LOGINSarah locks the yoke with one knee before the plane has finished dropping.She does not ask me to move.She does not tell me to breathe.She comes out of the cockpit bent low, one hand on the ceiling rail, hair stuck to her cheek with sweat. There is blood on her sleeve. Mine, probably. Maybe not. We are past sorting."Light," she says.The penlight is in the open kit beside Leo's seat.My fingers miss it the first time.Sarah sees. She says nothing.One of the better things about her.The second try gets it into my hand. I pass it over without leaning toward the baby.Sarah takes the light in her teeth and folds the blanket down from his chest.The patch looks worse in the open.Too large for him. Too small for what it has to do. The upper edge has softened and curled away from his skin, and beneath it a red line marks him where the adhesive pulled.New skin should not know glue."Tape," Sarah says around the penlight.I hand her the roll.She looks at it."This tape is trash.""Use
My son catches the edge of my nail.Not my finger. Not skin.Only the thin white rim of a cracked nail, dirty near the cuticle from blood, salt, and machine grease.He holds it like it is enough.I let him believe that because the alternative is killing him with love.The seaplane shivers under us. The vibration climbs through the floor, through the emergency blanket, through the towel wrapped around Leo's portable core.My son loses my nail.His hand opens.Small. Furious. Searching.My body moves before I do.Half an inch.That is all. Half an inch of a mother's hand lowering toward a newborn who should not have to learn restraint before hunger, before warmth, before a name. His fist should meet my palm. Someone should be allowed to say mine without turning the word into a hazard.The skin at his throat flushes.Fast."Back up," Sarah says.I stop."I'm not touching him.""Back up anyway."Her voice comes from the cockpit, flat and rough around the edges. Not unkind. Worse. Useful.
By the time the sun finds us, it is no grand sunrise, only thin gray light over cloud tops and open water and a world that has no idea what woke under it.Sarah keeps the plane low enough to hide from clean radar and high enough that waves stop reaching for us. Her hands have stopped shaking. That worries me more than when they did.People stop shaking when they have no spare fuel for it.I sit on the floor because the bench is too hard and my body is making new kinds of pain now that the old ones have gotten boring. The baby lies across my thighs on the emergency blanket, the stabilizer taped beside his ribs.I keep the display turned away.Seven days is too large a number.One decision is the only unit I trust.Leo's core rests against my knee. Frost rims one edge of the casing, but the center stays hot. The display has dimmed to save power.MEMORY: PARTIAL.VOICE: PARTIAL.FIELD: STABLE.BIO: LISTENING.
The seaplane drags itself across the water like it hates living.Sarah flies it anyway.She curses the left float, the right float, the weather, the Morton maintenance schedule, the fuel gauge, and the concept of rich men hiding vehicles without leaving decent snacks.The plane smells like old vinyl, aviation fuel, and rainwater that found its way through seals years ago. The cargo net behind me holds two emergency packs, a flare gun, and a medical kit so old the label has faded to pink.Sarah flies with one sleeve soaked in my blood and one hand shaking whenever she takes it off the yoke.She notices me noticing.“Don't start.”“I didn't.”“Your face started.”“My face just had a baby.”“Your face can file a complaint after we clear radar.”I sit in the back with the baby against my chest and Leo's core strapped between my knees in a cooling sling
The seaplane cache is real. Of course it is.Damian has hidden exits the way other people hide money. Under names. Under reefs. Under other people's ignorance.Sarah finds the beacon code in the waterproof flight case and swears at the neatness of it.“You have an entire plane under a tarp on a reef.”Damian is sitting against the sub wall with one hand pressed to his chest and the other braced near the baby, not touching now because the stabilizer is doing its bad little imitation.“Floatplane.”Sarah stares at him.“I am going to leave you here for correcting me.”“That was always the plan.”No one laughs.The baby lies in my arms with the stabilizer pressed against the blanket near his ribs. The box does its ugly work beside him, late and wrong and good enough to make leaving possible.I turn the counter face-down.Seven days can wait outside my eyes
The third option arrives looking like something Julian would have thrown into a lead bin and labeled later, if desperate.Leo projects the schematic onto the dead sub screen in strips of blue and red. The image stutters every few seconds because his voice trace is partial, his memory trace is worse, and his casing is still too hot despite Sarah's cooling line.FIELD TELEMETRY.BIO-SAMPLING.FREQUENCY MASK ARCHIVE.“That old spoof patch,” Sarah says. “The one Julian abandoned.”I remember Julian's hands over a workbench that smelled like adhesive and burnt sugar. A frequency mask meant to fake a source signature for ninety seconds. Too toxic for skin. Too noisy near living tissue. Useful for doors, not bodies.Another almost-solution. Another piece of hardware that had failed the first time because bodies are less forgiving than doors.Julian had called it a lie with a rash.I had laughed then, bec
The red light doesn't blink. It bleeds.I take my hand away from the intercom panel. The wood is still warm where Leo's signal-jammer scorched the line. My skin crawls.Leo called me an antenna. If he's right, every second I spend in this suite is a broadcast address—coordinates being sold to whoeve
Damian's thumb presses into the pulse point at my wrist as though he's trying to read my bones.He isn't just holding me. He's measuring me. Searching for the tremor my blood left behind.I don't pull away. Resistance is a confession. I let my hand go limp, fingers mimicking the brittleness of a wom
Seventeen cameras. Eight armed guards. One way out, and it's a thirty-story drop if the elevator cables snap.I count them before my boots clear the lobby's marble threshold. It's a reflex—a rhythm as natural as the pulse I'm working so hard to flatten.One guard stands by the revolving door, his pa
The lab doors haven't finished sealing before Julian drops into his chair.His breathing is wet and uneven, a man hyperventilating in slow motion. He won't look at me. His eyes are fixed on the space where Damian stood, as though the air there has been permanently altered."He knows," Julian says. T







