripple. It’s not fear—they don’t get to have that—but something older, the atavistic tremor of knowing you’re about to cull your own kind. The scouts exchange a single look before dropping eyes to the ground.
“Her wounds should’ve killed her,” I continue. “They didn’t. She survived the bite.” I let the implication hang: None of us survived ours, not really, but we keep moving anyway.
I step forward and sweep the snow off the log at my feet, exposing a hidden cache: two bundles of restraints, a quiver of arrows, and the old box with the ceremonial blade. It’s silver, of course—bitter and bright, metal cold enough to make your gums ache if you lick it. The hilt’s wrapped in black leather, inlaid with the crescent mark of our pack, handed down from the original Alpha Vale. My father gave it to me the night I inherited the title, pressing it into my palm with a look that said more than any oath.
I tuck it into the sheath at my hip, let the weight remind me of what I am.
“Standard formation,” I say. “Tessa, you take the right. Luka left. Scouts in diamond. I’ll be at point. We move silent until we have visual, then you follow my lead.”
Tessa and Luka exchange a glance—less about trust, more about who gets first crack. The scouts, both named something with too many consonants, simply nod and slip into the snow like ghosts. They’ve done this before.
Erik, for all his bravado, shuffles closer and hitches the quiver over his shoulder with a jerk that nearly spills half the arrows. He sees me watching and looks away fast, cheeks lit up red even in the blue of moonlight.
“Questions?” I ask, knowing there aren’t any.
Erik clears his throat. “Are we…” His eyes flick to the box, then to my face. “Are we really supposed to… finish her? Even if she’s still—?”
Tessa snaps her head around, but I hold up a hand. “Pack law is absolute.” I meet Erik’s eyes, let the words do the work. “Turned wolves are unstable. They can’t be reasoned with.” I let the echo of my father’s voice come through, crisp and merciless. “The only cure is silver.”
Erik’s Adam’s apple bobs. He’s brave enough to nod, not brave enough to look me in the eye.
I sweep the patrol with one last glance, measuring them. They don’t need the pep talk, the brotherhood bullshit; what keeps them sharp is the clarity of knowing exactly where the line is. Cross it, and you’re done. Simple.
I roll my shoulders, let the shift happen just enough to catch the world brighter, the scents sharper. The woods reek of sap and old snow, but there’s a streak of something sour under it—fear, blood, animal panic. Human, but only just.
I give the signal: two fingers at my throat, then a flick toward the trees. The formation dissolves and re-forms, each one knowing their place, the choreography drilled in since they could walk. They vanish into the dark with a precision I’d be proud of if I wasn’t so cold inside.
I wait until the last footstep fades, then step into the woods.
The patrol moves like a single organism: pulse, nerve, intention. Even Erik, for all his bluster, falls into step. The cold doesn’t touch us, not really. If it did, we wouldn’t be here.
We are the law tonight, and law doesn’t hesitate.
The stew and the eyes and the tension still coil in my gut when the guards ease up their watch. The dining hall’s emptied of everyone but the cleanup crews—omegas sweeping up crusts, kitchen staff stacking the benches, warriors trickling out in pairs to the next ritual or shift or petty violence of the day. I make myself count to five after the last clatter of bowl, then rise to clear my place.The act is automatic, muscle memory from a dozen dead-end jobs, but here it’s loaded. I pick up my bowl and spoon, move to the tray station by the kitchen door, and sense the sudden shift in air pressure as every remaining body in the hall turns my way. At first, I think I’ve misread the code. Then a shape blocks my path: Scarface, flanked by the same two betas from before, all three grinning as if they’ve caught a fox in the henhouse.“Strays don’t serve themselves here,” Scarface says, loud enough to echo. The silence that falls is dense as concrete. I pause, bowl in hand, and look up at him.
