ログインStanley Cup Final. Ten Years Later.
CAL
I've been hitting Ethan Locke for ten years.
Not always legally, not always cleanly. Sometimes only with my eyes, sometimes with words, mostly with the full, undeniable weight of my massive body driving him into the boards. Ten years of crossing ice, a decade of wanting – needing – to leave a mark that he can’t just get up and skate away from. Ten years ago, I wanted to hit him because he mocked me, now I hit him because it’s the only language loud enough to fucking reach him.
The Stanley Cup Final does nothing to blunt those instincts. If anything, it sharpens them.
From the opening shift, I play the game the only way I ever have: loud, violent, absolute. I finish checks that echo, I chase hits that bring the crowd to its feet, I feel the familiar burn in my shoulders and legs and welcome it. Pain means I’m doing my job. Pain means I still matter.
Locke is everywhere that I am not.
He moves with that infuriating calm he’s perfected over the years, his grey eyes unreadable behind the visor. He wears the C now – of course he does – and it sits on his chest like he's always been the Denver Rockies Captain, like it was stitched for him alone. When he glides past my wing, when he directs players with a subtle tilt of his stick, I feel the old resentment rise, hot and immediate.
I skate harder because of him. I hit harder too.
The first period is a collision of styles: my weight slamming bodies into boards, my fists drawing roars from the crowd, my presence rewriting the ice into something devastating and immediate. Every one of my checks earns cheers, every one of my penalties is spun as necessary violence. Half the crowd loves this brutal, brutish version of me, the other half loves to hate it.
When I get my first penalty, the crowd explodes, again half fury, half delight. I skate to the box with my pulse roaring, sweat slicking my spine. As the door slams shut behind me, I look over at the man that I hate more than anyone on earth.
Ethan is already on the ice, and he takes control of the power play like it’s second nature, his voice cutting through the noise, directing traffic with a lift of his stick, a shift of his shoulders. His team responds instantly, every man falling into place around him.
God, I hate how easy he makes it look. I watch him dominate not with force but with command, his body precise, beautiful in motion, power expressed through restraint instead of explosion. The contrast between us should make me furious, and it fucking does.
By the second period, I’m bleeding time for impact. Two minutes for interference, two more for roughing. The refs know my number, they always do, and I don’t argue with them. I just sit in the box and glare through the glass, chest heaving, sweat stinging my eyes, watching Ethan take over the ice like it’s been waiting for him.
He slows the game down; that’s his real skill. Not his hands, not his vision – though the fucker has both in spades – but the way he dictates tempo, the way he makes everyone else look clumsy and hurried by comparison. He never raises his voice, never slams his stick. He points once, adjusts a formation, waits.
And the game listens.
When I’m released, I come out of the box like a storm. I hit anything wearing the wrong color, I chase contact like it owes me something. I feel myself slipping – my timing off, my stride too aggressive – but I refuse to slow down. Slowing down means surrendering to the rules of Ethan's game, playing the way that he wants me to... and no way I'm caving to him. Not ever.
Late in the third, with the score tied and the building vibrating with anticipation, I make my worst mistake.
I go for him straight-on.
I see Ethan near the blue line, puck on his stick, head up, reading the ice. I step up hard, commit fully, convinced that this – this moment, this hit – will finally be enough to disrupt him. For him to take me seriously, to respect me. See me.
He moves the puck and sidesteps less than a second before I reach him, using all his infuriating grace and strength, and I crash through empty space, momentum carrying me just far enough out of position to matter. The ice opens behind me, and his slap shot follows.
The goal feels inevitable before it even happens.
I slam my stick against the ice once, then again, the blade splintering under the force. The sound is ugly and it's final. The crowd explodes, and I know – before the horn, before the replay – that this is the end. The ref sends me back to the box for five minutes for unsportsmanlike conduct, and I don’t resist.
I sit there, chest burning, hands shaking, watching Ethan Locke dominate the final four minutes of the game with surgical calm. He doesn’t rush, he doesn’t gloat, he doesn't lose focus for one goddamn second. He simply closes the door.
Ten years since I first laid eyes on this asshole, and I'm still here where I started – caged, furious, reduced to spectacle – while he controls the outcome.
I stare at the ice until it scars itself into my vision and I wonder, not for the first time, when brute force stopped being enough, and when I started caring.
