I'm pretending to review client files while I'm actually watching Sophia Sterling through my office window as she stands on the sidewalk below, having what appears to be an increasingly animated phone conversation.
She's been down there for twenty minutes now, and I've watched her go through what looks like the five stages of grief. First denial. Shaking her head repeatedly. Then anger. I swear I saw her mouth the word "fuck" loud enough that a woman with a stroller gave her a dirty look. Bargaining came next, with lots of hand gestures that suggested she was trying to convince someone of something. Depression hit when she leaned against the building like the weight of the world had settled on her shoulders.
Now she's pacing, which I'm hoping means acceptance, but from what I’ve been able to gather about Sophia, it could just as easily mean she's planning something that's going to give me a headache.
"You're being creepy," Elena says from the doorway, not bothering to knock. It's a habit of hers that usually doesn't bother me, but today everything feels like sandpaper against my nerves.
"I'm being observant," I correct, not turning away from the window. "There's a difference."
"Is there?" She moves to stand beside me, following my gaze to where Sophia has stopped pacing and is now giving her phone the kind of look usually reserved for exes and parking tickets. "Because from where I'm standing, it looks like you're stalking your fake client."
"She's not fake." The words come out sharper than I intended, and Elena raises an eyebrow.
"Right. She's just a perfectly normal tech heiress who happens to need a hundred-thousand-dollar matchmaking service to find someone to tolerate her sparkling personality."
I finally turn to look at her. "What's that supposed to mean?"
"It means she's playing you, Marcus. And you're so busy thinking with your-"
"Don't." I hold up a hand. "Don't finish that sentence."
Elena's expression softens slightly. "I'm trying to protect you. This woman shows up out of nowhere, lies about everything except her name, and suddenly you're asking her to dinner like some lovesick teenager. This isn't like you."
She's right, and that's what bothers me most. I've built my entire career on reading people. On seeing through their facades and finding the truth underneath. But with Sophia, every instinct I have is contradicting itself.
“Have you vetted her yet?” Elena asks, glancing at my computer screen with the casual invasion of privacy that comes from fifteen years of friendship.
"It's in progress,” I lie.
"That's not an answer."
"It's the answer you're getting."
Elena is quiet for a moment, and I can feel her studying my profile. "You haven't run it because you're afraid of what you'll find."
"I haven't run it because I'm trying to figure out what game she's playing first." I finally step away from the window, though I can still see Sophia in my peripheral vision. She's walking now, heading toward the subway entrance. "I need to understand her motivations before I do anything that might scare her off."
"And if she's just a normal client with normal problems?"
Then I'm investigating an innocent woman who trusted me enough to agree to dinner, and I'm exactly the kind of person who deserves to eat alone for the rest of his life.
"Then we move on to the next client," I say instead.
Elena doesn't buy it. She never does. "Marcus, I've known you since we were kids. I've seen you date supermodels and Fortune 500 CEOs and that senator's daughter who collected vintage cars. You've never once looked at any of them the way you look at Sophia Sterling."
"How do I look at her?"
"Like she's a puzzle you actually want to solve instead of a client you need to match."
My phone buzzes in my pocket. Probably another client inquiry, or maybe some paperwork Elena needs me to sign.
"I need to handle this," I say, pulling out the phone.
"No, you need to handle her." Elena nods toward the window. "Because whatever game she's playing, you're about to become a player instead of a referee. And in my experience, that's when people get hurt."
After she leaves, I stand there for a long moment, staring at my phone. Rodriguez has sent two more texts and a missed call notification. The Bureau wants answers, and I'm supposed to be the one providing them.
Instead, I'm thinking about the way Sophia's face changed when I asked her to dinner. The way she went from guarded to vulnerable in the span of a heartbeat, like I'd asked her something much more dangerous than whether she wanted to share a meal.
I'm thinking about the way she said "I don't think dinner is a good idea" like she was trying to convince herself as much as me.
I'm thinking about how she agreed anyway.
I pull out my phone and start researching restaurants. If Sophia Sterling wants to pick the place for our dinner, I want to be ready for whatever she chooses. Because something tells me that where she decides to take me is going to tell me more about who she really is than any FBI database ever could.
And despite every professional instinct screaming at me to keep digging into her life, to call Rodriguez, to treat this like the case it's supposed to be, I realize I'd rather learn about Sophia from Sophia.
Even if it means discovering I'm the one being played.
