Sophia
I'm standing in the elevator, watching the numbers climb, and trying to figure out what the hell just happened back there.
Did I just agree to have dinner with Marcus Blackwood? The man I'm supposed to be investigating? The man who might be running a criminal enterprise that's getting people killed?
The man who just looked at me like I wasn’t a ticking time bomb?
"Get it together, Chen," I mutter to my reflection in the polished steel doors. "You're a professional. You've infiltrated corporate boardrooms and political fundraisers. You can handle one dinner with a ridiculously attractive potential criminal."
But that's the problem, isn't it? The ridiculously attractive part is starting to overshadow the potential criminal part, and that's exactly how good journalists end up dead in dumpsters.
My phone buzzes. A text from Jamie: How'd it go? Did you get the goods on Mr. Tall Dark and Handsome?
I type back: Terrible match. Decent intel. Having dinner with target tomorrow.
Three dots appear immediately, then: EXCUSE ME WHAT
Soon followed by, Sophia Rebecca Chen do NOT tell me you're going on a date with the man you're investigating
Then, Also your middle name isn't Rebecca but I'm too panicked to remember what it actually is
I can't help but smile. Jamie's panic-texting is oddly comforting, like a familiar blanket in a world gone completely sideways.
It's not a date. It's reconnaissance, I text back.
Reconnaissance that involves wine and candlelight?
Reconnaissance that involves getting him to trust me enough to slip up.
Uh huh. And what happens when YOU slip up because you're busy staring at his cheekbones?
I pause, my fingers hovering over the keyboard. Because that's the real question, isn't it? What happens when the lines blur between Sophia Chen, investigative journalist, and Sophia Sterling, woman who hasn't had a real conversation with an attractive man in... God, how long has it been?
I'm a professional, I finally type.
You're a human being. With eyes. And hormones.
I don't have hormones.
Right. And I don't have a thing for shirtless cowboys.
The elevator dings, and I step out into the late afternoon sunlight streaming through the building's glass facade. Outside, the city is doing its usual chaos dance. Taxis honking, people shouting into phones, the general symphony of urban life that usually centers me.
Today, it just feels loud.
I have to do this, Jamie. If he's involved in whatever's happening to these people, I need to get close enough to find out. And if he's not...
I delete that last part. Because if he's not involved, then what? Then I'm lying to a good man who just asked me to dinner like it actually mattered to him. Then I'm the one using people, manipulating them, playing with their emotions for a story.
Then I'm exactly the kind of person I usually expose.
My phone rings. Jamie, of course.
"Don't you dare hang up on me," he says before I can even say hello.
"I wasn't going to-"
"You were thinking about it. I can hear it in your breathing." There's a pause, then his voice softens. "Soph, talk to me. What's really going on?"
I lean against the building's stone facade, watching people rush past with their important lives and their uncomplicated problems. "I think I'm in over my head."
"With the investigation?"
"With him." The words come out quieter than I intended. "He's not what I expected, Jamie. He's... God, I don't know how to explain it. When he looks at me, it's like he's seeing something I don't even know is there."
"And that's terrifying because?"
"Because I don't know if it's real or if it's just part of whatever game he's playing." I close my eyes, feeling the weight of the last few hours settling on my shoulders. "And I don't know if I want it to be real or if I'm hoping it's not."
"Jesus, Soph." Jamie's quiet for a moment. "You really like him."
"I don't know him well enough to like him. I know he's intelligent and observant and he has this way of making me feel like I'm the only person in the room." I pause. "And I know he's hiding something."
"So are you."
"That's different."
"Is it?"
I don't answer, because we both know it's not. I'm lying about who I am, what I want, why I'm here. If anything, I'm the one manipulating the situation. He's just... responding to it.
"What if I'm wrong about him?" I ask finally.
"What if you're right?"
"That's not helpful."
"It's not supposed to be helpful. It's supposed to be honest." Jamie's voice is gentle now, the way it gets when he's about to say something I don't want to hear. "Soph, you've been doing this job for three years. You've never once called me questioning whether a source might be innocent. What's different about this guy?"
I think about Marcus in the lobby, the way he stepped closer when he asked me to dinner. The way his voice went soft when I said I didn’t think dinner was a good idea. The way he looked at me like I was something precious instead of something to be solved.
"Everything," I whisper.
"Then maybe that's your answer."
After I hang up, I stand there for a long moment, watching the city move around me. People heading home from work, meeting friends for drinks, living their normal lives where the biggest deception is maybe fibbing about being late because of traffic.
I pull out my phone and scroll through my contacts until I find the name I'm looking for. Elena Vasquez. Marcus's business partner. The woman who barely looked at me during our brief introduction but whose eyes tracked my every movement like a predator sizing up potential prey.
If Marcus is involved in something criminal, she'd know about it. And if she's the one really running things... well, that could mean Marcus is an innocent bystander whose life could be in danger if I find out things I shouldn’t by using him.
I stop walking so abruptly that a man behind me nearly crashes into my back. He mutters something unflattering about tourists, but I barely hear him.
"Oh, fuck," I say out loud, earning a scandalized look from a woman pushing a stroller.
This just got infinitely more complicated.
I need to call Jamie back. I need to do more research on Elena Vasquez. I need to figure out what the hell I've gotten myself into.
But first, I need to decide what I'm going to wear to dinner with a man who might rue the day he ever met me.
