Mag-log inThe wolves in Nightwind know how to end a meeting. Clean, efficient, and if you’re lucky, with only the minimum amount of blood on the floor.
As soon as the last word falls, the guards move in. The detail is handpicked—my insurance against Soren’s goons, but even so, I watch for hesitation, a sideways glance that might betray a hidden allegiance. None. The men I chose lift Wren by the elbows, quick but not rough, and unlock the chain from the bench with a click that echoes more than it should.
She stands. She does it like a woman who’s forgotten what it means to kneel.
For a heartbeat, the whole room freezes. The elders, the juniors, even the runners in the gallery—all eyes are on her, waiting to see if she’ll collapse, cry, try to make a scene. Wren does none of it. She just squares her shoulders, lets the guard adjust the cuffs so her hands are in front now, and meets every gaze in turn. She even smirks at the baby-faced councilor who flinched before, and he looks away like he’s seen a ghost.
I don’t want to stare at her. I do anyway. The bond, the broken thing, flares as she moves past—raw heat in my chest, a nerve exposed to the wind. For a split second, I imagine the future: every night like this, her on display, me forced to pretend I don’t feel her pulse echo mine. It’s a vision I want to tear out of my skull, but it won’t leave.
Jace stands at my shoulder, waiting for orders. I give them without looking away from Wren. “She gets the east wing. Double guard. No food or water from Soren’s line. Report every hour.”
Jace nods, expression unreadable. He says nothing about the tremor in my voice.
The guards lead Wren down the aisle, the crowd parting ahead of them as if she carries a disease. At the exit, Soren stands waiting, arms crossed, jaw clenched so hard the muscle jumps. He leans in as she passes, and his voice is just loud enough for everyone to hear: “This changes nothing. The Moon’s mistake will be corrected, one way or another.”
Wren doesn’t flinch. She turns her head, looks Soren up and down, and says, “I survived being torn apart once. I can do it again.” The words aren’t loud, but they land like a knife in the gut.
Soren hisses something back, but Wren’s already walking away, bare feet padding silent over the cold stone. The councilors left behind immediately reform into clusters, the low buzz of their plotting starting up as if the whole meeting was a commercial break in the war.
I keep my eyes on Wren’s silhouette, the way her shoulders never dip, not even when the doors slam shut behind her. For a moment, the hall is empty except for the iron stink of sweat and fear, and my own heartbeat, too fast, too loud.
I look down and realize my hand is clenched so tight I’ve drawn blood. Red dots the palm, wells up between my nails. I rub it off on my trousers, but it keeps coming.
Tessa appears at my side, gaze flicking from my hand to my face. “You going to be all right?” she asks, quiet.
I laugh, and it’s an ugly sound. “Never have been.”
She doesn’t argue. She just looks at the door where Wren disappeared, then at the clusters of councilors still whispering at the edge of the chamber. “They’ll try again,” she says.
“They always do.” I shake my hand out, flexing the fingers. It hurts, but in a good way.
For a while, we just stand in the silence, listening to the distant scrape of guards moving Wren through the house, the high-pitched whine of a saw somewhere in the north wing, and, underneath it all, the low, secret rhythm of Nightwind deciding what it wants to become.
Tessa nudges my arm, not quite a comfort, more a reminder that I’m still standing. “You did what you had to. Even if nobody else knows it yet.”
“I’m not sure I know it, either.”
She shrugs. “Welcome to leadership.”
A councilor with a nose for trouble steps up, offers a stiff bow, and asks what the next session will address. I answer automatically, already thinking about the future—about Wren, about the prophecy, about the way the pack will try to turn this into another excuse for violence.
After they leave, Tessa lingers a moment longer. “Get some sleep,” she says. “You’ll need it.”
I nod, but I don’t move. I wait until the chamber is empty and the torches burn down to dull orange coals. Only then do I allow myself to feel the ache behind my ribs, the shape of a thing I lost but can’t forget.
When I finally leave, the echo of my steps joins the memory of hers, and the cold in the stone feels like a promise.
If the Stray Moon dies outside these walls, Nightwind will fall from within.
I wonder if anyone in this place knows how to survive falling.
I’m about to find out.
The stew and the eyes and the tension still coil in my gut when the guards ease up their watch. The dining hall’s emptied of everyone but the cleanup crews—omegas sweeping up crusts, kitchen staff stacking the benches, warriors trickling out in pairs to the next ritual or shift or petty violence of the day. I make myself count to five after the last clatter of bowl, then rise to clear my place.The act is automatic, muscle memory from a dozen dead-end jobs, but here it’s loaded. I pick up my bowl and spoon, move to the tray station by the kitchen door, and sense the sudden shift in air pressure as every remaining body in the hall turns my way. At first, I think I’ve misread the code. Then a shape blocks my path: Scarface, flanked by the same two betas from before, all three grinning as if they’ve caught a fox in the henhouse.“Strays don’t serve themselves here,” Scarface says, loud enough to echo. The silence that falls is dense as concrete. I pause, bowl in hand, and look up at him.