For three full minutes, no one comes near me. The dining hall resets, benches scraping, bowls being refilled, conversations rising and falling in wavelets that skirt the edges of real violence. My isolation is so complete it’s almost a physical thing—a moat of open air, a buffer of untouchability. I imagine the boundary as a circle of salt poured around my bench, every grain a warning: Here lies the Stray Moon. Do not approach.Then the kitchen girl breaks the circle.She carries a tray loaded with bowls—some destined for the warriors, some for the children, but one unmistakably for me. She threads her way through the crowd with the same self-erasing gait as before: shoulders rounded, gaze cast slightly down, movements careful and soft, the opposite of the brash, elbow-throwing betas who muscle their way to the food line. Even so, I see the way she scans the room, the way she counts threats, the way her hand drifts unconsciously to the scar on her wrist whenever a raised voice pierces
The morning routine is a slaughterhouse parade: open the cell, drag out the stray, march her down the hall like a side of beef for display. The guards arrive right at dawn, boots silent but their intent loud as a gunshot. They don’t speak, don’t meet my eyes, just unlock the door in three practiced moves and jerk their chins to let me know it’s time. The silver cuffs go back on—today a newer set, thinner, polished so bright the reflection burns. I give them my wrists with a little extra flair, flexing my hands so they don’t have to fight me for it. They want a scene, or maybe just a hint of desperation. I give them neither.The escort is two deep: the first, a woman built like a fencepost, her buzz-cut scalp catching every scrap of torchlight; the second, a man so wide he has to angle his shoulders to clear the stairwell. They flank me, one step ahead and one behind, so close I can feel the heat of their skin and the faint, contemptuous thrum of their pulse. I try to walk loose, casua
I step into the final cell with my face as blank as I can make it. The instinct is to bare my teeth and glare, to let the whole world know it can’t rattle me, but my jaw’s so tight it feels wired shut and there’s no way I’m giving Nightwind the show it wants. The air is heavy, seasoned with a thousand years of old secrets and fresh sweat, and the dimensions are so mean that even standing up straight, my elbows brush stone on either side.The cot’s less a bed than a threat—thin wool over hard wooden slats, one of which is snapped at the edge so it juts up like a splinter with ambitions. The blanket is exactly what you’d expect: threadbare, stained in places, and so rich with the scent of former occupants that I wonder how many ghosts I’ll be sleeping with. I run my fingers along the underside, find a crust of something that could be blood or mildew, and make a mental note to never, ever get desperate enough to use it as a pillow.Jace stands in the doorway, half-shadowed. He’s watching
Time is subjective in the guts of Nightwind Manor—elastic, ugly, wound so tight it could snap at any moment. The cell’s nothing but a holding pattern, a way to kill the first hour of my new half-life, so when the door creaks open again I’m not surprised to see Jace’s silhouette backlit by a flicker of torchlight and a shadow that doesn’t belong to him.He doesn’t speak right away. Just stands there, holding the knob with one hand, eyes roving over my posture on the cot: knees up, arms wrapped tight, hands ghosting the silver cuffs as if I could somehow warm them into surrender. The coat’s balled up beneath my skull, a bad pillow, and I’ve used the time to memorize every crack in the wall, every odd echo of sound that makes it through the stone.He clears his throat. “You’re not sleeping,” he says, and it’s not a question.“Didn’t think I was allowed.” My voice rasps, the words burning on the way out. The air in here tastes of dust and slow death, laced with the sweat of every prisoner
The doors to Nightwind pack house are not doors so much as jaws—two slabs of blackened oak, studded with enough iron to anchor a ship, parted just wide enough to admit the condemned. They swing open on silent hinges, sucking in a coil of frigid air that raises the hair on my arms and scours the sweat from my collarbone. I step through, the silver cuffs already burning fissures into my skin, and the borrowed coat—three sizes too large, because nothing here is meant to fit—sags off my right shoulder, advertising the bones underneath.Jace stands at my left, hands clasped behind his back, posture so correct it could be a warning label for spinal injuries. His eyes—too pale, too quick—flick over me and away. The professional mask is flawless, but underneath it there’s a seam of something else, a hairline crack of regret that he covers by blinking more than he needs to. He doesn’t touch me. Doesn’t even stand close enough for our arms to brush. He just waits for the guards to take up posit







