Mag-log inThe moon hangs like a guillotine over the Nightwind courtyard, sharp and pitiless. I stand at the stone’s edge, shackled to the eyes of a hundred wolves, their faces rendered in shades of frost and loathing by the floodlights overhead. The air is so cold it bites, and my breath—ragged, uncooperative—comes in quick gasps that make my ribs ache.
They’ve made a spectacle of it. Not just the pack, but the banners and the torches, the rows of elders in their ancient coats, all arranged for maximum humiliation. I taste sweat and old blood at the back of my mouth, but nothing so much as the sour, electric tang of fear.
Lucian stands above me on the dais, posture so perfect it’s a challenge. He doesn’t look at me, not really. He gazes just over my head, as if I’m a problem he can’t quite solve, a stain he intends to bleach from memory. The mate-bond thrums between us, thin and fragile and so goddamn loud I think the others must hear it too.
He speaks, and every head turns to catch the syllables as they hit the air:
“The law is clear,” he says, voice flat and metallic. “Mate-bond is sacred, but the law is final.”
I want to spit at his feet, but my mouth is dry and the guards at either side would probably rip my arm off for sport. I settle for glaring up at him, willing him to see me, not the stray or the turned or the “accident,” but the woman he couldn’t quite kill even when the Moon herself demanded it.
He lifts his hand, and the room—because that’s what the courtyard is, a living, breathing room—goes quiet in an instant.
“Tonight I name you mate, and tonight I break it.” The words shatter something inside me. “You are unbound. You have no claim. You are nothing to me and nothing to the pack. The law stands.”
It’s not just words. The bond, whatever it was, snaps like a cable inside my chest. My heart stutters and I nearly drop to my knees, vision blurring at the edges as if the moon’s just blown out every bulb in my head. My hands clench, then splay, desperate for any anchor.
The crowd’s reaction is delayed—shock is always slow in a pack. Then it hits, a collective flinch, a hiss of breath sharp as silver. Some faces twist with disgust, a few with something like pity, but most are just blank. They’d rather see a clean execution than this.
The two guards—betas, both, hulking and joyless—step forward as the echo dies. One pulls a set of manacles from his belt: polished silver, heavy as guilt, the inside lined with something that looks like burnt felt. I don’t need a manual to know what happens next.
They grab my wrists, not gently. The pain is immediate—raw, stinging, like dunking open wounds in battery acid. I try to pull back, but the world is swimming and my legs are mush. They snap the cuffs shut and the jolt of it makes me yelp. The sound is pathetic, more animal than human, and the nearest wolves in the front row smirk.
The silver is designed to weaken, to strip the wolf out of a body and leave only meat behind. I feel it like a rot, crawling up my arms, sapping everything good and hot and alive from my veins. My fingers tingle, then go numb. I flex them anyway, refusing to give the crowd the spectacle of collapse.
My coat is some borrowed thing, three sizes too big, but the sleeves ride up when the guards wrench my arms. The bandages on my forearm are visible now, the edges stained red and puckered with fresh scabs. The guards glance at them, then at each other, then at Lucian—like they’re waiting for an excuse to finish what the Moon started.
The taste in my mouth shifts, coppery and bright. I realize I’ve bitten my tongue hard enough to bleed. I smile, just to show them the stain on my teeth.
The pack’s silence is even heavier now. I scan the crowd for a friendly face and find nothing but wolves in human skins, hungry for the next part. There’s a woman in the second row—hair long and glossy, jaw set like concrete—who meets my eyes for a single heartbeat. There’s something behind the mask, something almost sad, but she looks away fast, as if it’s contagious.
Lucian steps down from the dais. The crowd parts for him, even the betas bowing their heads as he passes. He stops in front of me, close enough to touch, but he doesn’t. He stares into my face, searching for something. Maybe fear, maybe submission. I hope he finds neither.
He leans in, voice pitched for my ears only. “You could have made this easier,” he says.
The words land like a slap. I grin wider, blood pooling behind my molars. “You could have made it mean something,” I whisper back.
He straightens, motioning to the guards. “Secure her,” he says, louder now, for the benefit of every eavesdropper in the yard. “We don’t take chances.”
The guards haul me upright, the silver cuffs digging into bone. The pain is clean now, almost clarifying, and I focus on it—on the burn, on the stench of my own skin searing under the metal, on the humiliation of being paraded past a thousand eyes that will never remember my name but will recall the night they saw the Moon’s “mistake” unmade.
As they drag me across the stone, I look up one last time at the sky. The moon’s gone pale, half-hidden behind a cloud, as if it’s ashamed of what’s happening here.
Good. Let it be ashamed.
I don’t lower my head. I don’t cry. I don’t give them anything.
They want a ghost. They can have one, but I’ll be the kind that haunts every last one of them.
The doors close behind, swallowing the noise, the light, the only world I’ve ever known.
All that’s left is the burn of the silver and the echo of Lucian’s voice, repeating: “You are nothing to me and nothing to the pack. The law stands.”
I taste the metal on my tongue and decide I prefer it to the taste of his lies.