MarcusThe fundraiser is exactly the kind of glossy, champagne-slick event I used to glide through without a second thought. Platinum branded banners draped just-so across whitewashed walls, a string quartet in the corner trying their best to be heard over the clink of crystal. The kind of room where people pretend money isn’t the real conversation.I hate it tonight.Not because I’ve forgotten how to play the part. I never forget. But because every second I’m here feels like dragging Sophia closer to the fire. She’s at my side, radiant in a black dress that looks like it was tailored to make the rest of the room irrelevant. I can feel eyes flick to her, then to me, then away.Elena floats somewhere near the bar, laughing with two investment clients. She catches my eye across the room and raises her glass in a half-toast. I force a polite nod back.When a waiter glides by, I ask for a coffee. My head’s been buzzing with too many angles. Marrin’s testimony, Gillespie’s next move, Sop
GillespieI spread the files across the table of the conference room in neat, controlled lines. Bank statements, transcripts, surveillance shots, and wait for Marcus to take a seat.He doesn’t. He stands by the door, arms folded, jaw tight, radiating stubbornness like body heat.“You’re late,” I say.“You’re lucky I’m here at all,” he fires back.There it is. The old Marcus Blackwood I remember from training ops. Brilliant, relentless, impossible. I’ve never seen him this frayed, though. Not in the field, not undercover, not even that time in Miami when the entire operation was one step away from collapse. This is different.This is Sophia Chen different.I tap the file nearest to him. “Marrin’s confession is strong. Strong enough to move on. But if we bring him in wrong, we lose everything. We need it to be airtight.”He pushes off the door and comes closer. “Airtight means dead if you’re not careful. He’s already twitching at shadows.”“That’s not my problem.”“It’s mine,” he says,
MarcusEvery floorboard groans when Marrin shifts his weight on the couch, every pipe in the wall ticks as if time itself is louder here. He sits hunched forward, chewing the inside of his cheek until it’s raw, one knee bouncing. He looks like he’s waiting for the bullet that’ll end him.I don’t blame him. Considering who the players are in this game, he probably is.Sophia sets her pen down, the filled notebook heavy on the table between us. Her fingers hover over the cover like she can hold all those words inside by sheer willpower. She doesn’t look at me. Not yet.I can still hear Marrin’s voice, jagged and frantic. Elena. Bainbridge. Numbers. Names. Each piece a shard that fit too neatly into the suspicions I’ve been ignoring.Sophia clears her throat. “We should move him.”Marrin snaps his head up, eyes bloodshot. “Move me where? Jesus, you don’t get it. There’s nowhere that’s safe.”“You can’t stay here,” she says evenly. “There’s a reason this is an abandoned safe house. It’s f
MarcusThe safehouse is barely more than a forgotten apartment over a boarded-up hardware store. No heat, no furniture except a sagging couch and a table with one broken leg propped on a brick. But it’s quiet and secluded. No prying eyes, no neighbors awake at this hour.Marrin paces like a caged animal, sweat beading on his forehead despite the chill that seeps through the cracked windows. Sophia sits forward on the dilapidated couch, notebook open, pen in hand, every inch the journalist even when the air smells like mildew and dust.I lean against the wall, arms crossed, watching him wear a trench into the scuffed floorboards. He looks smaller than he did at the laundromat. Hunched, hollowed, stripped of whatever shine Bainbridge once put on him.“You said you wanted to talk,” Sophia says, calm but sharp. “So talk.”Marrin stops pacing, rubbing his face with shaking hands. “You don’t get it. Talking is what gets you killed.”Sophia doesn’t flinch. “Not talking already has you half-d
SophiaPatience has never been my strong suit. Not when there’s a lead burning a hole in my notebook and the FBI’s idea of “timely action” involves committee meetings and five layers of clearance.So when whispers circle back to me about Marrin, sighted at a dingy laundromat three blocks off the subway in a neighborhood no one pays attention to, I don’t wait for Marcus. I don’t wait for anyone. Which could be construed as irresponsible, but we all need hobbies.Preparation is half theater, half shield. I pull my blond wig out of its case, adjust it until the part falls just right. Glasses with plain lenses. The old press badge I’ve altered with a different last name. A burner phone in my pocket, and the tiny recorder tucked into my jacket lining. Tools, not weapons. The kind of armor I know how to wield.The laundromat hums with the white noise of machines, coin slots clinking, fluorescent lights buzzing like lazy hornets. It smells faintly of detergent and damp cotton. People keep th
MarcusThe thing about slipping back into old habits is how easy it feels, like shrugging on a jacket you swore you’d outgrown but still fits just fine.Sophia and I lost Marrin on our last outing. He ducked around a corner and disappeared from sight. But I have a tiny divot in the wall now and if I keep working at it, it may turn into a genuine foothold.I shouldn’t be doing this. Not officially. Rodriguez made it clear I’m benched, and Gillespie would love nothing more than to report back that Marcus Blackwood has finally let emotion scramble his operational sense. But old contacts don’t vanish, and instincts don’t switch off because the Bureau says so.So when I hear about a courier running envelopes for Marrin, I lean on a favor. Just enough pressure to get a name. The trick is to act like you’re still an invaluable part of the machine even when you’re not. Authority is half illusion, half memory. People hear my voice and still assume I have a right to demand answers. That works u