MarcusThe fundraiser is exactly the kind of glossy, champagne-slick event I used to glide through without a second thought. Platinum branded banners draped just-so across whitewashed walls, a string quartet in the corner trying their best to be heard over the clink of crystal. The kind of room where people pretend money isn’t the real conversation.I hate it tonight.Not because I’ve forgotten how to play the part. I never forget. But because every second I’m here feels like dragging Sophia closer to the fire. She’s at my side, radiant in a black dress that looks like it was tailored to make the rest of the room irrelevant. I can feel eyes flick to her, then to me, then away.Elena floats somewhere near the bar, laughing with two investment clients. She catches my eye across the room and raises her glass in a half-toast. I force a polite nod back.When a waiter glides by, I ask for a coffee. My head’s been buzzing with too many angles. Marrin’s testimony, Gillespie’s next move, Sop
GillespieI spread the files across the table of the conference room in neat, controlled lines. Bank statements, transcripts, surveillance shots, and wait for Marcus to take a seat.He doesn’t. He stands by the door, arms folded, jaw tight, radiating stubbornness like body heat.“You’re late,” I say.“You’re lucky I’m here at all,” he fires back.There it is. The old Marcus Blackwood I remember from training ops. Brilliant, relentless, impossible. I’ve never seen him this frayed, though. Not in the field, not undercover, not even that time in Miami when the entire operation was one step away from collapse. This is different.This is Sophia Chen different.I tap the file nearest to him. “Marrin’s confession is strong. Strong enough to move on. But if we bring him in wrong, we lose everything. We need it to be airtight.”He pushes off the door and comes closer. “Airtight means dead if you’re not careful. He’s already twitching at shadows.”“That’s not my problem.”“It’s mine,” he says,
MarcusEvery floorboard groans when Marrin shifts his weight on the couch, every pipe in the wall ticks as if time itself is louder here. He sits hunched forward, chewing the inside of his cheek until it’s raw, one knee bouncing. He looks like he’s waiting for the bullet that’ll end him.I don’t blame him. Considering who the players are in this game, he probably is.Sophia sets her pen down, the filled notebook heavy on the table between us. Her fingers hover over the cover like she can hold all those words inside by sheer willpower. She doesn’t look at me. Not yet.I can still hear Marrin’s voice, jagged and frantic. Elena. Bainbridge. Numbers. Names. Each piece a shard that fit too neatly into the suspicions I’ve been ignoring.Sophia clears her throat. “We should move him.”Marrin snaps his head up, eyes bloodshot. “Move me where? Jesus, you don’t get it. There’s nowhere that’s safe.”“You can’t stay here,” she says evenly. “There’s a reason this is an abandoned safe house. It’s f
MarcusThe safehouse is barely more than a forgotten apartment over a boarded-up hardware store. No heat, no furniture except a sagging couch and a table with one broken leg propped on a brick. But it’s quiet and secluded. No prying eyes, no neighbors awake at this hour.Marrin paces like a caged animal, sweat beading on his forehead despite the chill that seeps through the cracked windows. Sophia sits forward on the dilapidated couch, notebook open, pen in hand, every inch the journalist even when the air smells like mildew and dust.I lean against the wall, arms crossed, watching him wear a trench into the scuffed floorboards. He looks smaller than he did at the laundromat. Hunched, hollowed, stripped of whatever shine Bainbridge once put on him.“You said you wanted to talk,” Sophia says, calm but sharp. “So talk.”Marrin stops pacing, rubbing his face with shaking hands. “You don’t get it. Talking is what gets you killed.”Sophia doesn’t flinch. “Not talking already has you half-d
SophiaPatience has never been my strong suit. Not when there’s a lead burning a hole in my notebook and the FBI’s idea of “timely action” involves committee meetings and five layers of clearance.So when whispers circle back to me about Marrin, sighted at a dingy laundromat three blocks off the subway in a neighborhood no one pays attention to, I don’t wait for Marcus. I don’t wait for anyone. Which could be construed as irresponsible, but we all need hobbies.Preparation is half theater, half shield. I pull my blond wig out of its case, adjust it until the part falls just right. Glasses with plain lenses. The old press badge I’ve altered with a different last name. A burner phone in my pocket, and the tiny recorder tucked into my jacket lining. Tools, not weapons. The kind of armor I know how to wield.The laundromat hums with the white noise of machines, coin slots clinking, fluorescent lights buzzing like lazy hornets. It smells faintly of detergent and damp cotton. People keep th
MarcusThe thing about slipping back into old habits is how easy it feels, like shrugging on a jacket you swore you’d outgrown but still fits just fine.Sophia and I lost Marrin on our last outing. He ducked around a corner and disappeared from sight. But I have a tiny divot in the wall now and if I keep working at it, it may turn into a genuine foothold.I shouldn’t be doing this. Not officially. Rodriguez made it clear I’m benched, and Gillespie would love nothing more than to report back that Marcus Blackwood has finally let emotion scramble his operational sense. But old contacts don’t vanish, and instincts don’t switch off because the Bureau says so.So when I hear about a courier running envelopes for Marrin, I lean on a favor. Just enough pressure to get a name. The trick is to act like you’re still an invaluable part of the machine even when you’re not. Authority is half illusion, half memory. People hear my voice and still assume I have a right to demand answers. That works u