The stew and the eyes and the tension still coil in my gut when the guards ease up their watch. The dining hall’s emptied of everyone but the cleanup crews—omegas sweeping up crusts, kitchen staff stacking the benches, warriors trickling out in pairs to the next ritual or shift or petty violence of the day. I make myself count to five after the last clatter of bowl, then rise to clear my place.The act is automatic, muscle memory from a dozen dead-end jobs, but here it’s loaded. I pick up my bowl and spoon, move to the tray station by the kitchen door, and sense the sudden shift in air pressure as every remaining body in the hall turns my way. At first, I think I’ve misread the code. Then a shape blocks my path: Scarface, flanked by the same two betas from before, all three grinning as if they’ve caught a fox in the henhouse.“Strays don’t serve themselves here,” Scarface says, loud enough to echo. The silence that falls is dense as concrete. I pause, bowl in hand, and look up at him.
For three full minutes, no one comes near me. The dining hall resets, benches scraping, bowls being refilled, conversations rising and falling in wavelets that skirt the edges of real violence. My isolation is so complete it’s almost a physical thing—a moat of open air, a buffer of untouchability. I imagine the boundary as a circle of salt poured around my bench, every grain a warning: Here lies the Stray Moon. Do not approach.Then the kitchen girl breaks the circle.She carries a tray loaded with bowls—some destined for the warriors, some for the children, but one unmistakably for me. She threads her way through the crowd with the same self-erasing gait as before: shoulders rounded, gaze cast slightly down, movements careful and soft, the opposite of the brash, elbow-throwing betas who muscle their way to the food line. Even so, I see the way she scans the room, the way she counts threats, the way her hand drifts unconsciously to the scar on her wrist whenever a raised voice pierces
The morning routine is a slaughterhouse parade: open the cell, drag out the stray, march her down the hall like a side of beef for display. The guards arrive right at dawn, boots silent but their intent loud as a gunshot. They don’t speak, don’t meet my eyes, just unlock the door in three practiced moves and jerk their chins to let me know it’s time. The silver cuffs go back on—today a newer set, thinner, polished so bright the reflection burns. I give them my wrists with a little extra flair, flexing my hands so they don’t have to fight me for it. They want a scene, or maybe just a hint of desperation. I give them neither.The escort is two deep: the first, a woman built like a fencepost, her buzz-cut scalp catching every scrap of torchlight; the second, a man so wide he has to angle his shoulders to clear the stairwell. They flank me, one step ahead and one behind, so close I can feel the heat of their skin and the faint, contemptuous thrum of their pulse. I try to walk loose, casua
I step into the final cell with my face as blank as I can make it. The instinct is to bare my teeth and glare, to let the whole world know it can’t rattle me, but my jaw’s so tight it feels wired shut and there’s no way I’m giving Nightwind the show it wants. The air is heavy, seasoned with a thousand years of old secrets and fresh sweat, and the dimensions are so mean that even standing up straight, my elbows brush stone on either side.The cot’s less a bed than a threat—thin wool over hard wooden slats, one of which is snapped at the edge so it juts up like a splinter with ambitions. The blanket is exactly what you’d expect: threadbare, stained in places, and so rich with the scent of former occupants that I wonder how many ghosts I’ll be sleeping with. I run my fingers along the underside, find a crust of something that could be blood or mildew, and make a mental note to never, ever get desperate enough to use it as a pillow.Jace stands in the doorway, half-shadowed. He’s watching
Time is subjective in the guts of Nightwind Manor—elastic, ugly, wound so tight it could snap at any moment. The cell’s nothing but a holding pattern, a way to kill the first hour of my new half-life, so when the door creaks open again I’m not surprised to see Jace’s silhouette backlit by a flicker of torchlight and a shadow that doesn’t belong to him.He doesn’t speak right away. Just stands there, holding the knob with one hand, eyes roving over my posture on the cot: knees up, arms wrapped tight, hands ghosting the silver cuffs as if I could somehow warm them into surrender. The coat’s balled up beneath my skull, a bad pillow, and I’ve used the time to memorize every crack in the wall, every odd echo of sound that makes it through the stone.He clears his throat. “You’re not sleeping,” he says, and it’s not a question.“Didn’t think I was allowed.” My voice rasps, the words burning on the way out. The air in here tastes of dust and slow death, laced with the sweat of every prisoner
The doors to Nightwind pack house are not doors so much as jaws—two slabs of blackened oak, studded with enough iron to anchor a ship, parted just wide enough to admit the condemned. They swing open on silent hinges, sucking in a coil of frigid air that raises the hair on my arms and scours the sweat from my collarbone. I step through, the silver cuffs already burning fissures into my skin, and the borrowed coat—three sizes too large, because nothing here is meant to fit—sags off my right shoulder, advertising the bones underneath.Jace stands at my left, hands clasped behind his back, posture so correct it could be a warning label for spinal injuries. His eyes—too pale, too quick—flick over me and away. The professional mask is flawless, but underneath it there’s a seam of something else, a hairline crack of regret that he covers by blinking more than he needs to. He doesn’t touch me. Doesn’t even stand close enough for our arms to brush. He just waits for the guards to take up posit