ETHANUp close and half-naked, Cal Mercer is utterly overwhelming.Not in the way the press means when they talk about his size, not as spectacle or intimidation, but in the way his body seems to exceed the logic of the space meant to hold it, like the hallway itself has underestimated what it would mean to contain that much heat, that much muscle, that much barely restrained force stripped of pads and context and armor.He’s shirtless, skin still flushed from exertion, heat rolling off him in a way that I can feel without even touching. His chest is broad to the point of near-impossibility, peppered with black hair, muscles layered thick and dense, rising and falling with breaths that haven’t settled yet. Veins stand out along his arms and neck, dark and pronounced, like the map of something dangerous and alive just under the surface.Ink crawls over him, black and dark-blue tattoos, lines disappearing beneath the waistband of his jeans, spiraling over shoulders that look built to ab
CALThe anger in the locker room barely registers.I hear my name in half-whispers, sense the fury in the set of my teammates' shoulders. But since I don't turn around or make eye contact, nobody actually speaks to me directly.I don’t shower, I don’t cool down; I just shove my legs into faded jeans, pull on my boots, grab my t-shirt, leave my gear strewn across the floor for someone else to deal with. The air-conditioning against my bare chest is a shock, but it doesn’t help. It just sharpens everything.The hallway outside the locker rooms is narrow and utilitarian, concrete walls sweating in the June humidity, fluorescent lights flickering. My skin is still sticky with sweat and disappointment, chest bare and flushed. My body hasn’t caught up to the fact that the season is over, and my pulse is still looking for something to hit.That’s when I see him.Ethan Locke stands alone at the far end of the corridor, freshly showered, hair damp and curling, in an impeccable suit that isn't
Stanley Cup Final. Ten Years Later.ETHANI’ve been tracking Cal Mercer’s career for a decade.You don’t have to like a man to know his numbers, his habits, the arc of his reputation. In this league, some players become unavoidable, not because they’re particularly talented or brilliant, but because they're loud and demand attention. Cal has always been loud in all the ways that sell this sport: hits that rattle glass, penalties that make highlight reels that get a million likes, a body built to look dangerous even when he’s standing still.Violence photographs well, after all.I’ve known exactly what he would become since I first laid eyes on him back at training camp. The league loves a monster that it can point at, coaches love a weapon that they can unleash, fans love rage that they don’t have to carry themselves and can simply observe from their own living room, or from the arena seats. Cal delivers all of it reliably, every single time he hits the ice.Across from me tonight, st
Stanley Cup Final. Ten Years Later.CALI've been hitting Ethan Locke for ten years.Not always legally, not always cleanly. Sometimes only with my eyes, sometimes with words, mostly with the full, undeniable weight of my massive body driving him into the boards. Ten years of crossing ice, a decade of wanting – needing – to leave a mark that he can’t just get up and skate away from. Ten years ago, I wanted to hit him because he mocked me, now I hit him because it’s the only language loud enough to fucking reach him.The Stanley Cup Final does nothing to blunt those instincts. If anything, it sharpens them.From the opening shift, I play the game the only way I ever have: loud, violent, absolute. I finish checks that echo, I chase hits that bring the crowd to its feet, I feel the familiar burn in my shoulders and legs and welcome it. Pain means I’m doing my job. Pain means I still matter.Locke is everywhere that I am not.He moves with that infuriating calm he’s perfected over the yea
Pro Development Hockey Camp, Ten Years AgoETHANI clock him the minute that he steps onto the ice, because it’s pretty much impossible not to.Some bodies announce themselves without trying, simply by existing at a scale the rest of the room has to adjust to. He’s one of those: chest and shoulders and thighs heavy and rippling with muscle, presence so dense it bends the drills around him. He doesn’t skate so much as arrive, each push into the ice deliberate and punishing, like he expects the surface to withstand him or be broken by the attempt.He moves like a blunt instrument learning speed, all force and fury. There’s violence coiled in him, not just in the way that he hits, but in how he stands, how he breathes, how he occupies space without apology. I’ve played hockey for enough years to have seen this kind of asshole before, so this one should be easy enough to dismiss. For some reason, I can’t do that with him.When we line up for drills, I feel him beside me before I see him.
Pro Development Hockey Camp, Ten Years AgoCALI notice him because the rink goes quiet around him.I don't mean literally, of course. The air is still full of skates cutting sharp edges and coaches shouting and pucks cracking against boards… but something in me focuses when he steps onto the ice, like my body has decided that this matters before my brain knows why.He’s not the tallest guy here, and not the broadest, either. What he is is contained. Shoulders squared, posture easy, slate-grey eyes tracking everything without looking like he’s trying. He moves like the ice belongs to him already.He fucking pisses me off, right from the jump, and I don’t even know who the hell he is.I’m used to being the biggest presence in a space, in any and every space. I’m eighteen, six-foot-six, creeping up on two-hundred-fifty pounds thanks to daily workouts in the weight room; I’m all power and hunger and rage that hasn’t found a clean outlet yet. I’ve learned how to hit, and how to endure bei







