Sophia
I'm sitting in what can only be described as the world's most expensive therapist's office, staring at a woman who looks like she stepped out of a catalog for ‘Therapists Who Definitely Have Their Shit Together.’
Dr. Patricia Mendez has silver hair pulled back in a perfect chignon, kind eyes behind designer glasses, and the sort of calm energy that makes you want to confess all your deepest secrets within the first five minutes. Which is probably exactly the point.
"So, Ms. Sterling," she says, glancing down at her tablet with the kind of casual elegance that suggests she's done this a thousand times before. "Tell me about your relationship with your father."
Jesus Christ, we're really doing this.
I shift in the leather chair that probably costs more than my car and arrange my features into what I hope is the appropriate level of wealthy-daughter angst. "My father and I have a... complicated relationship."
"Complicated how?"
This is the part where I'm supposed to lean into the whole "rich daddy issues" persona I've created for Sophia Sterling. The problem is, I never had a father to have issues with, complicated or otherwise. What I had was a revolving door of foster homes and a social worker named Margaret who chain-smoked Marlboros and called me "kiddo" like it was my actual name.
"He's very focused on business," I say, which feels like a safe rich-person complaint. "Success, legacy, the family name. Sometimes I feel like I'm just another acquisition to him."
Dr. Mendez nods sympathetically, making notes on her tablet. "And how does that make you feel?"
Like I'm a fraud who's about to be exposed by a woman with a psychology degree and too much time on her hands.
"Invisible," I say instead, and the word comes out more honest than I intended. "Like nothing I do will ever be enough."
The truth is, I've felt invisible my entire life. In foster care, you learn early that making yourself small and unremarkable is the key to survival. Don't be too smart, don't be too loud, don't be too anything. Just exist quietly until you age out of the system and can finally start living.
"That must be very lonely," Dr. Mendez says softly.
Shit. I can feel my carefully constructed walls starting to crack, and that's not good for anyone involved. Sophia Sterling is supposed to be vulnerable but in a rich-girl way, not in a ‘I spent my eighteenth birthday in a group home eating grocery store cake by myself’ way.
"Sometimes," I admit, because apparently my mouth has decided to go rogue. "But you learn to cope, you know? You find ways to protect yourself."
"What kind of ways?"
I think about the sarcasm, the emotional walls, the way I push people away before they can leave me first. I think about how I've perfected the art of being alone because it's safer than hoping someone might actually stay.
"Humor," I say finally. "If you can make people laugh, they don't look too closely at anything else."
Dr. Mendez sets down her tablet and really looks at me for the first time since I sat down. "And what don't you want them to see?"
I freeze, because there’s no way to answer that without bleeding a little. For a moment, I forget I'm supposed to be playing a character. I forget I'm here on assignment. I forget everything except the weight of that question and the way it makes my chest feel too tight.
"That I'm not who they think I am," I whisper, and immediately want to take it back.
"Who do you think they think you are?"
Someone worth staying for.
But I can't say that. Can't admit that the deepest fear I carry around isn't that people will discover I'm not rich or successful or put-together. It's that they'll discover I'm not worth the effort it takes to love me.
"Someone who has it all figured out," I say instead, pulling myself back together. "Someone who deserves good things."
"And you don't believe you deserve good things?"
Before I can answer, there's a soft knock on the door. Dr. Mendez glances at her watch, looking surprised.
"Come in."
The door opens and Marcus Blackwood steps inside, looking unfairly gorgeous in a charcoal suit that was probably stitched together around his perfect arms. His eyes find mine immediately, and I try to pour cold water on the way his gaze heats my insides.
"I'm sorry to interrupt," he says, his voice doing that thing where it goes slightly rough around the edges. "But we have a situation that requires Ms. Sterling's immediate attention."
Dr. Mendez looks between us, clearly picking up on some kind of tension. "Of course. We can continue this another time."
I stand on legs that feel slightly unsteady, smoothing down my skirt and trying to look like I haven't just been emotionally disemboweled by a professional.
"Thank you, Dr. Mendez," I manage. "This was... enlightening."
Marcus places his hand on the small of my back as he guides me toward the door, and the touch sends an unwelcome shiver through me.
"Are you all right?" he asks quietly once we're in the hallway.
The question catches me off guard. Not because he's asking, but because he sounds like he actually cares about the answer.
"I'm fine," I lie, the same way I've been lying my entire life. "What's the situation?"
He studies my face for a long moment, and I have the unsettling feeling that he can see right through me. Again.
"Your first match," he says finally. "He's here early and specifically requested to meet you immediately."
Oh, great. Another performance.
"Lead the way," I say, sliding back into Sophia Sterling like putting on a familiar coat.
But as we walk down the hallway, I can't shake the feeling that something fundamental has shifted in that room. Like I showed Patricia Mendez, and by proxy Marcus Blackwood, a piece of myself I didn't mean to show, and now I can't take it back.
And I really want to.