For three full minutes, no one comes near me. The dining hall resets, benches scraping, bowls being refilled, conversations rising and falling in wavelets that skirt the edges of real violence. My isolation is so complete it’s almost a physical thing—a moat of open air, a buffer of untouchability. I imagine the boundary as a circle of salt poured around my bench, every grain a warning: Here lies the Stray Moon. Do not approach.Then the kitchen girl breaks the circle.She carries a tray loaded with bowls—some destined for the warriors, some for the children, but one unmistakably for me. She threads her way through the crowd with the same self-erasing gait as before: shoulders rounded, gaze cast slightly down, movements careful and soft, the opposite of the brash, elbow-throwing betas who muscle their way to the food line. Even so, I see the way she scans the room, the way she counts threats, the way her hand drifts unconsciously to the scar on her wrist whenever a raised voice pierces
The morning routine is a slaughterhouse parade: open the cell, drag out the stray, march her down the hall like a side of beef for display. The guards arrive right at dawn, boots silent but their intent loud as a gunshot. They don’t speak, don’t meet my eyes, just unlock the door in three practiced moves and jerk their chins to let me know it’s time. The silver cuffs go back on—today a newer set, thinner, polished so bright the reflection burns. I give them my wrists with a little extra flair, flexing my hands so they don’t have to fight me for it. They want a scene, or maybe just a hint of desperation. I give them neither.The escort is two deep: the first, a woman built like a fencepost, her buzz-cut scalp catching every scrap of torchlight; the second, a man so wide he has to angle his shoulders to clear the stairwell. They flank me, one step ahead and one behind, so close I can feel the heat of their skin and the faint, contemptuous thrum of their pulse. I try to walk loose, casua
I step into the final cell with my face as blank as I can make it. The instinct is to bare my teeth and glare, to let the whole world know it can’t rattle me, but my jaw’s so tight it feels wired shut and there’s no way I’m giving Nightwind the show it wants. The air is heavy, seasoned with a thousand years of old secrets and fresh sweat, and the dimensions are so mean that even standing up straight, my elbows brush stone on either side.The cot’s less a bed than a threat—thin wool over hard wooden slats, one of which is snapped at the edge so it juts up like a splinter with ambitions. The blanket is exactly what you’d expect: threadbare, stained in places, and so rich with the scent of former occupants that I wonder how many ghosts I’ll be sleeping with. I run my fingers along the underside, find a crust of something that could be blood or mildew, and make a mental note to never, ever get desperate enough to use it as a pillow.Jace stands in the doorway, half-shadowed. He’s watching
Time is subjective in the guts of Nightwind Manor—elastic, ugly, wound so tight it could snap at any moment. The cell’s nothing but a holding pattern, a way to kill the first hour of my new half-life, so when the door creaks open again I’m not surprised to see Jace’s silhouette backlit by a flicker of torchlight and a shadow that doesn’t belong to him.He doesn’t speak right away. Just stands there, holding the knob with one hand, eyes roving over my posture on the cot: knees up, arms wrapped tight, hands ghosting the silver cuffs as if I could somehow warm them into surrender. The coat’s balled up beneath my skull, a bad pillow, and I’ve used the time to memorize every crack in the wall, every odd echo of sound that makes it through the stone.He clears his throat. “You’re not sleeping,” he says, and it’s not a question.“Didn’t think I was allowed.” My voice rasps, the words burning on the way out. The air in here tastes of dust and slow death, laced with the sweat of every prisoner
The doors to Nightwind pack house are not doors so much as jaws—two slabs of blackened oak, studded with enough iron to anchor a ship, parted just wide enough to admit the condemned. They swing open on silent hinges, sucking in a coil of frigid air that raises the hair on my arms and scours the sweat from my collarbone. I step through, the silver cuffs already burning fissures into my skin, and the borrowed coat—three sizes too large, because nothing here is meant to fit—sags off my right shoulder, advertising the bones underneath.Jace stands at my left, hands clasped behind his back, posture so correct it could be a warning label for spinal injuries. His eyes—too pale, too quick—flick over me and away. The professional mask is flawless, but underneath it there’s a seam of something else, a hairline crack of regret that he covers by blinking more than he needs to. He doesn’t touch me. Doesn’t even stand close enough for our arms to brush. He just waits for the guards to take up posit