MarcusThe fundraiser is exactly the kind of glossy, champagne-slick event I used to glide through without a second thought. Platinum branded banners draped just-so across whitewashed walls, a string quartet in the corner trying their best to be heard over the clink of crystal. The kind of room where people pretend money isn’t the real conversation.I hate it tonight.Not because I’ve forgotten how to play the part. I never forget. But because every second I’m here feels like dragging Sophia closer to the fire. She’s at my side, radiant in a black dress that looks like it was tailored to make the rest of the room irrelevant. I can feel eyes flick to her, then to me, then away.Elena floats somewhere near the bar, laughing with two investment clients. She catches my eye across the room and raises her glass in a half-toast. I force a polite nod back.When a waiter glides by, I ask for a coffee. My head’s been buzzing with too many angles. Marrin’s testimony, Gillespie’s next move, Sop
GillespieI spread the files across the table of the conference room in neat, controlled lines. Bank statements, transcripts, surveillance shots, and wait for Marcus to take a seat.He doesn’t. He stands by the door, arms folded, jaw tight, radiating stubbornness like body heat.“You’re late,” I say.“You’re lucky I’m here at all,” he fires back.There it is. The old Marcus Blackwood I remember from training ops. Brilliant, relentless, impossible. I’ve never seen him this frayed, though. Not in the field, not undercover, not even that time in Miami when the entire operation was one step away from collapse. This is different.This is Sophia Chen different.I tap the file nearest to him. “Marrin’s confession is strong. Strong enough to move on. But if we bring him in wrong, we lose everything. We need it to be airtight.”He pushes off the door and comes closer. “Airtight means dead if you’re not careful. He’s already twitching at shadows.”“That’s not my problem.”“It’s mine,” he says,
MarcusEvery floorboard groans when Marrin shifts his weight on the couch, every pipe in the wall ticks as if time itself is louder here. He sits hunched forward, chewing the inside of his cheek until it’s raw, one knee bouncing. He looks like he’s waiting for the bullet that’ll end him.I don’t blame him. Considering who the players are in this game, he probably is.Sophia sets her pen down, the filled notebook heavy on the table between us. Her fingers hover over the cover like she can hold all those words inside by sheer willpower. She doesn’t look at me. Not yet.I can still hear Marrin’s voice, jagged and frantic. Elena. Bainbridge. Numbers. Names. Each piece a shard that fit too neatly into the suspicions I’ve been ignoring.Sophia clears her throat. “We should move him.”Marrin snaps his head up, eyes bloodshot. “Move me where? Jesus, you don’t get it. There’s nowhere that’s safe.”“You can’t stay here,” she says evenly. “There’s a reason this is an abandoned safe house. It’s f
MarcusThe safehouse is barely more than a forgotten apartment over a boarded-up hardware store. No heat, no furniture except a sagging couch and a table with one broken leg propped on a brick. But it’s quiet and secluded. No prying eyes, no neighbors awake at this hour.Marrin paces like a caged animal, sweat beading on his forehead despite the chill that seeps through the cracked windows. Sophia sits forward on the dilapidated couch, notebook open, pen in hand, every inch the journalist even when the air smells like mildew and dust.I lean against the wall, arms crossed, watching him wear a trench into the scuffed floorboards. He looks smaller than he did at the laundromat. Hunched, hollowed, stripped of whatever shine Bainbridge once put on him.“You said you wanted to talk,” Sophia says, calm but sharp. “So talk.”Marrin stops pacing, rubbing his face with shaking hands. “You don’t get it. Talking is what gets you killed.”Sophia doesn’t flinch. “Not talking already has you half-d
SophiaPatience has never been my strong suit. Not when there’s a lead burning a hole in my notebook and the FBI’s idea of “timely action” involves committee meetings and five layers of clearance.So when whispers circle back to me about Marrin, sighted at a dingy laundromat three blocks off the subway in a neighborhood no one pays attention to, I don’t wait for Marcus. I don’t wait for anyone. Which could be construed as irresponsible, but we all need hobbies.Preparation is half theater, half shield. I pull my blond wig out of its case, adjust it until the part falls just right. Glasses with plain lenses. The old press badge I’ve altered with a different last name. A burner phone in my pocket, and the tiny recorder tucked into my jacket lining. Tools, not weapons. The kind of armor I know how to wield.The laundromat hums with the white noise of machines, coin slots clinking, fluorescent lights buzzing like lazy hornets. It smells faintly of detergent and damp cotton. People keep th
MarcusThe thing about slipping back into old habits is how easy it feels, like shrugging on a jacket you swore you’d outgrown but still fits just fine.Sophia and I lost Marrin on our last outing. He ducked around a corner and disappeared from sight. But I have a tiny divot in the wall now and if I keep working at it, it may turn into a genuine foothold.I shouldn’t be doing this. Not officially. Rodriguez made it clear I’m benched, and Gillespie would love nothing more than to report back that Marcus Blackwood has finally let emotion scramble his operational sense. But old contacts don’t vanish, and instincts don’t switch off because the Bureau says so.So when I hear about a courier running envelopes for Marrin, I lean on a favor. Just enough pressure to get a name. The trick is to act like you’re still an invaluable part of the machine even when you’re not. Authority is half illusion, half memory. People hear my voice and still assume I have a right to demand answers. That works u